John Irving

Originally published in 1978 and made into a major motion picture, a new hardcover edition of the author's best-known novel is accompanied by a new introduction by him and presented to coincide with his latest book, A Widow for One Year.

The World According to Garp

20th ANNIVERSARY EDITIONwith a new Afterword from the author The "New York Times" bestseller This is the life and times of T. S. Garp, the bastard son of Jenny Fields--a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes--even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries--with more than ten million copies in print--this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

Patrick Book

I always forget how horny Irving’s books are until I read them. 

Anyway, this book was not at all what I thought it was. Not by a long stretch. It’s startlingly fresh even 40 years on, jarring and evocative and dangerous. And frankly, even if you’ve read it it’s worth picking up the 40th anniversary edition for the forward alone. The context he provides in a few short pages is depressing, angering, and very helpful when considering the text.

Many many many things to say about this new all-time favorite, so I will limit myself to two:

1) this is a brilliant, lived-in novel that tracks a family and all its constituent parts over three — four, maybe — generations. It is a treatise on control. Letting go, holding on, and everything in between. 

2) “That’s just how damn people BEHAVE all the time.” Amen, Jillsy Sloper. 

Miles Silverstein

Many many many things to say about this new all-time favorite, so I will limit myself to two:

1) this is a brilliant, lived-in novel that tracks a family and all its constituent parts over three — four, maybe — generations. It is a treatise on control. Letting go, holding on, and everything in between. 

2) “That’s just how damn people BEHAVE all the time.” Amen, Jillsy Sloper. 

D D D 

that’s how damn people behave all the time

Michael Springer

I love what John Irving does. He weaves a very complicated web, and by the end of the book, there's not a stray strand. Everything fits together beautifully. This book made me envious.

Gavin

Celeste Richardson

Full review now posted!

Sometimes literary fiction can be stranger than fantasy. This book is a prime example of that. Man, it was weird.

I honestly haven’t been able to decide how I feel about it. I don’t remember ever struggling this much with how to rate a book. On the one hand, this was a unique story told well, with an original and unforgettable cast of characters. On the other hand, it was crude and vulgar at a level that seemed knowingly used to scandalize the reader and keep them absorbed in the story. There were multiple scenes that were incredibly shocking, and felt like they were included for the sole purpose of eliciting gasps of shock. This is sensationalism, pure and simple. I finally decided to settle at four stars, because this is an impactful book with remarkable prose, but I didn’t always appreciate the tactics used to ensure the proper response from the reader.

The whole reason I decided to read this book in the first place was because a wonderful new author whose debut I adored (Cheris Wolas with The Resurrection of Joan Ashby) recommended it. It’s one of her favorites, and her novel has even been compared to it. I completely get that comparison. Here we have the story of an author whose writing was interrupted by marriage and parenthood, who is trying to find their way back to the writing of their youth. Not only do we get the story of the author in these books, but we also get pieces of their writing, so we can experience their art firsthand, which was one of my favorite aspects of both books. I love when authors (referring to Wolas and Irving here, not Ashby and Garp) stretch themselves like this in a book, including various stories written by a fictional character whose voice they had to both create and differentiate from their own. That shows amazing craftsmanship and dedication to their art, in my opinion.

Although I agree with the comparison, I have to confess that I found Joan Ashby and her story superior in every way to that of T.S. Garp. Wolas never used sensationalism to play on my emotions; she elicited them honestly, with a story well told. The shocks in her story never felt cheap or too well-planned to be viewed as honest. 

That being said, I understand the appeal and popularity of Garp. His is an unforgettable story, and it’s one that will stick with me. It’s a story that resonates; it just didn’t resonate as deeply with me as I expected. This was my first foray into the writing of John Irving. While it was an odd book that left my response to it muddled, it was without a doubt an interesting experience. This definitely won’t be my last Irving novel.

For more of my reviews, as well as my own fiction and thoughts on life, check out my blog, Celestial Musings.

Kumar Shubham

This is the life and times of T. S. Garp, the bastard son of Jenny Fields - a feminist leader ahead of her times. It is also the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes - even of sexual assassinations. It is a novel rich with 'lunacy and sorrow'; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. It provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

The World According to Garp

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