The King in Yellow

The King in Yellow

Toward the end of the year 1920 the Government of the United States had practically completed the programme, adopted during the last months of President Winthrop's administration. The country was apparently tranquil. Everybody knows how the Tariff and Labour questions were settled. The war with Germany, incident on that country's seizure of the Samoan Islands, had left no visible scars upon the republic, and the temporary occupation of Norfolk by the invading army had been forgotten in the joy over repeated naval victories, and the subsequent ridiculous plight of General Von Gartenlaube's forces in the State of New Jersey. The Cuban and Hawaiian investments had paid one hundred per cent and the territory of Samoa was well worth its cost as a coaling station. The country was in a superb state of defence. Every coast city had been well supplied with land fortifications; the army under the parental eye of the General Staff, organized according to the Prussian system, had been increased to 300,000 men, with a territorial reserve of a million; and six magnificent squadrons of cruisers and battle-ships patrolled the six stations of the navigable seas, leaving a steam reserve amply fitted to control home waters. The gentlemen from the West had at last been constrained to acknowledge that a college for the training of diplomats was as necessary as law schools are for the training of barristers; consequently we were no longer represented abroad by incompetent patriots. The nation was prosperous; Chicago, for a moment paralyzed after a second great fire, had risen from its ruins, white and imperial, and more beautiful than the white city which had been built for its plaything in 1893. Everywhere good architecture was replacing bad, and even in New York, a sudden craving for decency had swept away a great portion of the existing horrors. Streets had been widened, properly paved and lighted, trees had been planted, squares laid out, elevated structures demolished and underground roads built to replace them. The new government buildings and barracks were fine bits of architecture, and the long system of stone quays which completely surrounded the island had been turned into parks which proved a god-send to the population. The subsidizing of the state theatre and state opera brought its own reward. The United States National Academy of Design was much like European institutions of the same kind. Nobody envied the Secretary of Fine Arts, either his cabinet position or his portfolio. The Secretary of Forestry and Game Preservation had a much easier time, thanks to the new system of National Mounted Police. We had profited well by the latest treaties with France and England; the exclusion of foreign-born Jews as a measure of self-preservation, the settlement of the new independent negro state of Suanee, the checking of immigration, the new laws concerning naturalization, and the gradual centralization of power in the executive all contributed to national calm and prosperity. When the Government solved the Indian problem and squadrons of Indian cavalry scouts in native costume were substituted for the pitiable organizations tacked on to the tail of skeletonized regiments by a former Secretary of War, the nation drew a long sigh of relief. When, after the colossal Congress of Religions, bigotry and intolerance were laid in their graves and kindness and charity began to draw warring sects together, many thought the millennium had arrived, at least in the new world which after all is a world by itself.
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Reviews

Photo of Matthew Royal
Matthew Royal@masyukun
2 stars
Feb 13, 2023

Shockingly little on the King in Yellow; I was expecting much more in the vein of HP Lovecraft, but it was a bargain bin version of Henry James instead. The first story was fine, the rest were the sort of pretentious male fantasies you'd expect "Frasier"'s Niles Crane to write in his personal diary. Skip everything after part 2.

Photo of Tilde C
Tilde C@slettlune
4 stars
Oct 15, 2022

Chambers uses a remarkably modern language for his time, and is occasionally as cleverly witty as, say, Pratchett, but it was the pre-Lovecraftian mad horror that drew me to this book. All the short stories involding the king in yellow are wonderfully creepy and curious -- but I was somwhat disappointed the recurring motifs of madness and the titular play are all done with after the four first stories, then it's a series of love stories from there on out. They're good love stories (this is where his dry wit shines) and I adore the bohemian settings he uses for them, but they feel dissonant to the horror stories that preceded them. Had this collection been published today I'm pretty sure any editor would at least have reshuffled the order of stories so the change didn't feel so abrupt.

Photo of Maggie Gordon
Maggie Gordon@maggieg
3 stars
Aug 13, 2022

That was... odd. Given that The King in Yellow is an important part of weird fiction, I should have expected that. I can't speak to how good the adaptation is as I have never read the original. I do feel like I was missing something though, throughout the piece. The connections between the stories felt tenuous, and the narrative didn't seem to hang together, even in the individual stories. Perhaps this was a cause of the graphic format. It don't really think this story was particularly suited to being portrayed in images. I feel like it probably relied heavily on prose. Well, at least I feel inspired to read the original!

Photo of Rhiannon Jerrom
Rhiannon Jerrom@rhiannon_j
2 stars
Jun 8, 2022

I can appreciate why some people love this book and the idea of the story was very intriguing to me but I just found it difficult to read and exceptionally dull.

Photo of Pam Sartain
Pam Sartain@certainlygeeky
3 stars
Nov 9, 2021

An enjoyable version of the King in Yellow with the same stories from the book.

Photo of Matt Wilson
Matt Wilson@natisdad407
4 stars
Oct 15, 2024
Photo of Maya
Maya@silentmini
3 stars
Jan 12, 2024
Photo of Index Librorum Prohibitorum
Index Librorum Prohibitorum@darrycowl
4 stars
May 31, 2022
Photo of Tobias V. Langhoff
Tobias V. Langhoff@tvil
4 stars
Feb 24, 2024
Photo of N.C
N.C@quince
4 stars
Dec 28, 2023
Photo of Michael Cowell
Michael Cowell@chaosweeper
5 stars
Sep 12, 2023
Photo of Zoul
Zoul@zoul
3 stars
Jul 21, 2023
Photo of g.
g.@georgias
4 stars
Jun 27, 2023
Photo of Liam Harper
Liam Harper@ljharper
4 stars
Jan 19, 2023
Photo of Jeff
Jeff@stormwarning
3 stars
Jan 3, 2023
Photo of Jasmine
Jasmine@jasmeaniethebookish
3 stars
Sep 16, 2022
Photo of Edward Steel
Edward Steel@eddsteel
4 stars
Sep 1, 2022
Photo of Is
Is@norriei
3 stars
Jun 5, 2022
Photo of Mark Wadley
Mark Wadley@markplasma
4 stars
Mar 8, 2022
Photo of Maxie Froelicher
Maxie Froelicher@colonelwinnant
2 stars
Feb 2, 2022
Photo of Dani
Dani@erudani
4 stars
Sep 7, 2021
Photo of Leafling
Leafling@leaflinglearns
4 stars
Sep 1, 2021
Photo of Owen Kraft
Owen Kraft@owen
3 stars
Aug 15, 2021
Photo of Raymie Smith
Raymie Smith@raymie
3 stars
Aug 9, 2021

Highlights

Photo of Bárbara Deoti
Bárbara Deoti@barbaradeoti

Oh the sin of writing such words - words which are clear as crystal, limpid and musical as bubbling springs, words which sparkle and glow like the poisoned diamonds of the Medicis!

Page 70
Photo of Bárbara Deoti
Bárbara Deoti@barbaradeoti

The mask of self-deception was no longer a mask for me, it was a part of me. Night lifted it, laying bare the stifled truth below; but there was no one to see except myself, and when the day broke the mask fell back again of its own accord.

Page 40
Photo of Bárbara Deoti
Bárbara Deoti@barbaradeoti

I snatched the thing out of the coals and crept shaking to my bedroom, where I read it and reread it, and wept and laughed and trembled with a horror which at times assails me yet.

Page 5

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