Lynn Coady

A collection of short fiction. Equally adept at capturing the obsessions of both men and women.

Stories

Hellgoing

Winner of the 2012 Georges Bugnet Award for Fiction and shortlisted for the 2011 Scotiabank Giller Prize. Against his will and his nature, the hulking Gordon Rankin ("Rank") is cast as an enforcer, a goon -- by his classmates, his hockey coaches, and especially his own "tiny, angry" father, Gordon Senior. Rank gamely lives up to his role -- until tragedy strikes, using Rank as its blunt instrument. Escaping the only way he can, Rank disappears. But almost twenty years later he discovers that an old, trusted friend -- the only person to whom he has ever confessed his sins -- has published a novel mirroring Rank's life. The betrayal cuts to the deepest heart of him, and Rank will finally have to confront the tragic true story from which he's spent his whole life running away. With the deep compassion, deft touch, and irreverent humour that have made her one of Canada's best-loved novelists, Lynn Coady delves deeply into the ways we sanction and stoke male violence, giving us a large-hearted, often hilarious portrait of a man tearing himself apart in order to put himself back together.

The Antagonist

Fatherless teen Guy Boucher finds himself at the center of an ugly rumor involving a popular girl, in a story told from the viewpoints of his overbearing uncle Isadore, the Shakespeare-loving Pam, a draft-dodging English teacher, and a pair of emotional golden boys. Reprint.

Saints of Big Harbour

"After her mother's sudden death, Karen finds herself back in her childhood home in Nova Scotia for the first time in a decade, acting as full-time caregiver to Kelli, her older sister. Overwhelmed with grief and the daily needs of Kelli, who was born with a developmental disability, Karen begins to feel consumed by the isolation of her new role. On top of that, she's weighed down with guilt over her years spent keeping Kelli and their independent-to-a-fault mother, Irene, at arm's length. And so when Trevor--one of Kelli's support workers--oversteps his role and offers friendly advice and a shoulder to cry on, Karen gratefully accepts his somewhat overbearing friendship. When she discovers how close Trevor was to Irene, she comes to trust him all the more. But as Trevor slowly insinuates himself into Karen and Kelli's lives, Karen starts to grasp the true aspect of his relationship with her mother--and to experience for herself the suffocating nature of Trevor's "care.""--

Watching You Without Me

Mean Boy

Play the Monster Blind

After her mother's sudden death, Karen finds herself back in her childhood home in Nova Scotia for the first time in a decade, acting as full-time caregiver to Kelli, her older sister. Overwhelmed with grief and the daily needs of Kelli, who was born with a developmental disability, Karen begins to feel consumed by the isolation of her new role. On top of that, she's weighed down with guilt over her years spent keeping Kelli and their independent-to-a-fault mother, Irene, at arm's length. And so when Trevor -- one of Kelli's support workers -- oversteps his role and offers friendly advice and a shoulder to cry on, Karen gratefully accepts his somewhat overbearing friendship. When she discovers how close Trevor was to Irene, she comes to trust him all the more. But as Trevor slowly insinuates himself into Karen and Kelli's lives, Karen starts to grasp the true aspect of his relationship with her mother -- and to experience for herself the suffocating nature of Trevor's "care." Scotiabank Giller Prize-winning author Lynn Coady delivers a creepy and wholly compelling novel about the complex relationship between mothers and daughters and sisters, women and men, and who to trust and how to trust in a world where the supposedly selfless act of caregiving can camouflage a sinister self-interest.

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Strange Heaven is tearfully hilarious, as funny and appalling as reality. Bridget Murphy, almost eighteen, has come to Halifax from industrial Cape Breton, had her baby, and given it up for adoption. Transferred to the psych ward of the children's hospital, she's incarcerated with five seriously disturbed teenagers and a flock of wan children. She's depressed, they say. Apathetic. Bridget is a bit detached, but Four South is peaceful compared with the chaos back home. Her grandmother, Margaret P., raves and prays from her bed, banging the wall with her bedpan. Bridget's parents, Robert and Joan, take care of her and her mentally handicapped son, Rollie. Joan tries to keep the lid on, but she's no match for Robert's wild profanity, Margaret's dementia, and Rollie's efforts to join the fray. Uncle Albert, a kind man who saves his eloquent wrath for outsiders, springs Bridget from the hospital for Christmas. But home is more chaotic than ever, and she's sick of her boozy friends and the whining of the baby's father. She had half planned to hibernate at home till kingdom come, but it's become like a lurid movie she saw eons ago and she's forgotten the plot. Her future may be unclear, but she has a good idea of the direction it won't take.

Strange Heaven

Douglas Glover

Shauna Singh Baldwin

Alden Nowlan

Mark Anthony Jarman

Kathryn Kuitenbrouwer

For Goose Lane's diamond anniversary -- an array of six scintillating stories, gems mined from sixty years of Canada's finest publishing and polished to the brightest hues. This multi-volume collection includes the following: Famed poet Alden Nowlan's A Boy's Life of Napoleon, adapted from his first novel, The Wanton Troopers, posthumously published by Goose Lane in 1988 Douglas Glover's strange and affecting Woman Gored by Bison Lives The Three Marys, a Christmas story with a bite, adapted by Lynn Coady from her debut novel, Strange Heaven Simran, a twisting tour-de-force by Shauna Singh Baldwin Kathryn Kuitenbrouwer's stunning What Had Become of Us Knife Party, a wild tale of an Italian vacation gone off the rails, from Mark Anthony Jarman's highly anticipated new collection, forthcoming in 2015

Six@sixty

Earnest, small-town Lawrence Campbell is fascinated by his poetry professor, the charismatic and uncompromising Jim Arsenault. Larry is determined to escape a life of thrifty drudgery and intellectual poverty working for his parents’ motel and mini-golf business on Prince Edward Island. Jim appears to the young poet as a beacon of authenticity – mercurial, endlessly creative, fearless in his confrontations with the forces of conformity. And he drinks a lot. Jim’s magnetic personality soon draws Larry’s entire poetry composition class into his orbit. Among the other literary acolytes are Sherrie Mitten, with her ringletted blonde hair and guileless blue eyes, the turtlenecked, urbane Claude who writes villanelles, and the champion of rhyming couplets about the heroic struggles of the Maritime proletariat, Todd. Casting a huge shadow over the group is the varsity football player and recreational drug user Chuck Slaughter – titanically strong, capriciously violent, hilariously indifferent to the charms of the poetic life – who has nearly given up terrifying Larry in order to pursue an awkward romantic interest in Sherrie. Drawn by ambition and fascination, the group assembles itself fawningly around Jim, tagging along to bars, showing up at readings, thrilled to be invited to Jim’s home, a shambling farmhouse in the woods where he lives with Moira, his shrewish backwoods muse. Lost in adulation, Larry is so delighted to be singled out for Jim’s attention that he does not pause to wonder what Jim expects from his increasingly close relationship with the young poet. Closely observed and deeply funny, Mean Boy tells the story of Larry’s year-long battle against the indiscriminate use of quotation marks in advertising and his disillusionment as his narcissistic, hard-drinking idol spins out of control and threatens to take the young man’s cherished notions about art and poetry down with him. Mean Boy is Lynn Coady’s most polished and ambitious work to date. From the Hardcover edition.

The highly anticipated new literary suspense novel from Scotiabank Giller Prize–winning author Lynn Coady. After her mother’s sudden death, Karen finds herself back in her childhood home in Nova Scotia for the first time in a decade, acting as full-time caregiver to Kelli, her older sister. Overwhelmed with grief and the daily needs of Kelli, who was born with a developmental disability, Karen begins to feel consumed by the isolation of her new role. On top of that, she’s weighed down with guilt over her years spent keeping Kelli and their independent-to-a-fault mother, Irene, at arm’s length. And so when Trevor — one of Kelli’s support workers — oversteps his role and offers friendly advice and a shoulder to cry on, Karen gratefully accepts his somewhat overbearing friendship. When she discovers how close Trevor was to Irene, she comes to trust him all the more. But as Trevor slowly insinuates himself into Karen and Kelli’s lives, Karen starts to grasp the true aspect of his relationship with her mother — and to experience for herself the suffocating nature of Trevor’s “care.” Scotiabank Giller Prize–winning author Lynn Coady delivers a creepy and wholly compelling novel about the complex relationship between mothers and daughters and sisters, women and men, and who to trust and how to trust in a world where the supposedly selfless act of caregiving can camouflage a sinister self-interest.

LONGLISTED FOR THE SCOTIABANK GILLER PRIZE! From the author of the Scotiabank Giller Prize-winning story collection Hellgoing--an electrifying, brooding novel about the lengths we go to care for family, and what happens when a stranger places himself at the center of one household. "Watching You Without Me is like a Lorrie Moore book suffering a Patricia Highsmith fever dream. You slide right along on Coady's witty and endearing style, and meanwhile the trap has closed over you without your ever standing a chance." --Jonathan Lethem After her mother's sudden death, Karen finds herself back in her childhood home in Nova Scotia for the first time in a decade, acting as full-time caregiver to her older sister, Kelli. Overwhelmed and consumed by the isolation of her new role, Karen finds a shoulder to cry on in Trevor--one of Kelli's caregivers. Karen gratefully accepts his friendship and comes to trust him all the more when she discovers how close Trevor was to her mother, Irene. But all is not as it appears to be. What begins with friendly advice and someone to talk to soon takes a dark and mysterious turn. Who is this person Karen has let into her home and into her family's life? How well does she know the stranger she has entrusted with her sister's well-being? As Trevor slowly weaves himself into Karen and Kelli's lives, Karen starts to grasp the unsettling truth about him and his relationship with her mother--and to experience for herself the true and dangerous nature of Trevor's "care."

A novel

She's depressed, they say. Apathetic. Bridget Murphy, almost eighteen, has had it with her zany family. When she is transferred to the children's hospital's psych ward after giving birth to a baby and putting it up for adoption, it is a welcome relief -- even with the manic ranting of a teen stripper and lurid come-ons of a young megalomaniac. But this oasis of relative calm is short-lived. Christmas is coming, and Uncle Albert arrives to whisk Bridget back to the bedlam of home and the booze-soaked social life that got her into trouble in the first place. Her grandmother raves from her bed, banging the wall with a bedpan through a litany of profanities. Her father curses while her mother tries to keep the lid on developmentally delayed Uncle Rollie. The baby's father wants retribution, and her friends don't get that she's changed.

Bridget Murphy, almost eighteen, has had her baby, given it up for adoption, and landed in the children's psych ward. At Christmas, her Uncle Albert springs her from the hospital and takes her home to Cape Breton. There, her grandmother raves and prays and bangs the wall with her bedpan, her father punctuates his tirades with wild profanity, and her mother struggles to keep order. In this "strange heaven, " Bridget's apathy lifts and her spirits begin to soar. Copyright © Libri GmbH. All rights reserved.

Guy Boucher, a fatherless teenager oppressed by the boredom and poverty of rural Nova Scotia, is dominated by his monstrous uncle, Isadore - alcoholic, capriciously violent and preternaturally vital. Isadore, who is permitted to board with Guy and his mother in exchange for the use of his red pick-up truck, is determined to make a man of Guy by forcing him to drink and play hockey. Guy dreams that access to the truck will be enough to attract a girlfriend from nearby Big Harbour. But when an awkward courtship turns sour, Guy touches off a sluggish tumult of violence fuelled by malice, booze and suffocating ennui.

The Saints Of Big Harbour

In 1967, then-unknown writers David Godfrey and Dennis Lee founded a small press they grandly named “The House of Anansi,” after an African trickster spider-god. Their goal was to publish groundbreaking new Canadian work in three core genres: literary fiction, poetry, and topical nonfiction. Forty years later, Anansi is not only going strong but enjoying a fascinating creative renaissance, bolstered by both its important backlist and its renewed commitment to seeking out the best new writers and ideas to publish alongside its established ones. Assembled by award-winning writer Lynn Coady, The Anansi Reader features excerpts from ten of the best books from each decade of the existence of the press, for a total of 40 entries. Samples from Lynn Crosbie's Queen Rat, Northrop Frye's The Educated Imagination, and Kevin Connelly's Drift are among the treasures included. In a thoughtful coda, Coady shows readers the future with selections from seven exciting works-in-progress coming from Anansi in the next two years.

Lynn Coady

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