Name: We Need New Names
ISBN: 9780316230810

NoViolet Bulawayo

Follows 10-year-old Zimbabwe native, Darling, as she escapes the closed schools and paramilitary police control of her homeland in search of opportunity and freedom with an aunt in America.

A Novel

We Need New Names

Shona Tiger

** spoiler alert **
           2.5 stars.

Strange, and unsettling. Interesting story arc, and the main character's homesickness does come through. Also aware of a lot of imagery and metaphor, and appreciate it as such. Reminds me of old folktales, in that sense. But still, an odd read.

A remarkable literary debut shortlisted for the Man Booker Prize: the unflinching and powerful story of a young girl's journey out of Zimbabwe and to America. Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her -- from Junot Diaz to Zadie Smith to J.M. Coetzee -- while she tells a vivid, raw story all her own.

Jessica Smith

This is an incredibly frustrating book; it has so much it wants to say, and even some moving sections, and yet so much of it is so boring and so laborious and it never devotes enough time to the myriad topics it brings up so you end up thinking to yourself, "What the fuck, all of this at the same school?! What is this, Degrassi High???" which is not really a good comparison because that's a Canadian show and this is all about ~*~America~*~. Still, it's like Bulawayo made a list of every single social issue in Zimbabwe and the United States and decided to cram them all into one book, narrated by one young character, Darling. It comes across as implausible, so much so that it really ends up just as eye-rolling as Degrassi.

And it's so infuriating because as I said this novel has some really good parts, parts that make you know it could have been so much better. The good news is that the best parts have nothing to do with the plot of the novel, not referencing the characters at all, so they can be (and should be) read in isolation: chapters 10 and 16 are beautiful and poetic, on the theme of the exodus from Zimbabwe and the hardships of life abroad. There's also some good stuff in the other chapters, but they're all mixed up with less good stuff, so you can't look at them in isolation the same way.

The other aspect to this book I liked was the way Darling's voice changed over time. At the beginning of the novel she's a ten-year-old kid living in a Zimbabwean slum after the demolition of her "real home"; by the end she's a teenage indocumentada in Michigan, and has lost all the vibrancy and enthusiasm with which she began her story. It's a subtle progression, and very well done.

It's too bad these things were let down by other aspects of the book. Each chapter is more or less a self-contained story, so you have bizarre things like Darling's father returning from South Africa, dying of AIDS, then never getting mentioned again once his chapter is over. The first half of the book (before chapter 10, the brilliant bridge) follows her life in Zimbabwe, the second half her life in America. Each is characterised by spending long periods of time describing very mundane, boring things in agonising detail, bringing up a very weighty issue and not giving anywhere near enough time to developing it, then returning to mundanity, over and over again. In the "America" half, there is also a kind of revolting chapter where Darling and her friends watch porn including a snuff film and that has to be described, but then in the middle of this revolting chapter is an important and powerful section where Darling ruminates on how hard she finds it to keep in touch with her friends back home… I really liked that section, but why did it have to be bookended with the gross porn descriptions?

Hopefully I've conveyed my frustration enough. This has potential, but it's squandered and I came away disappointed. Some of the reviews of this book, where people have taken the ideas presented here and run with them, I liked much better than the book itself. It has at least increased the urgency in my mind of reading Chinua Achebe's Things Fall Apart, as it's yet another book that makes extensive reference to that.

Francine Corry

A kabel 

Wonko the Sane

Lindsay

Pilar Abreu Fernandez

* Shortlisted for the Man Booker Prize 2013* * US National Book Award 5 Under 35 * * Winner of the Etisalat Prize 2014* * Winner of the Hemingway Foundation/PEN Award 2014* * Winner of a Betty Trask Award 2014* 'To play the country-game, we have to choose a country. Everybody wants to be the USA and Britain and Canada and Australia and Switzerland and them. Nobody wants to be rags of countries like Congo, like Somalia, like Iraq, like Sudan, like Haiti and not even this one we live in - who wants to be a terrible place of hunger and things falling apart?' Darling and her friends live in a shanty called Paradise, which of course is no such thing. It isn't all bad, though. There's mischief and adventure, games of Find bin Laden, stealing guavas, singing Lady Gaga at the tops of their voices. They dream of the paradises of America, Dubai, Europe, where Madonna and Barack Obama and David Beckham live. For Darling, that dream will come true. But, like the thousands of people all over the world trying to forge new lives far from home, Darling finds this new paradise brings its own set of challenges - for her and also for those she's left behind.

Deepika Ramesh

Olivia

Lisa

A remarkable literary debut -- shortlisted for the Man Booker Prize! The unflinching and powerful story of a young girl's journey out of Zimbabwe and to America. Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her-from Junot Diaz to Zadie Smith to J.M. Coetzee-while she tells a vivid, raw story all her own.

We Need New Names A Novel

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