John Simpson

The former chief editor of the Oxford English Dictionary describes his thirty-seven-year journey through words, enlivened by entertaining and erudite

Searching for the Meaning of It All at the Oxford English Dictionary

The Word Detective

Language is always changing. No one knows where it is going but the best way to future-cast is to look at the past. John Simpson animates for us a tradition of researching and editing, showing us both the technical lexicography needed to understand a word, and the careful poetry needed to construct its definition. He challenges both the idea that dictionaries are definitive, and the notion that language is falling apart. With a sense of humour, an ability to laugh at bureaucracy and an inclination to question the status quo, John Simpson gives life to the colourful characters at the OED and to the English language itself. He splices his stories with entertaining and erudite diversions into the history and origin of words such as 'kangaroo', 'hot-dog' , 'pommie', 'bicycle' , not ignoring those swearwords often classed as 'Anglo-Saxon' ! The book will speak to anyone who uses a dictionary, 'word people' , history lovers, students and parents.

A Life in Words: From Serendipity to Selfie

Katherine Yang

I realised after finishing this book that it's third or fourth thing I've consumed on lexicography, previous things being [b:The Meaning of Everything: The Story of the Oxford English Dictionary|155396|The Meaning of Everything  The Story of the Oxford English Dictionary|Simon Winchester|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1442244303l/155396._SY75_.jpg|23982354] and the film version of [b:The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary|25019|The Professor and the Madman  A Tale of Murder, Insanity and the Making of the Oxford English Dictionary|Simon Winchester|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1407110918l/25019._SY75_.jpg|1628566] (plus, since modern lexicography looks kindly upon referencing non-traditional sources, a podcast interview with Jane Solomon of Dictionary.com on Talk the Talk). An endlessly fascinating subject!

I was engrossed in this book, which was written by the former chief editor of the Oxford English Dictionary about his career at the OED, interspersed with insights into selected word histories and vignettes of his personal and family happenings. His descriptions about the thorough research and analysis process of pinning down definitions, etymologies, bibliographies, quotations, and so on just to get one word into the dictionary—so illuminating and really makes you appreciate the final product! As a technology enthusiast, I was especially hooked in the later chapters, in which he takes the reader through the OED's transition from a collection of antiquated Victorian tomes into an unbelievable networked digital mine for knowledge and exploration. (So many questions and curiosities to explore!)

Despite the joy that the book's contents offered me, I'm glad to see that other reviewers have noted the somewhat disagreeable voice of the author. Many a time, while reading the book, I made a face upon encountering a thing that felt unnecessarily resentful or holier-than-thou (never mind that the beginning chapters give a relatable account of his own humble and inexperienced start at Oxford's hallowed halls).

On "loving words", here are some of the author's thoughts on that distasteful idea: 'One of my ongoing issues is with people who "love words."' and 'I should state it outright: lexicographers are not people who "love words"—at least, not in a schmaltzy, sentimental way.' and 'So how do we weed out those word-lovers?' Okay, so, we get it, Mr. Oxford English Dictionary and (in one international sense) literally the face of the British language, you don't love words… or whatever. Not to harp on about this, but this sentiment and its repetition is so bizarre to me—for one, because this book by him could be considered a "pop" language book: it's not written in an academic style, neither is it published by an academic institution, and from all perspectives is packaged from cover to subtitle to structure as a book for the so-called "word lovers" that the author likes so much to ridicule. I suppose I can maybe see his point about glitzy, exceptional words that overshadow the foundational words—for which the research work is indeed elaborate, and he shows us that diligently—but sir I'd argue that a love and enthusiasm (did you see me use enthusiast up there?? even though the author deems it, and apparently all other even slightly non-neutral feelings, barbaric??) for words is a trait shared by many lexicographers and non-academic contributors—I'd venture to say even by those you respect.

Another prickly aspect of the book for me was the elitism and exclusivity that I felt still perpetuated, despite the author's sustained interest, throughout working on the Supplement and on New Words, in tugging the dictionary into more modern and democratic stances. Granted, he acknowledges, "I come from a generation and a society where over-enthusiasm was deplored, and keenness was deprecated." Not to mention the ancient grand elephant of working at Oxford for thirty-five years. So, maybe, analogous to the old age of OED1 and to the final chapter title, "Becoming the Past", the author's attitude is a product of his time, as in sentiments such as, "[…] it told us something about the sort of people and society we had become. Not thoughtful and reflective, but self-obsessed, capturing images of ourselves in rear-view mirrors, like selfies on sticks." 

Unfortunately I can't quite account for whatever attitude is displayed in the author giving himself nines and eights out of ten compared to new lexicographer candidates, or emphasising repeatedly how difficult lexicography is, or the left-handedness Plan B test ('Instead of marking scripts at the end of an assessment session, you just look around the room and see who is left-handed, and then appoint them'), or, 'But as with any simple but crucial development (I'm giving this one more credit than it's due as I devised it), it's not the program that is important, but the very first spark of the idea' (not the same, but…), or, 'If you don't see a difference, that's one of the reasons you're not working on the OED.' (What, what is that?? Reader, are you exasperated yet??)

The rant portion of this review carried on for much longer than first anticipated—always easier to talk about things you don't like, I guess. Having said all that! I did enjoy the book as a whole and I've been exploring the online OED in great delight, truly astounded by both the palpable amount of research work that has gone into it over the years and the thrilling new capabilities afforded by digitality. (After all the fuss about accessibility, it's still a subscriber-only resource, which I'm fortunate to be able to access it through my university—hoping that you might have something similar at your disposal?)

TLDR: good read, but TFG.

Can you drink a glass of balderdash? What do you call the part of a dog's back it can't scratch? And if, serendipitously, you find yourself in Serendip, then where exactly are you? The answers to all of these questions -- and a great many more -- can be found in the pages of the Oxford English Dictionary, the definitive record of the English language. And there is no better guide to the dictionary's many wonderments than the former chief editor of the OED, John Simpson. Simpson spent almost four decades of his life immersed in the intricacies of our language, and guides us through its history with charmingly laconic wit. In The Word Detective, an intensely personal memoir and a joyful celebration of English, he weaves a story of how words come into being (and sometimes disappear), how culture shapes the language we use, and how technology has transformed not only the way we speak and write but also how words are made. Throughout, he enlivens his narrative with lively excavations and investigations of individual words -- from deadline to online and back to 101 (yes, it's a word) -- all the while reminding us that the seemingly mundane words (can you name the four different meanings of ma?) are often the most interesting ones. But Simpson also reminds us of the limitations of language: spending his days in the OED's house of words, his family at home is forced to confront the challenges of wordlessness. A brilliant and deeply humane expedition through the world of words, The Word Detective will delight and inspire any lover of language.

The Word Detective Searching for the Meaning of It All at the Oxford English Dictionary

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