Elizabeth Kostova

To you, perceptive reader, I bequeath my history....Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.

The Historian

Sara 

Wish I wasn't such a slow and sporadical reader. This book is simply amazing. 

Hogne 

As I released her, turning swiftly back to my briefcase and to Helen, I saw on the older woman's face the gleam of a single tear. I've read there is no such thing as a single tear, that old poetic trope. And perhaps there isn't, since hers was simply companion to my own. 

historian´s library

Silje Løvli Lorentsen

...far below us, an ivory city with a molten, sunlit sea breaking around its walls, roofs redder than the evening sky inside their tremendous medieval enclosure. The city sat on a large round peninsula, and its walls looked impenetrable to sea storm and invasion, a giant wading off the Adriatic coast. At the same time, seen from the great height of the road, it had a miniature appearance, like something carved by hand and set down out of scale at the base of the mountains. 

My first glimpse of this change had brought tears of surprise to my eyes in the train lavatory, as if someone had wounded me; the smudge on my sensible cotton underpants looked like the thumbprint of a murderer.

At farms along the road we stopped to buy picnics better than any restaurant could have made for us: boxes of new strawberries that gave off a red glow in the sun and seemed to need no washing; cylinders of goat cheese weighty as barbells and encrusted with a rough gray mold, as if they'd been rolled across a cellar floor. My father drank dark red wine, unlabeled and costing only centimes, which he recorked after each meal, carrying with it a small glass wrapped carefully in a napkin. For dessert we ravaged whole loaves of newly baked bread from the last town, inserting squares of dark chocolate into them.

"This is not such an old book" he told me. "But it has some very old stories in it. They are not very happy reading, my dear, but maybe they will help you write your paper." Mr. Binnerts settled me at a table, and I looked gratefully at his retreating sweater. It touched me to be trusted with something terrible. 

The castle was made of brown stones like discolored bone, joined neatly together after some long state of dilapidation. When we came through the first passageway to a chamber of state (I suppose it was), I gasped: through a leaded window the surface of the lake shone a thousand feet below, stretching white in the sunlight. The castle seemed to be clinging to the edge of the precipice with only its toes dug in for support. The yellow-and-red church on the island below, the cheerful boat docking just then among tiny beds of red-and-yellow flowers, the great blue sky, had all served centuries of tourists, I thought.

The dim room was indeed tiny, and hushed, too, set far back from the voices of tourists below. August volumes crowded the shelves, their bindings caramel colored and brittle as old bone. Among them, a human skull in a little gilded glass case attested to the collection's morbid nature.

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