Susan Hill

Arthur Kipps, an up-and-coming young solicitor who has come north to attend the funeral and settle the estate of Mrs. Alice Drablow of Eel Marsh House, tumbles into a series of events and secrets more sinister and terrifying than any nightmare.

A Ghost Story

The Woman in Black

Luca Stromann

Mr Jerome's expression was one of panic. He shifted his chair back, further away from me, as he sat behind his rickety desk, so that I thought that, if he could have gone through the wall into the street, he would like to have done so.

Rien

My second book for Spooktober! 
I like the atmosphere and the overall ~vibes~ (duh, it's gothic) of the story. It's creepy and sombre, but a bit underwhelming. Tho I won't say that this book made me "wow this had me on the very edge of my seat and I almost shit my pants because of how scary it is", I think this is just a light, supernatural horror read for the most part. Nevertheless, this is no doubt a classic. 3.5 stars!

Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black.

Geoffrey Froggatt

** spoiler alert **
           My only prior knowledge to this story is the film adaptation with Daniel Radcliffe, but I wanted to read the original to see how it compared. Arthur Kipps, a junior solicitor, is sent to settle the affairs of Alice Drablow. He sees a woman dressed in black at her funeral, though apparently no one else does. At Eel Marsh House, a house beyond a causeway, Arthur is haunted by noises and sightings of the woman. This story did a fantastic job at showcasing a classic ghost story format. A ghost comes back from the past, and so does a ghost story. In the opening of this narrative the storyteller talks of coming out "from under the long shadow cast by the events of the past". At its end, the storyteller has managed a difficult task. Thus the book's terse concluding sentences: "They asked for my story. I have told it. Enough." I loved the revenge theme of the story and the tragic ending for the protagonist, doomed to live his life in grief after the traumatic death of his loved ones. I don’t expect modern readers to be very fearful of this story. Ghost stories are not effective without atmosphere. That's why we tell them around campfires or late at night in dark rooms. And for a generation raised on slasher flicks and daily news about terrorist attacks and school shootings, it's a lost cause to try to "scare" people with words in a book. However this is a glimpse into the classic and traditional ghost story format, and I do think readers would enjoy the classic atmosphere as a product of its time. Susan Hill doesn't try to do anything particularly new with the story. The ghosts are not clever or different or original. There's no deep hidden meaning, or if there is, I didn't feel inclined to dig for it. But what she does very well is convey atmosphere. The movie is a lot more Amityville Horror and The Shining than the book was, with more gruesome effects and a lot less subtlety. The movie tries to generate thrills from sudden noises and abrupt ghostly appearances in windows, mirrors, etc. The book does it with atmospheric dread. And it does it well.

Bethany 

Looking for a spine chilling ghost story for the month of November now that Halloween is over? Look no further than this stunningly written short ghost story.
It is truly haunting and hard not to get sucked into. I do recommend reading during the day though!

First published in 1983, The Woman in Black is Susan Hill's best-loved novel, and the basis for the UK's second longest ever running stage play, and a major film starring Daniel Radcliffe.Arthur Kipps, a young lawyer, travels to a remote village to put the affairs of a recently deceased client, Alice Drablow in order. As he works alone in her isolated house, Kipps begins to uncover disturbing secrets - and his unease grows when he glimpses a mysterious woman dressed in black. The locals are strangely unwilling to talk about the unsettling occurrence, and Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true intent...

tara  (she/her)

edith w.

Brief: chilled me to the frickin bone. Gorgeously written.

The Woman in Black is a chilling ghost story set in a small, rural English town on the coast. The time period isn’t specifically mentioned, but I gather it’s the early 1900s. I wish we could have had a solid date; it makes me feel more centered when I'm reading hist fic. 

Our protagonist Arthur Kipps works for a lawyer in London and is sent on a trip to attend to the affairs of the recently deceased Alice Drablow in rural Crythin Gifford. It should be a simple business trip: attend the funeral and settle Mrs. Drablow’s affairs. When Arthur notices a ghostly woman in black, he asks the townspeople about her. They all avoid his questions; some are visibly afraid. Arthur is sent to Mrs. Drablow’s estate on the marshes, Eel Marsh House, and it’s there he experiences a series of hauntings. Can he survive and get to the bottom of the Woman in Black’s mystery?

So, this book starts off strong. It sets a spooky, Gothic tone, so I was surprised to discover it takes place much later in history than I thought. I think this book would be better suited if it took place in Victorian England. It just seems more Gothic, so I was slightly jarred at the mention of motor cars and telephones.

This is a short, fast paced read, which I liked. However, for as short as it is, I was surprised how little action there is. Arthur doesn’t spend too much of this novel actually in the haunted house. There’s a lot of exposition and mundane stuff. Simply put, this book could have been scarier. Like I said, it starts off spooky and doesn’t really maintain that theme.

Also, I’m just not sure I liked how it was written. It’s presented as Arthur writing about his experiences years after they happened, and there’s too many flourishes. Too many commas. In journalism school I was taught that commas should be used sparingly because they represent a pause. To that degree, there’s like five commas, or pauses, in each sentence. It really breaks up the narrative for me. The wording was superfluous and almost came off as pretentious at times. I just wanted Arthur to tell the story, and not pretend he was writing a Jane Austen novel. This is probably just a reflection of me and my tastes, however.

I don't want to be too hard on this book; I wanted to enjoy it more than I did. It was a solid read and semi-fit what I was looking for this spooky season.

Amanda

The Woman in Black is a chilling ghost story set in a small, rural English town on the coast. The time period isn’t specifically mentioned, but I gather it’s the early 1900s. I wish we could have had a solid date; it makes me feel more centered when I'm reading hist fic. 

Our protagonist Arthur Kipps works for a lawyer in London and is sent on a trip to attend to the affairs of the recently deceased Alice Drablow in rural Crythin Gifford. It should be a simple business trip: attend the funeral and settle Mrs. Drablow’s affairs. When Arthur notices a ghostly woman in black, he asks the townspeople about her. They all avoid his questions; some are visibly afraid. Arthur is sent to Mrs. Drablow’s estate on the marshes, Eel Marsh House, and it’s there he experiences a series of hauntings. Can he survive and get to the bottom of the Woman in Black’s mystery?

So, this book starts off strong. It sets a spooky, Gothic tone, so I was surprised to discover it takes place much later in history than I thought. I think this book would be better suited if it took place in Victorian England. It just seems more Gothic, so I was slightly jarred at the mention of motor cars and telephones.

This is a short, fast paced read, which I liked. However, for as short as it is, I was surprised how little action there is. Arthur doesn’t spend too much of this novel actually in the haunted house. There’s a lot of exposition and mundane stuff. Simply put, this book could have been scarier. Like I said, it starts off spooky and doesn’t really maintain that theme.

Also, I’m just not sure I liked how it was written. It’s presented as Arthur writing about his experiences years after they happened, and there’s too many flourishes. Too many commas. In journalism school I was taught that commas should be used sparingly because they represent a pause. To that degree, there’s like five commas, or pauses, in each sentence. It really breaks up the narrative for me. The wording was superfluous and almost came off as pretentious at times. I just wanted Arthur to tell the story, and not pretend he was writing a Jane Austen novel. This is probably just a reflection of me and my tastes, however.

I don't want to be too hard on this book; I wanted to enjoy it more than I did. It was a solid read and semi-fit what I was looking for this spooky season.

Published to tie-in with the major new film adaptation starring Harry Potter's Daniel Radcliffe. Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black -- and her terrible purpose.

Emmett

Hill mimicks the style of the late Victorian story with vivid delightful accuracy. Knowing the at-times considered relative verbosity of the period's prose, it is a remarkable feat that Hill manages to chill the self-professed voracious reader of modern horror novels. Her poetic descriptions of sentiment and landscape are as sliver flashes of half-buried diamonds that one uncovers while traipsing amid the grave ruins of her Gothic-esque Victorian horror 'novella'.

Allison Raines

The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town. Now a major motion picture starring Daniel Radcliffe. Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip he anticipated quickly takes a horrifying turn when he finds himself haunted by a series of mysterious sounds and images—a rocking chair in a deserted nursery, the eerie sound of a pony and trap, a child’s scream in the fog, and, most terrifying of all, a ghostly woman dressed all in black. Psychologically terrifying and deliciously eerie, The Woman in Black is a remarkable thriller of the first rate.

Lori Christensen

Dark gothic academia. A perfect horror mystery and one of the best.

Georgia Carr

This was one of my GCSE English Literature books and I have to say that it was the one of the worst books I've ever read. 

Susan Hill has an obsession with making the main protagonist the most hypocritical character alive. For example, he will visit the house and be terrified, says he will never return there. A few lines later (literally after a bike ride), he decides the house is absolutely fine to visit and will go there again!!!! Wow, good job. 

Granted, there's some good scenery descriptors and a very atmospheric vibe, but that's it. Most of the novel is not good. 

One of the funniest things is one of the questions I got set for this book in my exam: "How does Arthur's characterization develop across the course of the novel?" I actually laughed, because he doesn't develop. 

If I were you, I'd watch the movie. It's much better. (And I don't say that a lot.)

Laura Guthrie

After really enjoying the film, I decided to read the book. Disappointingly short and unscary, the film did a much better job of bringing this ghost story to life. It is obvious at times that the author tried too hard with the writing style and the story only properly developed towards the end, which made for an albeit obvious climactic ending, there wasn't much in way of a build up. For all those interested in discovering the hype behind this novel, I'd recommend watching the film rather than reading the book. Even though I did find it a page turner, the film does more justice to the story than the book itself.

Kirsty

I remember loving this when I read it at school and it’s definitely solidified its place as one of my all-time favourite books. It was so creepy, gothic, eerie, and gripping. I love this story! I loved the experience of re-reading this book so much. I recommend it 100%.

Very well-written with a creepy atmosphere and an ending that I saw coming, but it still managed to get me emotional. A classic ghost story for people who like ambiance and don’t need jump scares to feel spooked. 

Also, how cute is it that the dog is named Spider, of all things?

Laurie Abrial

My review on my blog: https://auxmotsinsatiables.wordpress....

Arthur Kipps, a young solicitor, travels to the north of England to settle the estate of Alice Drablow, but unexpectedly encounters a series of sinster events.

Neva Davies

I borrowed this, after hearing about the movie based on this book. I'm sure there are many who can say the same thing. Anyway, I enjoyed this book for the suspense but didn't enjoy it for the simple fact that there wasn't enough suspense. And when I got to the end, I had no urge to start over. I'm glad that I didn't waste fourteen bucks on it, and I don't think I'm ever going to.

Adrianna Giunta

This book continues to be one of my favourite books of all time. Although generally slow and over descriptive, there's something about the atmosphere and build up that gets to me. In particular chapter 9 always creeps me out. The book is very different from the film but I like both for different reasons.

Anastaciya

Andrea Badgley

Instead of the lonely moors, this ghost story takes place in an isolated house in the middle of the marshes: a house only accessible by the causeway at low tide, so that when the tide comes in and covers the path, the house, and any of its occupants, is cut off from the mainland for several hours til the tide recedes again. Having grown up on the salt marsh, I loved this aspect of the book. Hill's descriptions of the marshland, the tides, and the estuaries, was worth every scare.

There was a point in this, about halfway through, that though I was in a very public place, with plenty of (live) people around and in broad daylight, I had to shut the book because my heart was racing so fast with fear I thought I might pass out. I didn't know if I'd have the nerve to pick it back up.

I did, though, and finished the rest of the book in one sitting. After that one really scary point, I was fine, and was happy I read it. Several friends had told me that the movie was terrifying, and I can see how it would be. I can see the movie being even more terrifying than the book, actually, because the imagery and suspense could be teased out a little more on the screen. I don't think I'd have the nerve to watch the film version.

Elle

This is a book where I can say that I honestly liked the movie adaptation 100x more. The movie was filled with tension, horror, and fear. The book was filled with slight discomfort (for the second half or even quarter of the book). The first half to about three quarters of the book, were both quite unsubstantial and boring. It wasn’t nearly as dramatic as the film adaptation was, and for some that may be a good thing.. but for me, it just wasn’t enough.

Neeti Choudhari

Liv Gliese Johnsen

But although ghost stories lack hard shocks and appear initially milder their outcomes can have more devastating effects.  - Christopher Fowler

I don't know if it was the well written language, the setting, the characters or the beginning but The Woman In Black  chilled me all the way to my bone. There is no doubt that my brain will haunt me with the wasted woman whenever I am too tired or that a rocking chair never will feel quite as cozy and safe again.

The Woman in Black A Ghost Story

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