Name: The Good Terrorist
Rating: 3.75 (8 reviews)
ISBN: 9780007381685

Doris Lessing

A hugely significant political novel for the late twentieth century from one of the outstanding writers of the modern era and winner of the Nobel Prize for Fiction.

The Good Terrorist

The Good Terrorist follows Alice Mellings, a woman who transforms her home into a headquarters for a group of radicals who plan to join the IRA. As Alice struggles to bridge her ideology and her bourgeois upbringing, her companions encounter unexpected challenges in their quest to incite social change against complacency and capitalism. With a nuanced sense of the intersections between the personal and the political, Nobel laureate Doris Lessing creates in The Good Terrorist a compelling portrait of domesticity and rebellion.

From a time when novels felt like you were there lurking. Really enoyed it. Matched my wired state. Reminded me of my activist friends that abandoned me when I got to my bed.

martian1138

The good terrorist.

Andrew Louis

A powerful contemporary novel about a group of would-be terrorists in London that Susan Brownmiller in Newsday called "a bone-tingling narrative that should stand as the crowning achievement of Lessing's distinguished career".

Jessica Smith

It would be such a stretch to say I liked this book, but it's thought-provoking and reasonably left-wing. Set in Thatcher-era London, it follows 36-year-old Alice, a member of a kind of cultish, dubiously left-wing sect who lives a really miserable life, even though she won't recognise it herself.

So this is a very depressing book to read – it's mind-bogglingly slow, and I spent most of the book frustrated with Alice for refusing to make use of any opportunities that arose to make her life better. For one thing, she's stuck in a horrible relationship, a sexless one designed just to give cover to her secretly-gay partner, who twists her wrists any time he doesn't get his way and takes all her money, by stealth or by force, and blows it all on pointless shit until they have no money for like, any bills. (Ah, but as we will get to, paying bills is bourgeois!) She's stolen so much money from her parents to fund his lifestyle that by the beginning of the novel, her parents are sick of her and want nothing to do with her any more. It is just unbelievably frustrating to read about someone who screws her life up like that.

Secondly, the politics of this sect (and, by extension, Alice) are really terrible, which kind of contributes to the terribleness of her life. She condemns basically anyone with a white-collar job as "bourgeois" and "middle-class" (which, to her, are the same thing) and it gets to the point that she condemns people as bourgeois for like, owning furniture, or wanting to not live in a squat. She herself gets condemned as bourgeois by other members of the sect for wanting to live in a squat with hot water and electricity. At one point, she turns down a white-collar job offered to her because she doesn't want to live in a flat she actually pays rent on, which according to her only bourgeois people do. In her mind, the true representatives of the working class are people like the members of her sect, none of which have seemingly ever tried to get a job, and instead live on welfare as a point of principle. Their complete and utter lack of a genuine class analysis leads to the kind of political activity you might be able to guess: unable to work within the working class, organising and strengthening it, they resort to "propaganda of the deed"-style terrorism which kills and injures working-class people and cements them as eternally irrelevant.

I feel like this is a book that would be very easy for right-wing people (or even, say, feminists who are hostile to genuine left-wing politics) to take and say, "hey, look! this PROVES that communism is a terrible idea and communists are terrible people!", similar to 1984. In this sect, the women make the tea and the men do all the "real work"; many of them (including Alice) are anti-intellectual and think it's bourgeois to read, especially to read anything you might disagree with; they dismiss any idea that "the personal is political"; then there's all the "propaganda of the deed" stuff. Like 1984 though, I don't think this book is really hostile to genuine revolutionary politics, but rather to various badnesses that "Marxism" has been used to justify. The Good Terrorist is hostile to terrorism, isolating oneself from ordinary people, being wilfully blind to sexism in the name of "class struggle", and so it goes. But it never tries to defend Thatcherism, the cops are mostly thuggish, bureaucracy unfeeling, and the IRA are depicted positively. If anything, I would call it a book of despair. Which I guess is what Orwell wrote too.

Rating this book is hard, since as I'm sure I've made clear I didn't particularly enjoy reading it, even if I think it has merit. Since I can't give it two and a half, I'll give it two. It wasn't a bad book, just slow and frustrating to read.

Ben Nathan

Not my kind of book at all, but that writing was BEAUTIFUL. The way the sentences were constructed, the word choices, just beautiful. I will say I hated almost everyone in this, but was all in for every description, every adjective, ever modifier of all sorts

The Good Terrorist

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