Xochitl Gonzalez

New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

A Novel

Anita de Monte Laughs Last

Lindsay

Human will is a particularly powerful magic. Alchemy happens when a person truly decides something; when a mind is changed.

Endings, and even beginnings, are tricky things to pinpoint, aren’t they? The conventional mind likes to make them nice and neat, a light switch that goes off and on. ... The Iowa River, for instance, starts when two streams join together in Hancock County. Is one of those streams more the beginning than the other? Endings are the same. Possibly even more nebulous, messy things.

Suzie

White men loved to use words that implied astonishment whenever women of color accomplished anything they deemed their "terrain."

Anita de Monte Laughs Last quotes

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