Amy Lukavics

"Imagine Stephen King writing Little House on the Prairie and you'll get the chilling, mind-bending horrors of Amy Lukavics's haunting and powerful debut novel." -- Cat Winters, Morris Award Finalist for In the Shadow of Blackbirds When sixteen-year-old Amanda Verner's family decides to move from their small mountain cabin to the vast prairie, she hopes it is her chance for a fresh start. She can leave behind the memory of the past winter; of her sickly ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn't right on the prairie. She's heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can't be sure if the true evil lies in the land, or deep within her soul. More Praise "[An] intensely creepy debut....There is no happy ending here and horror, and spine-tingler readers, will relish Lukavics's tale right down to the last terrifying page." -- School Library Journal "An old-fashioned ghost story plays on primal fears...." -- Kirkus Reviews "A creepy read that mashes Laura Ingalls Wilder's prairie purity with Stephen King's most frightful horror." -- Booklist "Deeply disturbing, truly riveting and highly recommended." --Jonathan Maberry, New York Times bestselling author of Rot & Ruin and The Nightsiders "Daughters unto Devils is basically Little Hell House on the Prairie." -- Grady Hendrix, author of Horrorstor: a Novel "Dark, dangerous, and creepily atmospheric. This is classic horror at its best." -- Gretchen McNeil, author of Ten and the "Don't Get Mad" series

Daughters Unto Devils

Lucy Acosta's mother died when she was three. Growing up in a Victorian mansion in the middle of the woods with her cold, distant father, she explored the dark hallways of the estate with her cousin, Margaret. They're inseparable--a family. When her aunt Penelope, the only mother she's ever known, tragically disappears while walking in the woods surrounding their estate, Lucy finds herself devastated and alone. Margaret has been spending a lot of time in the attic. She claims she can hear her dead mother's voice whispering from the walls. Emotionally shut out by her father, Lucy watches helplessly as her cousin's sanity slowly unravels. But when she begins hearing voices herself, Lucy finds herself confronting an ancient and deadly legacy that has marked the women in her family for generations.

The Women in the Walls

From the outside, the Cane family looks like they have it all. A successful military father, a loving mother and five beautiful teenage daughters. But on the inside, life isn't quite so idyllic: the Cane sisters can barely stand each other, their father is always away and their neglectful mother struggles with addiction and depression.

The Ravenous

At seventeen, June Hardie is everything a young woman in 1951 shouldn't be--independent, rebellious, a dreamer. June longs to travel, to attend college and to write the dark science fiction stories that consume her waking hours. But her parents only care about making June a better young woman. Her mother grooms her to be a perfect little homemaker while her father pushes her to marry his business partner's domineering son. When June resists, her whole world is shattered--suburbia isn't the only prison for different women... June's parents commit her to Burrow Place Asylum, aka the Institution. With its sickening conditions, terrifying staff and brutal "medical treatments," the Institution preys on June's darkest secrets and deepest fears. And she's not alone. The Institution terrorizes June's fragile roommate, Eleanor, and the other women locked away within its crumbling walls. Those who dare speak up disappear...or worse. Trapped between a gruesome reality and increasingly sinister hallucinations, June isn't sure where her nightmares end and real life begins. But she does know one thing: in order to survive, she must destroy the Institution before it finally claims them all.

Nightingale

Jonathan Maberry

R. L. Stine

Christopher Golden

Brendan Reichs

Margaret Stohl

Kami Garcia

Tananarive Due

Sherrilyn Kenyon

Madeleine Roux

Tonya Hurley

Barry Lyga

Brenna Yovanoff

Josh Malerman

Courtney Alameda

Micol Ostow

Michael Northrop

et et al

A Tribute to Alvin Schwartz's Scary Stories to Tell in the Dark

Don't Turn Out the Lights

Iris Compiet

Lucy Acosta's mother died when she was three. Growing up in a Victorian mansion in the middle of the woods with her cold, distant father, she explored the dark hallways of the estate with her cousin, Margaret. They're inseparable—a family. When her aunt Penelope, the only mother she's ever known, tragically disappears while walking in the woods surrounding their estate, Lucy finds herself devastated and alone. Margaret has been spending a lot of time in the attic. She claims she can hear her dead mother's voice whispering from the walls. Emotionally shut out by her father, Lucy watches helplessly as her cousin's sanity slowly unravels. But when she begins hearing voices herself, Lucy finds herself confronting an ancient and deadly legacy that has marked the women in her family for generations.

A dark and dangerous tale

Sometimes I believe the baby will never stop crying. Sixteen-year-old Amanda Verner fears she is losing her mind. When her family move from their small mountain cabin to the vast prairie, Amanda hopes she can leave her haunting memories behind: of her sickly Ma giving birth to a terribly afflicted baby; of the cabin fever that claimed Amanda's mind; of the wonderfully distracting boy who she has been meeting in secret . . . and whose baby she now carries. But the Verners arrive on the prairie to find their new home soaked in blood. So much blood. And Amanda has heard stories - about men losing their minds and killing their families, about the land being tainted by wickedness. With the guilt and shame of her sins weighing on her, Amanda can't be sure if the true evil lies in the land, or deep within her soul . . . Perfect for fans of American Horror Story, Stephen King and The Others

The Feeding

There's something wrong with Rose. From the outside, the Cane family looks like they have it all. A successful military father, a loving mother and five beautiful teenage daughters. But on the inside, life isn't quite so idyllic: the Cane sisters can barely stand each other, their father is always away and their neglectful mother struggles with addiction and depression. When their youngest and most beloved sister, Rose, dies in a tragic accident, Mona Cane and her sisters are devastated. And when she is brought back from the dead, they are relieved. But soon they discover that Rose must eat human flesh to survive, and when their mother abandons them, the sisters will find out just how far they'll go to keep their family together.

God bless the little children When sixteen-year-old Amanda Verner's family decides to move from their small mountain cabin to the vast prairie, she hopes it is her chance for a fresh start. She can leave behind the memory of the past winter; of her sickly Ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn't right on the prairie. She's heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can't be sure if the true evil lies in the land, or deep within her soul.

Amy Lukavics

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