Projecting Questions? Mike Hoolboom's Invisible Man Between the Art Gallery and the Movie Theatre

With the proliferation of digital projection, the presentation of moving images in art galleries has exploded exponentially. In the process, the relationship of experimental film to the gallery circuit has shifted dramatically. This volume, coming out of Mike Hoolboom's 2004 exhibition at the Art Gallery of York University, is a series of essays and conversations between artists, curators, and programmers that delineate the complicated path from the white cube to the black box.