Matthew Carter

A mass murderer kills in order to experience his victims' lives. In the end, his obsession with trying to become a part of their world pushes him to finding a way to join their world and become one of them--but he realizes he can't kill himself.

Liquid Soul

Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genreOCOs socio-cultural, historical and political dimensions.&quote;

New Perspectives on Hollywood's Frontier Narrative

Myth of the Western

A True Relation of the Seige [sic] of Colchester in 1648 ...

Johanna Drucker

Margaret Re

James Mosley

In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria & Albert Museum, have all commissioned Carter fonts. Typographically Speaking: The Art of Matthew Carter entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context. Published in conjunction with the University of Maryland Baltimore County.

Matthew Carter

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