Toni Morrison

A. S. Byatt

Beloved

Dora Tominic

They could have their talks easier there: at night when Sethe and Paul D were asleep; or in the daytime before either came home. Sweet, crazy conversations full of half sentences, daydreams and misunderstanding more thrilling than understanding could ever be.

Oh but when they sang. And oh but when they danced and sometimes they danced the antelope. The men as well as the ma'ams, one of whome was certainly her own. They shifted shape and became something other. Some unchained, demanding other whose feet knew her pulse better than she did. Just like this one in her stomach.

It never looked as terrible as it was and it made her wonder if hell was a pretty place too.

Sethe, an escaped slave living in post-Civil War Ohio with her daughter and mother-in-law, is haunted persistently by the ghost of the dead baby girl whom she sacrificed, in a new edition of the Nobel Laureate's Pulitzer Prize-winning novel. Reader's Guide available. Reprint. 60,000 first printing.

A Novel

clara

Freeing yourself was one thing, claiming ownership of that freed self was another.

“Your love is too thick”, he said. “Too thick?”, she said, “ Love is or it ain’t. Thin Love ain’t Love at all.”

"Why you think you have to take up for her? Apologize for her? She's grown"

“ I don't care what she is. Grown don't mean nothing to a mother. A child is a child. They get bigger, older, but grown? What's that supposed to mean? In my heart it don't mean a thing."

"I was talking about time. It's so hard for me to believe in it. Some things go. Pass on. Some things just stay. I used to think it was my rememory. You know. Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my rememory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think of it, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened."

"A man ain't nothing but a man," said Baby Suggs. "But a son? Well now, that's somebody.»

Discover Toni Morrison's most iconic work in this Pulitzer-prize winning novel that exemplifies her powerful and important place in contemporary American literature. 'An American masterpiece' AS Byatt It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her love. Told with heart-stopping clarity, melding horror and beauty, Beloved is Toni Morrison's enduring masterpiece. 'Toni Morrison was a giant of her times and ours..."Beloved," is a heartbreaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times 'The literary titan we must never stop learning from' Metro Winner of the PEN/Saul Bellow award for achievement in American fiction

cotarded

Chloé

If you haven't read beloved you should. Fucking recked me especially considering its based on a true story with a creepy magical realism twist. I've always wanted to read a Toni Morrison novel simply cause she's so revered and her writing is just beautiful. EVERYONE SHOULD READ BELOVED.

Sarah Sammis

It was okay but I wasn't in the right frame of mind for it when I read it. I read it because it was the only thing available.

brutal. powerful. can’t decide wether i should call it moving, it hurts. 

donna 

i don’t think i have words to do this book justice. it’s hard, it’s beautiful, it’s perfect. 

lily taggart

Dani

"Beloved" es una novela histórica que te deja sin palabras. Te va a gustar si te interesan los temas como el trauma, la memoria y la esclavitud. La trama es compleja y se presenta de una forma original que te engancha desde el principio. La autora escribe de una manera muy realista, lo que hace que la historia sea cruda e impactante.

Ne čitam puno horora, ali ovo je najbolji koji sam ikad.

Nothing I can say about this that hasn't been said before. Toni Morrison’s writing is living and breathing

Rebecca Lum

there’s not much more i can say about Beloved that hasn’t already been said. it’s amazing that books like this exist. This is not a story to pass on.

mara henderson

altlovesbooks

"To Sethe, the future was a matter of keeping the past at bay."

This will be a short review, not because I have nothing to say about it, but because all of the other 5 star reviews here do a better job than I ever could at summarizing what makes this such a good read. It is a hard read and a dense read, and I will freely admit to anyone who asks that I very nearly DNF'd this book early on because I wasn't sure I was understanding it. My only advice for anyone who tries this book out is to stick with it. It starts making a small bit of sense, then a larger bit of sense, and then suddenly pieces start falling together and you're now seeing why this book is so highly regarded. It was a very weird, very satisfying feeling.

All I'll say about this book is that it's creepy and powerful and contemplative. It bounces the point of view around a lot, and sometimes you're in the past and sometimes you're not. All I can say is that notes are helpful.

This is a book that deserves a re-read.

A touching, yet surreal, look at black Americans living under that shadow of enslavement and the nonlinear process in which they overcome those deeply traumatic atrocities. Morrison also plays a lot on what freedom means, and what it is to truly be free.

Rarely do I reread any novel I have completed, let alone novels I have finished as recently as ~2 years ago. Morrison proves to me that a reread can be just as impactful and moving as the first time. This book is timeless, timeless, timeless. Morrison does some amazing character work with her poetic prose. A creative and compelling look at the cycle of generational trauma, a second read through enhances the book greatly. This is now a 5/5 for me instead of a 4.5.

Derek Graf

A touching, yet surreal, look at black Americans living under that shadow of enslavement and the nonlinear process in which they overcome those deeply traumatic atrocities. Morrison also plays a lot on what freedom means, and what it is to truly be free.

Reread March 2024:

Rarely do I reread any novel I have completed, let alone novels I have finished as recently as ~2 years ago. Morrison proves to me that a reread can be just as impactful and moving as the first time. This book is timeless, timeless, timeless. Morrison does some amazing character work with her poetic prose. A creative and compelling look at the cycle of generational trauma, a second read through enhances the book greatly. This is now a 5/5 for me instead of a 4.5.



charisa

”Sethe,” he says, “me and you, we got more yesterday than anybody. We need some kind of tomorrow.”

i’m at a loss for words at that ending. what power and heartbreak morrison commands through this story. what physical and psychological devastation she unfurls through detailing the horrors of american slavery. i understand now why this book is often categorized as magical realism, but i honestly think the mainstream label does it injustice. fantasy here is inextricably linked to loss and abuse and the nightmarish effects of intergenerational trauma. i felt chills during some of the scenes, especially as morrison began to chip away at sethe’s backstory. 

not an easy book to read by any means; beyond just content, i’ve heard of comparisons between morrison and faulkner in terms of serpentine writing styles. and for sure, i had to re-read multiple sections because my sieve brain could not ABSORB. but the perseverance was well worth it — this is a momentous story on so many levels.

Emmm :p

a novel

Michael Springer

Horror fiction is as difficult to define as any literary genre, but it often follows the same structural pattern: things start off normal (at least in the context of the story), then slowly horrific or otherworldly elements begin to creep into the story. These elements continue growing, continue taking more and more control of the characters' lives, and become more of a driving force behind the characters' actions. Finally, the climax arrives, wherein we discover whether the characters will succumb to this horror or whether they will somehow triumph/escape from it. 
 
This is a theme that runs through just about every horror film ("Drag Me to Hell," "Hellraiser," and "From Hell" as three examples with one word in common), and also much of the best horror literature ("The Tell-Tale Heart," "The Yellow Wallpaper," "Frankenstein," "Where are You Going, Where Have You Been?" most of Stephen King's canon, and, in an inverted manner, "Blood Meridian"). Plenty of exceptions don't follow this structure, but it's very common in what is accepted as horror literature. And, an actual outside force can be the horrific element, like in Stephen King's "It," or the horrific could be the descent into madness, like in "The Yellow Wallpaper." 

Now that I'm done waxing eloquent on horror fiction, I'm going to tell you about a lovely, frightening ghost story called "Beloved." 

Sethe lives with her daughter Denver, and with the ghost of a baby that died before she'd even given it a name. Sethe posthumously named the baby Beloved, from the one word carved into the baby's headstone. 
 
Paul, a man who was a slave on the same plantation as Sethe a decade ago, shows up one day and begins living with the two--well, three--of them. The ghost of Beloved interferes when Paul and Sethe are getting it on in the kitchen, and this causes Paul to go into a rage that chases the ghost of Beloved away. For a very brief period of time, it looks like everything will be okay.

Then, on the way home from a carnival, the three come across a pretty woman, immaculately dressed, who is sitting by the river. The woman doesn't seem to know where she is, and is starving. So, they take her back home with them. It doesn't take long for Denver to realize the woman is Beloved, the ghost of the baby having somehow found itself a new body. But for Sethe and Paul, this realization is much more gradual. 
 
As the story goes on, we learn more about the past: the plantation Sethe came from, the lives they lived before finding their way to freedom, and the death of Beloved. As the story goes on, we begin to realize that both the past and the present are more disturbing and venomous than they seemed at first. In order to keep this review relatively spoiler-free, I'm not going to say much more about the story.
 
I will say, though, that "Beloved" follows the horror format that I discussed earlier. The horror that underlies the whole story is a combination: first, the supernatural element of Beloved's ghost. But, more frightening than the ghost itself is the growing sense that Beloved is simply the past haunting the characters and driving them crazy, while also driving them away from each other. The third part of the combination is the horror that was catalyst to both these other horrors: slavery. Slavery is the underlying horror, the first domino, the reason for impending madness and for angry ghosts. 
 
"She cut my head off every night. Buglar and Howard told me she would and she did. Her pretty eyes looking at me like I was a stranger. Not mean or anything, but like I was somebody she found and felt sorry for. Like she didn't want to do it but she had to and it wasn't going to hurt. That it was just a thing grown-up people do--like pull a splinter out your hand; touch the corner of a towel in your eye if you get a cinder in it. She looks over at Buglar and Howard--see if they all right. Then she comes over to my side. I know she'll be good at it, careful. That when she cuts it off it'll be done right; it won't hurt. After she does it I lie there for a minute with just my head. Then she carries it downstairs to braid my hair. I try not to cry but it hurts so much to comb it. When she finishes the combing and starts the braiding, I get sleepy. I want to go to sleep but I know if I do I won't wake up."
 
Sometimes within paragraphs, the time shifts. We go back to Sweet Home, the plantation where Paul and Sethe met; we shift to Sethe's escape from slavery. These shifts help to create the sense that the past can't be separated from what is now occurring. The past is almost a prison, claustrophobically surrounding the present and giving the sense that Sethe is almost forced into her actions by the horrors of her personal past, and the horrors of slavery. 
 
I feel like, instead of reviewing the book as I usually do, I've been brainstorming for a report. That wasn't my intention, so I'll actually say some evaluative stuff now. This book is every bit as good as it's supposed to be. The writing is poetic and haunting, the characters all fully fleshed out, and plenty of the imagery is unforgettable. 

This is considered by some people with even more sway in the literary world than myself to be one of the great books of the 20th century. From the limited pool of books I've read, I'd have to agree with this assessment. This is one you should read. 

Which leads me to my final digression: why do so many of the covers for this book make it look like chick lit? On Goodreads, I picked a cover that works with the subject matter, but the actual copy I own makes me think of doilies and fancy china, not ghosts, anger and madness.

Special Edition

Colleen

4.5 Stars

*A heart-wrenching story of the ways we are haunted by the past*


The story started out deceptively simple: a former slave living in a house haunted by her dead baby girl. It seemed like a ghost story, like more of your standard haunted house. Oh, but this story reaches out and pulls you in and takes you somewhere unexpected.


  “There is a loneliness that can be rocked. Arms crossed, knees drawn up, holding, holding on, this motion, unlike a ship's, smooths and contains the rocker. It's an inside kind--wrapped tight like skin. Then there is the loneliness that roams. No rocking can hold it down. It is alive. On its own. A dry and spreading thing that makes the sound of one's own feet going seem to come from a far-off place.”

It’s easy to see why this book is award winning and why it has become a classic. Morrison’s writing is exquisite. I would equally recommend the audiobook read by the author. Either way, it is an engaging and heartrending story that delves into the horrors of slavery, the far-reaching consequences of evil, and the endurance both of trauma and the human spirit.


  “Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.” 

I really thought this would be a five star read. The start of this book is absolutely stunning! I was entranced from page one by the writing and the characters. Unfortunately, the story did lose momentum in the second half. The timeline started jumping around, and the narrative became fractured. Some of that fit stylistically with the disintegrating mental state of the main character, but the sudden jumps in time and writing tense got harder to follow. And the pacing noticeably lagged towards the end. Nevertheless, this is still a monumental and beautiful story.


  “Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe. There is no gift for the beloved. The lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glare of the lover’s inward eye.” 

This book is important both as a wonderful piece of classic literature and as a window to a horrible time in history. I would recommend this to anyone even if it isn’t their usual genre.


RATING FACTORS:
Ease of Reading: 4 Stars
Writing Style: 5 Stars
Characters and Character Development: 5 Stars
Plot Structure and Development: 4 Stars
Level of Captivation: 4 Stars
Originality: 5 Stars

Joana da Silva

ONE OF FIVE NEW VINTAGE FUTURE CLASSICS READING GUIDE EDITIONS

At first I was very confused on time, place, character relations but when I got in I started to love it a lot. It is some of the most beautiful and clever writing I have ever read, and the story itself is intriguing, very sad, eye-opening and slow in the beginning but in the end I couldn’t put it down. I love this book a lot and I hope to read more of Morrison work as her writing is some of the best.

Sadie Hoffman

Jessica Ford

I wanted to like this book, but I had a really hard time with it. They style of writing was very disjointed. Lots of free-flowing thoughts. Maybe I just didn't get it. So few of the characters were likable. I'm glad I read it, but I'm not sure I would read another book by Morrison.

A heartbreaking book about families and ghosts and the scars both visible and invisible that slavey left on those who survived it. It was a tough read but beautifully crafted, a ghost story that leaves a sad little chill down the spine. 

Krys C

A heartbreaking book about families and ghosts and the scars both visible and invisible that slavey left on those who survived it. It was a tough read but beautifully crafted, a ghost story that leaves a sad little chill down the spine. 



renee badenoch

When Toni Morrison passed earlier this year, I realized I hadn't read any of her books. Beloved had been recommended to me by multiple friends, so that's the one I started with (I eventually hope to read them all). 

I liked a lot of aspects of the book, including its beautiful lyricism, its strong female relationships, and the shifting narrative perspectives between characters and places in time. I loved the motif of a ghost of the past haunting your present as a metaphor for trauma. Just as the characters in the book have to reckon with the trauma of slavery, so too do the present day readers. 

All in all, it was a perfect entry point for Morrison's work, and I look forward to exploring the rest of her oeuvre.

Vanya de Lang 

I read this book for my university english class. In my opinion, the book is exceptionally written. 
The author has a pleasant and enriched writing style. Even though I wasn't inlove with the story, as I am not a fan of this particular genre, I am extremely impressed by how it was written.

this was ... interesting. very very grim and unflinching with the harsh details of slavery in america. the story itself was a little hard to follow at times but i still enjoyed it

”’Sethe,’ he says, ‘me and you, we got more yesterday than anybody. We need some kind of tomorrow.’”

Abigaël Chevillard 

This book gave me chills all along.

It was an amazing read that makes the reader think about slavery and black's treatment back in times ( and also nowadays). 

I felt all character's sensations, I felt fear, I felt lost. The reader put the reader in the character's place and it is kinda disturbing sometimes.

I recommend this for the ones who ask themselves about slavery and how it affected people and also to those who like scary and gloomy stories that don't to give you chills.

ofgodzeus

I love it so much I have no clue how I’m going to talk about this book.

Brief Summary:

Morrison’s Beloved was written in 1987. It is the fictional story of an ex-slave family living with their new freedom and the ghost of their dead daughter, Beloved. It is told from numerous perspectives including those of the protagonist characters: the mother, Sethe, and her two daughters, Denver and Beloved. It weaves the details of their journey towards freedom in a series of past and present events that entwine in present dialogues and flashbacks.

Themes:

The predominent themes are those of slavery and freedom, motherhood and love, and trauma and guilt. It also touches on the confrontation of the past and the inevitability of it resurfacing when it’s not dealt with in proper time.

Plot:

The book is made up of three parts and the chapters are not enumerated which suggest nothing more than acontinuation of events most of the time rather than news ones despite the timeline jumps. The plot structure is very interesting as it takes us back and forth between events happening right now and others in the past. The flashbacks are so perfectly timed that in the exact same moment you are longing for some background information about something or wondering about another, you would find out that the next chapter is an occurence of the past that explains either 
something already mentioned, or some other event yet to come.

Characters:

The main character is that of the mother, Sethe. She is willing to do anything for the freedom and safety of her family. Her love is so powerful that it… I better let you discover what the strengh of her love leads her to on your own. There are also the daughters, both living and dead. Denver is an innocent child who suffers of alienation because of her household’s history. Beloved is a dead girl who representsover 60 million dead slaves and their suffering in the Middle Passage. Last but not least, there’s the boyfriend, Paul D. He used to be owned by the same master as Sethe and her husband/his bestfriend.

Quotes:

The first one is about freedom.

“Freeing yourself was one thing, claiming ownership of that freed self was another.”

The second and third ones are about strengh of personality and characters.

“Definitions belong to the definers, not the defined.”

“He licked his lips. ‘Well, if you want my opinion-‘
‘I don’t, ‘ She said. ‘I have my own.”

Conclusion:

Ifone could give 6 out of 5 stars on websites such as Goodreads, I would have done it with this one. Absolutely loved it. I, personally, couldn’t have read it at a more perfect time since I was supposed to be revising a chapter about the Transatlantic Slave Trade for my history exam and I ended up writing an essay about exactly that the day of the exam. This novel helped me immensely with that. I believe it’s an amazing novel or book in general, to start learning about Black American history and the suffering millions of slaves endured before, during and decades after the Middle Passage along with many generations after them. It will allow you to get a glimpse into what they had to go through, and to just imagine being in their shoes for a fraction of time which will prove stronger than you expected.

Nelson Zagalo

De algum modo sinto uma espécie de agradecimento por ter tido a oportunidade de ler este livro. É um livro que retrata o horror, um horror verdadeiro, vivido por milhões de seres humanos, que apenas nasceram com uma cor de pele diferente. Um retrato que dá conta da ausência de limites do alcance do ser humano, da sua infinitude interior tão grande como o sonho... nada mais direi, leiam se puderem.


Toni Morrison ombreia com este livro ao lado de José Saramago e o seu "Ensaio sobre a Cegueira", pelos confins do horror aonde nos levam, majestosamente servidos por uma escrita de sublimação. Dois nobeis para continuar a ler durante muitos e muitos anos. 

PS: Mais uma nota final, dizer que o que aqui se conta, e mais o modo como se conta, como se dá a sentir, só poderia ter sido escrito por uma mulher. Isso sente-se, porque nos faz vibrar de tanto nos fazer sentir.

Beloved

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