Gary Groth

Carl Barks

Lost in the Andes

Walt Disney's Donald Duck

MOME Summer 2007 (Vol. 8) (Mome)

David Gerstein

Walt Disney

Floyd Gottfredson

Presents the Sunday Mickey Mouse comic strip that debuted in 1932 featuring Donald Duck, Uncle Mortimer, and Morty and Ferdie Fieldmouse, including behind-the-scenes art and vintage publicity material.

Call of the wild

Walt Disney's Mickey Mouse Color Sundays

Populated by junkies, grifters, hustlers, strippers, pimps, and various strains of victims and criminals, this is a biting, satiric portrait of America from the lower depths. If you put Henry Miller, Charles Bukowski, and Kathy Acker in a blender and added the ratty, unadorned drawing style of of Charles Rodriguez, you'd have some idea of how hot and incendiary a brew this is. A collection of autobiographical stories, Eve Gilbert allows readers full access to her unglamorous world, filled with people most of us hope we never have to meet. "The Real Resume" is a depressingly realistic tour of the various wage-slave jobs Gilbert has held over the years. Another highlight is "Pregnate?"--which was written in San Fransisco porn store while Gilbert was waiting for an interview-- in which Gilbert relates to how she ended up pregnant despite a safety net of latex, with no money for even a pregnancy test, let alone an abortion. Unflinchingly, candid and caustic, Gilbert has one of the most uniquely confident and iconoclastic voices to hit the world of graphic novels in several years.

An Autobiographical Road Trip Through the Other America

Tits, Ass & Real Estate

Will Elder

by Will Elder The trade paperback version of this book was offered months ago and has already received great notice - so Fantagraphics just had to make it even more special by printing a limited hardcover version and a signed hardcover version! Included are stories from the original MAD comic, Humbug, Help!, and Little Annie Fanny pages shot directly from the original painted artwork! Also included is commentary by Hugh Hefner, Harvey Kurtzman, and Jerry Garcia, who describe the impact that Elder's work had on satire and comic art in the second half of the 20th Century. Get this special edition NOW! Introduction by Daniel Clowes HC, 9x12, 300pg, FC

The Mad Playboy of Art

Rick Marschall

Laurie Colwin

Leonard Maltin

Charles Schulz

Peanuts is beloved by countless readers worldwide for its iconic characters ― such as Snoopy, Charlie Brown, and Lucy van Pelt ― gentle humor, and emotional resonance. The artist behind Peanuts shares the same name recognition, but among critics and historians, he is far more than a celebrity ― he wrote and drew every strip in the newspaper comic's 50 years himself, and it reflects the moral, aesthetic, and intellectual foundations of Schulz's worldview and art. Fantagraphics is proud to present four extensive conversations with Schulz, conducted by film critic Leonard Maltin, novelist Laurie Colwin, Fantagraphics publisher Gary Groth, and comics historian Rick Marschall.

The Major Interviews with Charles M. Schulz

What Cartooning Really Is

A gift set of the first and second Walt Disney's Mickey Mouse Color Sunday's volumes, in a handsome and durable slipcase.

Walt Disney's Mickey Mouse Color Sundays Gift Box Set

Gil Kane

The Legendary Intellectual and Raconteur Talks to Hal Foster, Walt Kelly, Harvey Kurtzman, Howard Chaykin, Robert Crumb, and Other Artists.

Colloquies on Comic Art and Aesthetics

Sparring with Gil Kane

Michael Dean

The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists’ club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art.

Zap — The Interviews

The Comics Journal Library

Eric Reynolds

Mome

No comics publisher has had a greater impact ― or generated more controversy ― than the immensely influential EC Comics. The second and concluding volume of conversations with the creators behind the EC war/horror/science fiction/suspense line brings The Comics Journal’s definitive interviews together with several never-before-published sessions, including a new interview with the legendary Jack Davis conducted by Gary Groth. It also includes: Publisher Bill Gaines on the origins of the company and his terrifying grilling before the Senate Subcommittee on Juvenile Delinquency, editor/writer/artist Al Feldstein on introducing serious science fiction to comics and his interactions with Ray Bradbury. Harvey Kurtzman on bringing realism to war comics with Frontline Combat and subversive satire to humor comics with Mad, the master of chirascuro, Alex Toth, on the aesthetic values that guided him through a career that included drawing for EC and animating Jonny Quest, colorist Marie Severin on the atmosphere of pranks and anarchy that dominated the EC bullpen. Plus, career-spanning interviews with George Evans and Jack Kamen, rare Q&A sessions with formal experimenter Bernard Krigstein and EC writer Colin Dawkins, and a conversation between Jack Davis and award-winning alternative cartoonist Jim Woodring.

The EC Artists Part 2

Mark Cohen

The dream, of cartooning aficionados everywhere, revealed in hushed tones only within the cult itself, is to know what their favorite cartoonist looks like ―naked. Finally, a book that satisfies this unspoken fetish among cartoon fanatics. Presenting Naked Cartoonists: Over 70 artists’ nude self-portraits, including Sergio Aragonés, Art Spiegelman, Will Eisner, Charles Schulz, Mort Walker, Scott Adams, Al Jaffee, Ann Telnaes, Jeff Smith, Trina Robbins, Lynn Johnston, Russell Myers, and dozens more. Cartoonists are notoriously physically lovely, well-proportioned, statuesque, graceful, and always with a twinkle in their eyes, so in order not to make their readers envious or resentful, they often depict themselves in deliriously outlandish or humiliating situations and usually festooned with self-deprecating anatomical features. This is where cartoonists have to rely on nothing but their wit, inventiveness, and desperation to make themselves look as unattractive as humanly possible. In other words, as far from reality as they can possibly get. The cartoonists in this book succeed mightily at this gallant effort.

Naked Cartoonists

Kristy Valenti

RJ Casey

The Comics Journal, which is renowned for its in-depth interviews, comics criticism, and thought-provoking editorials, features Gary Groth in frank and often hilarious discussion with the satirist and children’s book author Tomi Ungerer. Ungerer talks about the entire trajectory of his life and career: growing up in France during the Nazi occupation, creating controversial work, and being blacklisted by the American Library Association. This issue, the first in its new twice-a-year format, covers the “new mainstream” in American comics ― how the marketplace and overall perception of the medium has drastically shifted since the “graphic novel boom” of the early 2000s and massive hits like Persepolis, Fun Home, and Smile. It also includes sketchbook pages from French-born cartoonist Antoine Cossé’ an introduction to homoerotic gag cartoons out of the U.S. Navy; and Your Black Friend cartoonist Ben Passmore’s examination of comics and gentrification.

#303

The Comics Journal

The Comics Journal Library series is the most comprehensive series of lavishly illustrated interviews conducted with cartoonists ever published. To celebrate our republication of the legendary EC line, we proudly present the first of a two-volume set of interviews with the artists and writers (and publisher!) who made EC great. Included in the first volume: career-spanning conversations with EC legends Will Elder, John Severin, Harvey Kurtzman, and Al Feldstein, as well as short interviews with EC short-timers Frank Frazetta and Joe Kubert. Also: EC Publisher William Gaines on his infamous Senate subcommittee testimony, and probing conversations between Silver Age cartoonist Gil Kane and Harvey Kurtzman, as well as contemporary alternative cartoonist Sam Henderson and MAD great Al Jaffee. Part of what made EC the best publisher in the history of mainstream comics was some of the most beautiful drawing ever published in comic books, and every interview is profusely illustrated by pertinent examples of the work under discussion.

The EC Artists

Simon Hanselmann

The Comics Journal #304 features Gary Groth in conversation with outspoken Tasmanian cartoonist Simon Hanselmann, who discusses how his tragicomedy webcomic starring a witch, a cat, and an owl became an internationally acclaimed, best-selling phenomenon, collected in books such as Megahex and Bad Gateway. This issue also highlights the labor and economics issues facing the medium — the past and future of organizing a comics union, work-for-hire contracts, and how comic conventions can better serve creators — with the Journal’s hallmark candor. Other features include an exclusive look at the unfinished graphic novel that Eisner and Geisel Award winner Geoffrey Hayes was working on before his untimely death in 2017, a peak inside the lush sketchbook of Sophie Franz, a timely work by Brazilian cartoonist Laura Lannes, a reconsideration of the comics canon by Skin Horse cartoonist Shaenon K. Garrity, and more!

The Comics Journal #304

In this issue, Gary Groth interviews Roz Chast, the New Yorker humor cartoonist turned graphic memoirist (Can’t We Talk About Something More Pleasant?). TCJ #306 focuses on the intersections between comics and politics. It includes op-eds on the importance (and lack thereof) of modern political cartooning. Also featured is a meditation on the creator of the Dilbert newspaper comic strip, Scott Adams; a piece about Daisy Scott, the first African American woman political cartoonist; a gallery of underground cartoonist John Pound’s code-generated comics; portraits of mass shooting victims; a selection of Spider-Gwen artist Chris Vision’s sketchbook pages; and other essays and galleries.

The Comics Journal #306

Brian K. Vaughan on Y: The Last Man, Lost, Ex Machina and more; Paul Karasik interviews Gipi; John Kerschbaum talks brutality. Should superheroes come out of the closet? Reviews of Zot!, Kirby: King of Comics, and more!

Gary Groth

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