Ray Bradbury

'Fahrenheit 451' ist die Temperatur, bei der "Bücherpapier Feuer fängt und verbrennt". In Ray Bradburys Zukunftsvision ist die Feuerwehr nicht mehr mit Wasserspritzen ausgerüstet, sondern mit Flammenwerfern, die genau diesen Hitzegrad erzeugen, um die letzten Zeugnisse individualistischen Denkens - die Bücher - zu vernichten. Da -beginnt der Feuerwehrmann Guy Montag, sich Fragen zu stellen... Die beängstigende Geschichte von einer Welt, in der das Bücherlesen mit Gefängnis und Tod bestraft wird, ist ein zeitloses Plädoyer für das freie Denken.

Fahrenheit 451

Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But when he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television, Montag begins to question everything he has ever known.

Nica

“In these days when we worry and we argue about whether ebooks are real books, I love how broad Ray Bradbury’s definition of a book is at the end, when he points out that we should not judge our books by their covers, and that some books exist between covers that are perfectly people-shaped.”

Why do we need the things in books? The poems, the essays, the stories? Authors disagree. Authors are human and fallible and foolish. Stories are lies after all, tales of people who never existed and the things that never actually happened to them. Why should we read them? Why should we care?

The teller and the tale are very different. We must not forget that.

Ideas—written ideas—are special. They are the way we transmit our stories and our thoughts from one generation to the next. If we lose them, we lose our shared history. We lose much of what makes us human. And fiction gives us empathy: it puts us inside the minds of other people, gives us the gift of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.

If someone tells you what a story is about, they are probably right.

If they tell you that that is all the story is about, they are very definitely wrong.

Any story is about a host of things. It is about the author; it is about the world the author sees and deals with and lives in; it is about the words chosen and the way those words are deployed; it is about the story itself and what happens in the story; it is about the people in the story; it is polemic; it is opinion.

An author’s opinions of what a story is about are always valid and are always true: the author was there, after all, when the book was written. She came up with each word and knows why she used that word instead of another. But an author is a creature of her time, and even she cannot see everything that her book is about.

People think—wrongly—that speculative fiction is about predicting the future, but it isn’t; or if it is, it tends to do a rotten job of it. Futures are huge things that come with many elements and a billion variables, and the human race has a habit of listening to predictions for what the future will bring and then doing something quite different.

What speculative fiction is really good at is not the future but the present— taking an aspect of it that troubles or is dangerous, and extending and extrapolating that aspect into something that allows the people of that time to see what they are doing from a different angle and from a different place. It’s cautionary.

Sometimes writers write about a world that does not yet exist. We do it for a hundred reasons. (Because it’s good to look forward, not back. Because we need to illuminate a path we hope or we fear humanity will take. Because the world of the future seems more enticing or more interesting than the world of today. Because we need to warn you. To encourage. To examine. To imagine.) The reasons for writing about the day after tomorrow, and all the tomorrows that follow it, are as many and as varied as the people writing.

里森

And on either side of the river was there a tree of life, which bare twelve manner of fruits, and yielded her fruit every month; And the leaves of the tree were for the healing of the nations. Yes, thought Montag, that’s the one I’ll save for noon. For noon … When we reach the city.

“I hate a Roman named Status Quo!” he said to me. “Stuff your eyes with wonder,” he said, “live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,” he said, “shake the tree and knock the great sloth down on his ass.”’

he was a thing of horn and blood that would smell like autumn if you bled it out on the ground.

A deer. He smelled the heavy musk-like perfume mingled with blood and the gummed exhalation of the animal’s breath, all cardamon and moss and ragweed odour in this huge night where the trees ran at him, pulled away, ran, pulled away, to the pulse of the heart behind his eyes.

they say there’s lots of old Harvard degrees on the tracks between here and Los Angeles.

But remember that the Captain belongs to the most dangerous enemy of truth and freedom, the solid unmoving cattle of the majority. Oh, God, the terrible tyranny of the majority.

“The folly of mistaking a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself as an oracle, is inborn in us, Mr Valéry once said.”’

“The Devil can cite Scripture for his purpose.”

If you hide your ignorance, no one will hit you and you’ll never learn.

‘Do you know that books smell like nutmeg or some spice from a foreign land? I loved to smell them when I was a boy.

He ran on the white tiles up through the tunnels, ignoring the escalators, because he wanted to feel his feet move, arms swing, lungs clench, unclench, feel his throat go raw with air.

if you read fast and read all, maybe some of the sand will stay in the sieve. But he read and the words fell through,

Melting wax dolls also also appear in The Satanic Verses (a book that was burnt like those in Fahrenheit 451).

She was beginning to shriek now, sitting there like a wax doll melting in its own heat.

A special spot-wavex-scrambler also caused his televised image, in the area immediately about his lips, to mouth the vowels and consonants beautifully.

Cram them full of non-combustible data, chock them so damned full of “facts” they feel stuffed, but absolutely “brilliant” with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving.

The girl? She was a time bomb. The family had been feeding her subconscious, I’m sure, from what I saw of her school record.

‘Coloured people don’t like Little Black Sambo. Burn it. White people don’t feel good about Uncle Tom’s Cabin. Burn it. Someone’s written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag.

Not everyone born free and equal, as the Constitution says, but everyone made equal.

We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered?

Luke Harkness

Got a lot of time for this story 

There were two things I loved about this book: firstly, I adored the writing style. Ray Bradbury knows how to make a scene feel quick and urgent with the way he writes and he's got a great way of using metaphors and illustrating the characters feelings. Secondly, I love the message this book gives. A future where books are banned because they give people ideas and get them talking. The story goes that headlines became shorter, stories became less informative and eventually it was thought a better idea to simply rid the world of print media. Does that sound like a lot of clickbait and "fake news" you've read recently? Unfortauntely we can't burn the internet like books.

Sarah Sammis

Read it first in 8th grade and then again as an adult. It's interesting to read in the context of TV and social media.

maitha mana

"Stuff your eyes with wonder. Live as if you'll drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that, shake the tree and knock the great sloth on his ass."

Lindy B

Prior to this week, I had never actually read Fahrenheit 451, I'd just managed to consume at least 70% of it by osmosis via quotations, articles, and online arguments. Surely, I thought going into this, there has to be more to the book.

Nope!

The ideology of Fahrenheit 451 promotes complex narratives over simple ones, specificity over mass appeal, and discomfort over safety. People describe this ideology as pro-free speech or pro-intellectualism, although I'd say within the text it'd be more accurate to say it's anti-censorship and anti-anti-intellectualism, in that it shows the deleterious effects of censorship and anti-intellectualism and not the benefits of the opposites and doesn't equip anyone to argue in favor of them, which is not a great place to stand on rhetorically. Less discussed is that the ideology is equally pro-individualism, and this is crucial, particularly in the Cold War context. Television serves as the main (although not the only; Beatty also specifically points to comic books and pulp novels) symbol of what the ideology stands against. 

The problem is that Fahrenheit 451 itself is narratively and rhetorically at about the same level as a mid-century Western film. There's very little humanity (by which I mean literally no one remembers this book for the strength of its characters), just good guys and bad guys and blowing sh*t up, and one barely has to think to realize which ideology is the "right" one. It's not like Montag actually becomes a more discerning or compassionate person or something over the course of the novel, he just changes ideologies. People who make the distinction of literature as a subset of fiction (like Bradbury does in the text) often place Fahrenheit 451 as literature, and I'm not usually one to participate in defining any distinction, but wow that assessment is wrong. And so Fahrenheit 451 renders its central ideology silly and the whole time I wished I was reading a better book.

In conclusion, I interpret Fahrenheit 451  as a novel with a very specific goal, and Bradbury failed to attain it because the text is too facile to stand on any other merits outside of ideology.

Isabella 

three stars because i'm not a fan of the writing. other than that, i really liked it! it definitely leaves you thinking.

Sasha-Gaye Solomon

Tim Robbins

Ammerins Moss-de Boer

Even better on the second read. Bradbury simply doesn’t miss 

Emily Lucie

Farenheit 451

I never read this in school, and reading it as an adult was such a treat. It was a quick page turner. Full of lush passages to chew, swallow, and digest. I’m looking forward to reading more from Bradbury.

sarah

"It's fine work. Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes. That's our official slogan."
--
I was not ready for what this book was about.
Of course, it is impossible to go completely blind into a book that has become a prominent part of popular culture, but as it turns out, Fahrenheit 451 is so much more than a dystopian sci-fi bleakly criticizing an authoritarian regime against freedom of speech. It touches upon war and society, technology and communication, conformity and marginalization, capitalism and the trade of distraction.
And a strange, giddy dread grips you from the first sentence.
"It was a pleasure to burn."
There is a feeling of an immense depth, in darkness, behind all the empty conversations and the over-the-top numbing technological distraction that hits a bit too close to home. It gives me shivers to imagine a world, where books are contraband to be burnt on detection, a true nightmare. But I am really preaching to the choir here on a book reviewing platform. The whole thing could really be an episode of Black Mirror.
Fantastically dark, mordant, and gripping.

Dealogues

Ehm, gimana ya nulisnya?

Karena judul buku ini "Fahrenheit 451", saya mengira yang dibahas adalah sejarah mengapa buku-buku dilarang dan pemberontakan dari para pecinta buku. Ternyata saya salah. Ini adalah tentang Guy Montag yang mencari alasan kenapa dia tidak bahagia yang, sejujurnya, tidak nyambung sama sekali dengan judul buku ini. Bab 1 dan 2 sangat amat lambat perkembangannya ditambah lagi terjemahannya kurang bagus sampai saya hampir menyerah membaca dan memahami jalan cerita. Saya baru tertarik menyelesaikan buku ini saat memasuki bab 3.

Yah, mungkin kalau yang versi bahasa Inggris-nya lebih enak dibaca dan dipahami.

Fahrenheit 451 ofrece la historia de un sombrío y horroroso futuro. Montag, el protagonista, pertenece a una extraña brigada de bomberos cuya misión, paradójicamente, no es la de sofocar incendios sino la de provocarlos para quemar libros. Porque en el país de Montag está terminantemente prohibido leer. Porque leer obliga a pensar, y en el país de Montag está prohibido pensar. Porque leer impide ser ingenuamente feliz, y en el país de Montag hay que ser feliz a la fuerza... La novela más célebre de Ray Bradbury, maestro de la ficción científica.

Fahrenheit cuatrocientos cincuenta y uno

jack

a lot better than i remember! still doesn't even touch 1984 or bnw, but its creative use of animalistic imagery is really effective. pleasantly surprised this time around

The terrifyingly prophetic novel of a post-literate future Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the source of all discord and unhappiness, the printed book.

Deepika Ramesh

This review was written on 14-March-2015

For ages, I remembered the first line of Love in the Time of Cholera by Gabriel Garcia Marquez.

  It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.

It's one of the best opening lines, in my opinion. It stays true to its story. After having read Ray Bradbury's Fahrenheit 451, its first line seems to be the greatest now.
It was a pleasure to burn.
Fahrenheit 451, set in an unknown dystopian era, follows a fireman, Guy Montag. Firemen start fire in his time; they burn banned books. As the first line goes, they set fire to books without a trace of regret. If the owners protest, they face the fate of their books too.

Montag meets an interesting teenager: Clarisse McClellan. In a world, where people watch TV for endless hours, engage in pointless conversations, and allow the Government to make decisions for them, McClellan is a thinker. She walks alone in the wee hours, taking time to enjoy nature's gifts, genuinely trying to make friends. She wakes Montag up from a comfortable dream. She makes him think. She makes him question. And life becomes a bed of thorns for Montag, for he begins to read.

Fahrenheit 451 explores censorship, totalitarianism, and the shadow that electronic media can cast on human race. Beyond all the important themes, what looked more appealing to me was Bradbury's narration and his imagination of a world where books have no place.

I haven't read many books. But of all the writers whom I have read, not many used fragments as brilliantly as Bradbury. Each line gives a fantastic visual. The clutter in Montag's mind travel to mine seamlessly. The dialogues between Montag and McClellan are classic examples of his language mastery. I wanted them to walk more, talk longer. But Bradbury disappointed me there. :(

  He felt she was walking in a circle about him, turning him end for end, shaking him quietly, and emptying his pockets, without once moving herself.

Perhaps, just to bask in the beauty of his prose, I would want to read Fahrenheit 451 again. The story might not be layered. I might not remember the plot five years from now. Also, I might not rave about the book and arm-twist my friends into reading it. To me, as a reader, as a sucker for English, Fahrenheit 451 worked to a great degree, only because of the fantastic writing. The story came next. Maybe, on a random day, I would pull out this little book from the shelf, to read only the conversation between Montag and McClellan. Their words keep ringing in my ears.

  Her face, turned to him now, was fragile milk crystal with a soft and constant light in it. It was not the hysterical light of electricity but -- what? But the strangely comfortable and rare and gently flattering light of the candle.

In a way, Fahrenheit 451 is a tribute to readers, who seek solace in the parallel worlds of books. It reinstates our love for papers and printed words. Fahrenheit 451 is also a fair warning to book-lovers: Devour books! Hog them! Read! Keep reading! Read till the sun stops burning!

  Most of us can't rush around, talk to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book.

Jackie Lu

** spoiler alert **
           really good, wasnt the biggest fan of the ending tho

ending gives me great gatsby vibes, more fun to read though. i don't get why some things happened, but it's okay!

Roseanne

readingsnmusings 

3.75/5 
Apathy is not a solution to pain. Sadness is part of life, like joy it leads to our growth.

A totalitarian regime has ordered all books to be destroyed, but one of the book burners, Guy Montag, suddenly realizes their merit.

A Novel

Annika Arguemore

I just loved how poetic this book was. I loved the concepts Ray Bradbury presented. It was all just executed and arranged so well. It was a nice read.

“The things you’re looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don’t ask for guarantees. And don’t look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.”

y✦

✦ had high hopes for this american classic esp since ph 2022 is a similar book-burning, media-glued dystopia
✦ another rage read but one that had unfortunately ended lukewarm for me

In un'allucinante società del futuro si cercano, per bruciarli, gli ultimi libri scampati a una distruzione sistematica e conservati illegalmente. Il romanzo più riuscito del celeberrimo scrittore americano di fantascienza.

Virginia L

Tre e mezzo.

Inevitabile il paragone con 1984 di George Orwell.
Doveroso ammettere la sua superiorità e di averlo rimpianto durante la lettura. 

Però Fahrenheit ha i suoi pregi.
Il paradosso futuristico nasce da un'evoluzione della cultura e del gusto umano, non per determinate situazioni politiche o una dittatura imposta (che anche se hanno la medesima radice, suonano più lontane).
Questo aspetto è quello che credo più interessante, insieme a qualche immagine che funge da critica e anticipa i tempi della nostra società.


PS
Prossimo autore: italiano. 
Non so voi, ma ho mal tollerato la scrittura di Ray Bradbury, anche se abbastanza scorrevole. 
Come se non bastasse mi è sembrata un'edizione mal curata. Alcune frasi non avevano proprio senso, e gli errori di ortografia non si contavano più. Ed è un classico, curato per giunta da una delle case editrici italiane maggiori. Mistero.

Bailee Strong

this is how i feel when i walk past a street full of restaurants with packed outdoor seating and i see all the ppl with their friends catching up it makes me genuinely emotional

"And then the voices began and they were talking, and he could hear nothing of what the voices said, but the sound rose and fell quietly and the voices were turning the world over and looking at it; the voices knew the land and the trees and the city which lay down the track by the river. The voices talked of everything, there was nothing they could not talk about, he knew, from the very cadence and motion and continual stir of curiosity and wonder in them."

Benedict Neo

Although the premise of the story was about book-burning, the main ideas of the book are prophetic and presents events that we experience today. The most evident one being censorship and the second being technology. Where the extremely distracting and attention-grabbing parlor walls in the book, is social media and Netflix we have today, and the book-burning censorship is what we see on the internet today

Aside from the themes of the book, there were quotes that I really enjoyed and will treasure.

First was about friendship:

“We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over.” 

And the second was about living your life:

“Stuff your eyes with wonder, he said, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories.”

All in all it was a fun read, and I particularly reading dystopian literature they are stories that are fictional, yet surreal, because we are already living in those stories today, or if not, soon to be.

christina amos

Hated the beginning, the middle cleared everything up for me and was really interesting, and the end was amazing. I LOOOOVED the end. And I really like faber. That’s all

Yazılmış en iyi bilimkurgu romanı. İlk okuduğumda, yarattığı dünyayla kâbuslar görmeme sebep olmuştu. -Margaret Atwood
Öyle bir eser ki, hakkında ne söylesem eksik kalır. -Neil Gaiman
Hugo En İyi Roman Ödülü
Prometheus Şeref Kürsüsü Ödülü
Ray Bradbury sadece bilimkurgunun değil fantastik edebiyatın ve korkunun da yirminci yüzyıldaki ustalarından biri. Bilimkurgunun iyi edebiyat da olabileceğini kanıtlayan belki de ilk yazar. Yayımlandığı anda klasikleşen, distopya edebiyatının dört temel kitabından biri olan Fahrenheit 451 ise bir yirminci yüzyıl başyapıtı.
Guy Montag bir itfaiyeciydi. Televizyonun hüküm sürdüğü bu dünyada kitaplar ise yok olmak üzereydi zira itfaiyeciler yangın söndürmek yerine ortalığı ateşe veriyordu. Montag'ın işi ise yasadışı olanların en tehlikelisini yakmaktı: Kitapları.
Montag yaptığı işi tek bir gün dahi sorgulamamıştı ve tüm gününü televizyonla kaplı odalarda geçiren eşi Mildred'la beraber yaşıyordu. Ancak yeni komşusu Clarisse'le tanışmasıyla tüm hayatı değişti. Kitapların değerini kavramaya başlayan Montag artık tüm bildiklerini sorgulayacaktı.
İnsanların uğruna canlarını feda etmeyi göze aldığı bu kitapların içinde ne vardı? Gerçeklerin farkına vardıktan sonra bu karanlık toplumda artık yaşanabilir miydi?
Fahrenheit 451, yeryüzünde tek bir kitap kalacak olsa, o kitap olmaya aday.
Mutlu olmamız için gerekli her şeye sahibiz, ama mutlu değiliz. Bir şey eksik. Etrafa bakındım. Ortadan kaybolduğunu kesinlikle bildiğim tek şey, on-on iki yıldır yaktığım kitaplardı.

Cigdem O

kitaptan beklentimin daha fazla oldugunu fark ettim mlsf karsilayamadi

Fahrenheit 451

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