David Hockney

Martin Gayford

David Hockney reflects upon life and art as he experiences lockdown in rural Normandy in this inspiring book which includes conversations with the artist and his latest artworks.

David Hockney in Normandy

Spring Cannot Be Cancelled

Join one of the most influential artists of our time as he investigates the painting techniques of the Old Masters. Hockney’s extensive research led him to conclude that artists such as Caravaggio, Velázquez, da Vinci, and other hyperrealists actually used optics and lenses to create their masterpieces. In this passionate yet pithy book, Hockney takes readers on a journey of discovery as he builds a case that mirrors and lenses were used by the great masters to create their highly detailed and realistic paintings and drawings. Hundreds of the best-known and best-loved paintings are reproduced alongside his straightforward analysis. Hockney also includes his own photographs and drawings to illustrate techniques used to capture such accurate likenesses. Extracts from historical and modern documents and correspondence with experts from around the world further illuminate this thought-provoking book that will forever change how the world looks at art. Secret Knowledge will open your eyes to how we perceive the world and how we choose to represent it.

Rediscovering the Lost Techniques of the Old Masters

Secret Knowledge (New and Expanded Edition)

A picture, says David Hockney, is the only way that we can communicate what we see. Here, in a collaboration with art critic Martin Gayford, he explores the many ways that artists have pictured the world, sharing sparkling insights and ideas that will delight every art lover and art maker. Readers who thrilled to Hockney s "Secret Knowledge" know that he has an uncanny ability to get into the minds of artists. In "A History of Pictures" he covers far more ground, getting at the roots of visual expression and technique through hundreds of images from cave paintings to frames from movies that are reproduced. It s a joyful celebration of one of humanity s oldest impulses."

From the Cave to the Computer Screen

A History of Pictures

A History of Pictures takes young readers on an adventure through art history. From cave paintings to video games, this book shows how and why pictures have been made, linking art to the human experience. Hockney and Gayford explain each piece of art in the book, helping young minds to grasp difficult concepts. The book tracks the many twists and turns toward artistic invention, allowing readers to fully appreciate how and why art has changed and includes an illustrated timeline of inventions. All new illustrations by Rose Blake add a personal perspective on a wide variety of images. A History of Pictures will inspire creative minds and help them to understand the legacy of the pictures we see today. The book also includes a bibliography and index.

From Cave Paintings to Computer Drawings

A History of Pictures for Children

'I won't read a more interesting book all year... utterly fascinating' A. N. Wilson, Sunday Times 'Enormously good-humoured and entertaining... Hockney asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artists seems to.' Andrew Marr, New Statesman A new, compact edition of David Hockney and Martin Gayford's brilliantly original book, with a revised final chapter and three entirely new Hockney artworks Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velázquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. This new edition has a revised final chapter with some of Hockney's latest works, including the stained-glass window in Westminster Abbey.

a bigger picture

Lawrence Weschler

A commentary by the "New Yorker" art critic accompanies 117 photographic collages by the celebrated and popular artist, whose work in this medium reflects a synthesis of observation, panorama, and impression

Cameraworks

Secret Knowledge

David Hockney: A Bigger Picture. Tim Barringer ... [Et Al.]

Wallace Stevens

"This catalogue documents the publication of 'The Blue Guitar', a group of etchings by David Hockney, accompanied here by a poem of Wallace Stevens 'The Man with the Blue Guitar". The portfolio contains twenty etchings drawn by the artist in London in the Autumn of 1976 and Spring of 1977"--P. 51.

The Blue Guitar

"In recent years David Hockney has returned to England to paint the landscape of his childhood in East Yorkshire. Although his passionate interest in new technologies has led him to develop a virtuoso drawing technique on an iPad, he has also been accompanied outdoors by the traditional sketchbook, an invaluable tool as he works quickly to capute the changing light and fleeting effects of the weather. Executed in watercolour and ink, the panoramic scenes have the spatial complexity of finished paintings - the broad sweep of sky or road, the patchwork tapestry of land - yet convey the immediacy of Hockney's impressions" --Dust cover.

A Yorkshire sketchbook

David Hockney reflects upon life and art as he experiences lockdown in rural Normandy in this inspiring book which includes conversations with the artist and his latest artworks. On turning eighty, David Hockney sought out rustic tranquility for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year earlier, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot Be Cancelled is an uplifting manifesto that affirms art’s capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney’s new Normandy drawings and paintings alongside works by Van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, color, space, perception, water, trees. He has much to teach us, not only about how to see . . . but about how to live.

Spring Cannot Be Cancelled: David Hockney in Normandy

A Year in Yorkshire

Pictures

John Cox

Walker Art Center

Martin Friedman

SCOTT (copy 2) The Hédi Bouraoui Collection in Maghrebian and Franco-Ontario Literatures is the gift of University Professor Emeritus Hédi Bouraoui.

Hockney Paints the Stage

Whitechapel Art Gallery

Paintings, Prints, and Drawings, 1960-1970

Catalogue of an exhibition of Brian Baggott's private collection of David Hockney's posters.

David Hockney

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