Lionel Shriver

Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage in a series of startlingly direct correspondences with her absent husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

We Need to Talk about Kevin

High Fidelity

You made me greedy. Like any addict worth his salt, I wanted more. And I was curious. I wondered how it felt when it was a piping voice calling, “Momm-MEEE?” from around that same corner. You started it—like someone who gives you a gift of a single carved ebony elephant, and suddenly you get this idea that it might be fun to start a collection.

I have experienced my share of burning sexual desire, and I can assure you that this was an urgency of another order. I wanted to arrange a backup, for you and for us, like slipping a carbon in my IBM Selectric. I wanted to make sure that if anything happened to either of us there would be something left beside socks. Just that night I wanted a baby stuffed in every cranny like money in jars, like hidden bottles of vodka for weak-willed alcoholics.

Ever notice how many films portray pregnancy as infestation, as colonization by stealth? Rosemary’s Baby was just the beginning. In Alien, a foul extraterrestrial claws its way out of John Hurt’s belly. In Mimic, a woman gives birth to a two-foot maggot. Later, the X-Files turned bug-eyed aliens bursting gorily from human midsections into a running theme. In horror and sci-fi, the host is consumed or rent, reduced to husk or residue so that some nightmare creature may survive its shell.

“I kept them up for my sanity,” I said. “I needed to see something you’d done to me, to reach out and touch it. To prove that your malice wasn’t all in my head.”

“Yeah,” he said, tickling the scar on his arm again. “Know what you mean.”

Socially, Kevin camouflaged himself with just enough “friends” so as not to appear, alarmingly, a loner. They were all mediocrities—exceptional mediocrities, if there is such a thing—or outright cretins like Lenny Pugh. They all pursued this minimalist approach to education, and they didn’t get into trouble. They may well have led a whole secret life behind this gray scrim of bovine obedience, but the one thing that didn’t raise a red flag at his high school was being suspiciously drab. The mask was perfect.

We Need to Talk about Kevin quotes

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