Charlotte Perkins Gilman

Doctor's orders confine a woman suffering from anxiety and depression to her bedroom, in an effort to prevent mental stimulation of any sort. Despite her forced "rest cure," she continues to write in her journal when her husband isn't looking. Her entries record her terrible and growing fascination with the hideous yellow wallpaper that dominates the room, documenting her slow descent into madness. This work by American author Charlotte Perkins Gilman was based on the author's own experiences. She knew firsthand that the nineteenth-century medical establishment often had dangerously misguided ideas about women's mental and physical health. It is considered to be a seminal feminist work by some, a prime example of Gothic horror by others. First published in 1892, this is an unabridged version of Gilman's controversial short story.

The Yellow Wallpaper

On the eve of World War I, an all-female society is discovered somewhere in the distant reaches of the earth by three male explorers who are now forced to re-examine their assumptions about women's roles in society.

Herland : by Charlotte Perkins Gilman. With an introd. by Ann J. Lane

When their plane crashes in the jungles of South America, the explorers find a hidden civilization that it more advance than their own. The look for the male leaders of the society and discover a utopian all-woman civilization. Herland is a novel by Charlotte Perkins Gillman, the feminist author perhaps best known for her short story, The Yellow Wallpaper. In Herland, Charlotte Perkins Gillman is able to explore her ideas about gender, motherhood, community and sexuality in a science-fiction story that transcended the boundaries of late 19th century society. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Herland

Kadinlar Ülkesi

Narrado con soberbia precisión psicológica y dramática, El tapiz amarillo se destaca por la autenticidad imaginativa con la que pinta el descenso a la locura de una mujer y por la fuerza de su testimonio de la importancia que la libertad tiene para la mujer.

El tapiz amarillo

It is stripped off - the paper - in great patches . . . The colour is repellent . . . In the places where it isn't faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about . . .' Based on the author's own experiences, 'The Yellow Wallpaper' is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. Isolated in a crumbling colonial mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind. Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. In addition to her masterpiece 'The Yellow Wallpaper', this new edition includes a selection of her best short fiction and extracts from her autobiography.

The Yellow Wallpaper And Selected Writings

Why buy our paperbacks? Most Popular Gift Edition - One of it's kind Printed in USA on High Quality Paper Expedited shipping Standard Font size of 10 for all books 30 Days Money Back Guarantee Fulfilled by Amazon Unabridged (100% Original content) BEWARE OF LOW-QUALITY SELLERS Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. About The Yellow Wallpaper "The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Foregoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment she is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. Because it's a nursery the room's windows are barred, to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

By Charlotte Perkins Gilman - Illustrated

"The Yellow Wall-Paper" is a short story that was written in the late 1800s by Charlotte Perkins Gilman, after she suffered a serious downturn with depression, upon taking a doctor's advice to engage in the "rest cure" and abandon creative pursuits forever. Now, more than a hundred years later, this image-rich work has been interpreted by artist Sara Barkat -in a manner that combines both philosophical thought and visual intrigue. Sometimes understood as feminist literature, sometimes understood as exploring mental illness, and sometimes understood as both at the same time, this story is oddly poetic even when it is chilling and challenging. The tale contains subtexts that touch upon the nature of Imagination, as well as the act of Writing, and the artist has enhanced these subtexts with the inclusion of Victorian flower symbols, such as thistle for independence and lupine for imagination. Watch, too, for the appearance of some of history's most imaginative art, refashioned and in dialog with the story at hand, which gives a sense of timelessness and broader societal import to the tale. / Buy now!

The Yellow Wall-Paper: A Graphic Novel: Unabridged

Presents fiction and non-fiction selections from the twentieth-century American feminist and sociologist, displaying keen analysis of economic and women's issues.

The Yellow Wallpaper and Other Writings

Sari Duvar Kagidi

"""The Yellow Wallpaper"" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a ""temporary nervous depression - a slight hysterical tendency"", a diagnosis common to women during that period"

The Yellow Wallpaper Illustrated

Um clássico da literatura feminista pela primeira vez no Brasil Uma mulher fragilizada emocionalmente é internada, pelo próprio marido, em uma espécie de retiro terapêutico em um quarto revestido por um obscuro e assustador papel de parede amarelo. Por anos, desde a sua publicação, o livro foi considerado um assustador conto de terror, com diversas adaptações para o cinema, a última em 2012. No entanto, devido a trajetória da autora e a novas releitura, é hoje considerado um relato pungente sobre o processo de enlouquecimento de uma mulher devido à maneira infantilizada e machista com que era tratada pela família e pela sociedade.

O papel de parede amarelo

Charlotte Perkins Gilman (1860-1935) penned this sardonic remark in her autobiography, encapsulating a lifetime of frustration with the gender-based double standard that prevailed in turn-of-the-century America. With her slyly humorous novel, Herland (1915), she created a fictional utopia where not only is face powder obsolete, but an all-female population has created a peaceful, progressive, environmentally-conscious country from which men have been absent for two thousand years. Gilman was enormously prolific, publishing five hundred poems, two hundred short stories, hundreds of essays, eight novels, and seven years' worth of her monthly magazine, The Forerunner. She emerged as one of the key figures in the women's movement of her day, advocating equality of the sexes, the right of women to work, and socialized child care, among other issues. Today Gilman is perhaps best known for the chilling depiction of a woman's mental breakdown in her unforgettable short story, "The Yellow Wall-Paper". This Penguin Twentieth-Century Classics edition includes both this landmark work and Herland, together with a selection of Gilman's major short stories and her poems.

Herland, The Yellow Wall-paper, and Selected Writings

What would happen if society was run by women? In Herland Charlotte Perkins Gilman imagines the result. When three American men discover a community of women, living in perfect isolation in the Amazon, they decide there simply must be men somewhere. How could these women survive without man's knowledge, experience and strength, not to mention reproductive power? But what they have found is a civilisation free from disease, poverty and the weight of tradition. All alone, the women have created a society of calm and prosperity, a feminist utopia that dares to threaten the very concept of male superiority.

Herland and the Yellow Wallpaper

Yellow Wallpaper & Other Stories

Maggie O'Farrell

Yellow Wallpaper and Selected Writings

Two works in one, this volume contains the full text of With Her in Ourland by Charlotte Perkins Gilman, as well as an illuminating sociological analysis by Mary Jo Deegan with the assistance of Michael R. Hill. Ourland is the sequel to Gilman's acclaimed feminist utopian novel Herland; both were published in her journal, The Forerunner, in 1915 and 1916. Ourland resumes the adventures of Herland's protagonists, Ellador and Van, but turns from utopian fantasy to a challenging analysis of contemporary social fissures in his land, or the real world. Gilman's choice of a sexually integrated society in With Her in Ourland provides us with her answer to her ideal society, but her foray into a woman-only society as a corrective to a male dominated one is a controversial option.

Sequel to Herland

With Her in Ourland

ONE of the most distinctive features of the human mind is to forecast better things. ""We look before and after And pine for what is not."" This natural tendency to hope, desire, foresee and then, if possible, obtain, has been largely diverted from human usefulness since our goal was placed after death, in Heaven. With all our hope in ""Another World,"" we have largely lost hope of this one.

Charlotte Perkins Gilman

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