Name: Homegoing
ISBN: 9781509411283

Yaa Gyasi

Dominic Hoffman

Homegoing

Muhamad Omarji

sage lynn

Hell was a place of remembering, each beautiful moment passed through the mind’s eye until it fell to the ground like a rotten mango, perfectly useless, uselessly perfect.

“Love her,” Cobbe commanded, as though love were as simple an act as lifting food up from an iron plate and past one’s lips.

Marcus thought about that day often. He was still amazed by it. Not by the fear he'd felt throughout the day, when the woman who was no more than a stranger to him had dragged him farther and farther from home, but by the fullness of love and protection he'd felt later, when his family had finally found him. Not the being lost, but the being found. It was the same feeling he got whenever he saw Marjorie. Like she had somehow, found him.

How could he explain to Marjorie that what he wanted to capture with his project was the feeling of time, of having been a part of something that stretched so far back, was impossibly large, that it was easy to forget that she, and he, and everyone else, existed in it--not apart from it, but inside of it.

It's not just because I'm scared of drowning. Though I guess I am. It's because of all that space. It's because everywhere I look, I see blue, and I have no idea where it begins. When I'm out there, I stay as close as I can to the sand, because at least then I know where it ends.

Tiana Coates

A lioness. She mates with her lion and he thinks the moment is about him when it is really about her, her children, her posterity. Her trick is to make him think that he is king of the bush, but what does a king matter? Really, she is king and queen and everything in between.

Then next time bring more water, but don’t cry for this time. There should be no room in your life for regret. If in the moment of doing you felt clarity, you felt certainty, then why feel regret later?

Laura Wilson

You can learn anything when you have to learn it. You could learn to fly if it meant you would live another day.

“You want to know what weakness is? Weakness is treating someone as though they belong to you. Strength is knowing that everyone belongs to themselves." 

Shahab Valizadeh

The need to call this thing "good" and this thing "bad," this thing "white" and this thing "black," was an impulse that Effia did not under- stand. 

begun to seem to him like a word the white men brought with them when they first came to Africa. A trick their Christians had learned and spoke loudly and freely about to the people of the Gold Coast. Forgive- ness, they shouted, all the while committing their wrongs.

Daniela

El perdón era un acto que tenía lugar después de actuar, un pedazo del futuro de la mala obra. Y si consigues que la gente mire al futuro, tal vez no se dé cuenta de lo que estás haciendo para herirlos en el presente.

Effia è nata in una notte di fuoco. Le fiamme dal bosco si sviluppano veloci senza sosta, travolgendo ogni cosa al loro passaggio. Ma lei, più forte, è sopravvissuta. Nonostante sua madre sia stata costretta a fuggire lontano da lei.
Pochi anni dopo, in un villaggio vicino, nasce Esi. Amata e protetta dalla sua famiglia, cresce felice fino al giorno in cui tutto cambia all’improvviso.
Due donne e un legame indistruttibile. Perché Effia ed Esi sono sorelle. Ma non lo sanno. E non lo sapranno mai. Non sapranno mai che quella collana che entrambe portano è l’unica cosa che rimane loro della madre: un ciondolo di pietra nera che luccica come se fosse ricoperto di polvere d’oro. Un ciondolo in grado di dare conforto e speranza. Il destino le trascina distanti l’una dall’altra. Effia sposa un governatore inglese, Esi è venduta come schiava negli Stati Uniti.
Eppure quello che le unisce va oltre il tempo, le distanze, le curve della vita. E generazione dopo generazione, decennio dopo decennio, quest’eredità fatta di opposti viene accolta da due ragazzi: Marcus e Marjorie. Non sanno nulla del loro passato, le loro origini si perdono in vecchi racconti e leggende. Non sanno che hanno il compito di riannodare quel filo spezzato anni e anni prima. Ma sanno che senza radici non si può costruire nessun futuro. Bisogna sapere da dove si viene per ritrovare sé stessi. Insieme sono pronti a farlo. Perché il ciondolo di pietra nera che Marjorie possiede, con Marcus accanto, vibra sulla pelle come se volesse raccontare una storia. Una storia che sepolta freme per tornare alla luce.
Un romanzo acclamato dalla stampa americana. Vincitore del prestigioso John Leonard Prize e finalista del PEN American Literary Award, ha subito scalato le classifiche del «New York Times» ed è stato venduto in tutto il mondo. Yaa Gyasi si è conquistata un posto d’onore nel firmamento della letteratura mondiale, facendo di Non dimenticare chi sei l’esordio dell’anno. Una storia sulle infinite strade che può percorrere il destino. Una storia sulla ricerca delle proprie radici. Una storia sull’amore che dà il coraggio di trovare risposte. Perché il futuro nasce dal passato. E solo conoscendo le nostre origini possiamo incamminarci verso il nuovo giorno.
--garzanti.it

An amazingly written book! I really enjoyed every character from beginning to end, and overall it's weaves history and story together so well. If you liked Pachinko, you will love this one!

Max Riley

Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.

Epic in its canvas and intimate in its portraits, Homegoing is a searing and profound debut from a masterly new writer.

Nina

The unforgettable New York Times best seller begins with the story of two half-sisters, separated by forces beyond their control: one sold into slavery, the other married to a British slaver. Written with tremendous sweep and power, Homegoing traces the generations of family who follow, as their destinies lead them through two continents and three hundred years of history, each life indeliably drawn, as the legacy of slavery is fully revealed in light of the present day.
           
Effia and Esi are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle’s dungeons, sold with thousands of others into the Gold Coast’s booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia’s descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation.

“Just because somebody sees, hears, or feels something other folks can’t, doesn’t mean they’re crazy. My grandma used to say, ‘A blind man doesn’t call us crazy for seeing.’”

What a mind blowing way to take a reader through a generational journey. The depiction of pain, identity and belonging, while dealing with racial trauma, left me in awe. Humans are… the worst. Another great debut novel!  

Ani Velasquez

“Just because somebody sees, hears, or feels something other folks can’t, doesn’t mean they’re crazy. My grandma used to say, ‘A blind man doesn’t call us crazy for seeing.’”

What a mind blowing way to take a reader through a generational journey. The depiction of pain, identity and belonging, while dealing with racial trauma, left me in awe. Humans are… the worst. Another great debut novel!  

I’m stunned. Gyasi has narrated pain and beauty beyond compare. Her words have been thwarting, warming, harrowing and healing. I wish I could write like Yaa Gyasi.

Honourable mention tysvvvm Shahab and Charlotte <3

Lily Cooper

I’m stunned. Gyasi has narrated pain and beauty beyond compare. Her words have been thwarting, warming, harrowing and healing. I wish I could write like Yaa Gyasi.

Honourable mention tysvvvm Shahab and Charlotte <3

I am in awe of this book. Gyasi beautifully entraps you in the generational consequences of the slave trade. The novel grapples with the notion of identity and what it truly means to belong. The novel allows you to become entrapped in each generation and keeps you in a chokehold.

Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery.

One of Oprah’s Best Books of the Year and a PEN/Hemingway award winner, Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed—and shows how the memory of captivity has been inscribed on the soul of our nation.

Maureen

If you enjoyed the exploration of generational trauma in Marquez’s A Hundred Years of Solitude, you’ll surely love this book too. It traces the descendants of two half sisters with polar opposite fates through eight generations. Gyasi’s writing hooks you so much that it’s incredible to think this was her debut novel. 

While, as outsiders, we may never fully grasp the depths of racial trauma induced by their captivity, it’s essential to develop an awareness of how their indelible experiences have shaped the formation of one of the most powerful nations we know today.

Mathieu Schwab

An absolute masterpiece of family across generations

Chris Dailey

Ambitious arc that traces the legacy of the Transatlantic Slave trade from inception to today. Structured as the POV of each generation of Fantes from West Africa starting with a pair of half sisters - one that marries a British Governor and the other sold as a slave - and ending with two young Black Americans. The novel is a knotted and connected series of short stories of historical fiction with the descendants as lens into different struggles and triumphs, although fewer of the latter. Deeply personal characters that intimately share their thoughts and concerns that go beyond their immediate dangers of racism, crime and bodily harm. They all deal with love, jealously, betrayal, parenthood and identity. Simultaneously inward and epic, this is a triumph of creativity.

Princess Doe 

I have not even finished reading it, and I know that this book is going to be in my favourites of all time. Such a well-written book that accurately depicts the experiences of Africans and Black people as a whole throughout history, and not in a cliche way either. As a daughter of Ghanian parents who immigrated to North America, I feel a certain connection with a book. It's as if it fills the missing pieces that I have been looking for when trying to figure out who I am as a person. Absolutely in love ❤️every person should read this, white or black.

Megan Parrott

Wow. This is a remarkable debut. Yaa Gyasi's intertwining stories are beautiful and heartbreaking. I can't wait to see more from her.

Ryan Mateyk

I love family sagas and I honestly wish this one was longer. It weaves the stories of various generations of a family through separations and migrations and an eventual reunion. It was beautiful and painful and definitely worth a read.

Grace Edwards

This is in a league of its own. Unique, ambitious, and demanding of a reader's heart and attention. I only wish I had more time with each character.

elizabeth

This is in a league of its own. Unique, ambitious, and demanding of a reader's heart and attention. I only wish I had more time with each character.

Required reading.

i did not think i was gonna finish this at first LOL, reminded me so much of half of a yellow sun. it was tough, it was beautiful, it was haunting, and it made me miss nigeria in a way i haven't in a long time! the past is definitely closer than we think.

Janet Akisanmi

Allison Dempsey

I really wanted to like this, but the format of it ended up being too much. Each chapter ended up being a short story with very minor connections to the chapter before it, and there really was not enough time for proper character development.

Marcy Pursell 

This was a slow book for me, but I liked it. I absolutely loved the ending, and you understand the way the story gets weaved from beginning to end, really full circle, with points of view switching from generation to generation. It was well written, and well narrated. The narrator had an African accent in the earlier POVs, and as the later generations were American, the accents changed and developed.

Kendall McClain

Ava Luke

azliana aziz

yaa gyasi is a gifted writer. 
what is really striking in HOMEGOING for me is how she effortlessly write multi perspectives and giving distinct, lived in voices to each of her characters. reading this book made me understand so much more about black rage and how every little things we did or did not get involved in it will still affect us and everyone else too. those ripple effects can be damaging whether we want/acknowledge of it.


Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.
 
Epic in its canvas and intimate in its portraits, Homegoing is a searing and profound debut from a masterly new writer.

hileahrious

Lila R E

if you need a reason to hate white people this book will be it. 

otherwise a masterpiece, could not recommend enough.

Desiree Young

This book is exactly what I needed right now !!!

I cannot believe this book was only 300 pages and managed to accomplish so much. Not a single word is wasted, and it feels like a book I could reread again and again to pick apart all the little details and symbolism that the author included. There are no less than 14 POV characters in this book and every single one feels like a distinct, fully realized person. I loved seeing how each generation of characters built upon the last and served as a snapshot of their own time period. 

I’m having to hold myself back from writing a full essay about this book, so I’ll just say: it’s absolutely worth the read.

Cloudface

I cannot believe this book was only 300 pages and managed to accomplish so much. Not a single word is wasted, and it feels like a book I could reread again and again to pick apart all the little details and symbolism that the author included. There are no less than 14 POV characters in this book and every single one feels like a distinct, fully realized person. I loved seeing how each generation of characters built upon the last and served as a snapshot of their own time period. 
I’m having to hold myself back from writing a full essay about this book, so I’ll just say: it’s absolutely worth the read.

Homegoing

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