Euripides

Michael Collier

Georgia Machemer

Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, is an excellent example of the prominence and complexity that Euripides gave to female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides's world.

Medea

Michael Salcman

"Poetry in Medicine is anthology of poems written from antiquity through today about the medical experience. The book is divided into fourteen thematic sections, which present various facets of the world of medicine, doctors, and treatment. The sections include: anatomy & physiology; Contagions, Infections & Fevers; Blindness, Pain & Other Ailments; Pills, Powders & Other Remedies; Tumors, Trauma, & Tumu< From the Children's Ward; Looking Inside: Procedures, Diagnostic & Surgical; Doctors and Other Healers; Patients; The Wounded Mind: Depression & Dementia; The Final Journey: Death & Dying; The View from the Other Side of the Bed: Loved Ones of the Sick; Places of Healing; and Convalescence. It also includes a preface and introduction from anthologist,Dr. Michael Salcman, a neurosurgeon, and a foreword by poet and educator Michael Collier" --

An Anthology of Poems about Doctors, Patients, Illness and Healing

Poetry in Medicine

Explores the geological forces that shape the landscape of planet Earth, with detailed, full-color, large-format photographs that cover the geology and features of every major mountain range in the United States, as well as easy-to-understand explanations of the processes at work.

An Aerial View of Geology

Over the Mountains

Rose Houk

Rising in a seemingly endless procession from an ancient lake bed in the Tularosa Basin of southern New Mexico, the stark gypsum dunes of White Sands National Monument grow, crest, and slump, driven by the wind. The sands form an ecological island where desert plants and animals have adapted to a bright and shifting world. This stunning book describes the area's natural and human history, including the detonation of the first atomic bomb at the nearby Trinity site. Photos by Michael Collier, plus rare historical images.

White Sands National Monument

Think of a time when you’ve feigned courage to make a friend, feigned forgiveness to keep one, or feigned indifference to simply stay out of it. What does it mean for our intimacies to fail us when we need them most? The poems of this collection explore such everyday dualities—how the human need for attachment is as much a source of pain as of vitality and how our longing for transcendence often leads to sinister complicities. The title poem tells the conflicted and devastating story of the poet’s friendship with the now-disgraced Bishop of Phoenix, Arizona, interweaving fragments of his parents’ funerals, which the Bishop concelebrated, with memories of his childhood spiritual leanings and how they were disrupted by a pedophilic priest the Bishop failed to protect him from. This meditation on spiritual life, physical death, and betrayal is joined by an array of poised, short lyrics and expansive prose poems exploring how the terror and unpredictability of our era intrudes on our most intimate moments. Whether Michael Collier is writing about an airline disaster, Huey Newton’s trial, Thomas Jefferson’s bees, a piano in the woods, or his own fraught friendship with the disgraced Catholic Bishop, his syntactic verve, scrupulously observed detail, and flawless ear bring the felt—and sometimes frightening—dimensions of the mundane to life. Throughout, this collection pursues a quiet but ferocious need to get to the bottom of things.

My Bishop and Other Poems

A collection of poetry spanning the career of distinguished poet Michael Collier. Whether Michael Collier is writing about an airline disaster, a friendship with a disgraced Catholic bishop, his father’s encounter with Charles Lindbergh, Lebanese beekeepers, a mother’s sewing machine, or a piano in the woods, he does so with the syntactic verve, scrupulously observed detail, and a flawless ear that has made him one of America’s most distinguished poets. These poems cross expanses, connecting the fear of missing love and the bliss of holding it, the ways we speak to ourselves and language we use with others, and deep personal grief and shadows of world history. The Missing Mountain brings together a lifetime of work, chronicling Collier’s long and distinguished career as a poet and teacher. These selections, both of previously published and new poems, chart the development of Collier’s art and the cultivations of is passions and concerns.

New and Selected Poems

The Missing Mountain

"Its surface ravaged by colliding time-fields, the planet Hirath is a patchwork of habitable areas separated by impenetrable zones of wild temporal fluctuation. The planet's unique biosphere is being exploited by an uncaring company happy to rent our temporarily isolated chunks of the planet to the highest bidder -- no questions asked. But the controlling computer seems to be malfunctioning, and the viability of the whole planet hangs in the balance -- along with countless thousands of lives. Arriving at Hirath's control base, the Doctor and Sam are soon separated and trapped on the dying planet. While Sam becomes the focus of attention in a barren penal settlement, the Doctor discovers the secret of Hirath's unique condition -- just as a race of hideous bloodthirsty alien creatures arrive in force to reclaim it. Caught up in a desperate struggle for survival, it seems time has run out for every living creature on Hirath -- not least Sam and the Doctor."--Page 4 of cover.

Longest Day

“Michael Collier’s book is refreshing in its refusal to push for one particular aesthetic. He regards his own preference for realism over abstraction as more a matter of temperament than of considered judgment, and respects poets more skeptical than he is about the ability of poetry to connect with the world. The result is an engaging record of his influences and enthusiasms, which are wide enough to include both Whitman and Larkin, both Jorge Borges and William Maxwell.” —Carl Dennis, Pulitzer Prize–winning author ofUnknown FriendsandPractical Gods “Michael Collier combines pietas and wildness in these essays on poetry as inheritance, and poetry as struggle. One feels the young man in his ‘rampage of literature,’ and the older writer reflecting on an art that is at once personal and impersonal, deeply matured in the imagination. This is a wise and well-lived book.” —Rosanna Warren, author ofDepartureandStained Glass “The essays and remembrances inMake Us Wave Backradiate Michael Collier’s characteristic insight and sagacity on every page. Clear-minded, ardent, brightly illuminating the art of poetry, this is as lucid as writing about writing gets.” —Campbell McGrath, author ofPax AtomicaandFlorida Poems National Book Critics Circle Award finalist Michael Collier explores the influences that have made him one of the most distinguished poets of his generation.Make Us Wave Backincludes essays on an expansive list of subjects, among them the literary correspondence of William Maxwell; the meaning of the author’s own role as poet laureate of the state of Maryland; the journals of Louise Bogan and how they reveal Bogan’s struggle with her own personal fears as well as the reconstruction of herself as a writer; and many more. Michael Collier is Professor of English and Codirector of the creative writing program at the University of Maryland. He is also director of the Bread Loaf Writers’ Conference. He is the author of several books of poems, includingThe Clasp and Other Poems, The Folded Heart,andThe Ledge.

Essays on Poetry and Influence

Make Us Wave Back

Bread Loaf Writers' Conference of Middlebury College

Stanley Plumly

The New Bread Loaf Anthology of Contemporary American Poetry includes more than 80 of America's most vital poets writing at the end of the century. Comprehensive and eclectic, the anthology provides an impressive and representative range of poetic voices and styles. Most of the poems have been written in the past five years and most have not yet been collected in books. As a result, The New Bread Loaf Anthology of Contemporary American Poetry is unusually fresh, immediate, and perfect for classroom use as well as pleasure reading. Includes Agha Shahid Ali, Frank Bidart, Lucille Clifton, Mark Doty, Rita Dove, Louise Glueck, Marilyn Hacker, Michael Harper, Edward Hirsch, Yusef Komunyakaa, Li-Young Lee, Philip Levine, Larry Levis, Campbell McGrath, Heather McHugh, William Matthews, W. S. Merwin, Linda Pastan, Robert Pinsky, Alberto Rios, Gerald Stern, Mark Strand, James Tate, Ellen Bryant Voigt, Rosanna Warren, C. K. Williams, C. D. Wright, Charles Wright, and many others.

The New Bread Loaf Anthology of Contemporary American Poetry

The dark splendor of this collection is the burden of its witnessing, the quiet courage of a speaker who will not turn away from what he sees and remembers. How are we changed by what we come to know-- sometimes unwittingly-- about each other? The Neighbor is a book of transforming and compassionate answers. -- Edward Hirsch.

The Neighbor

Since issuing its first volumes in 1959, the Wesleyan poetry program has challenged the reigning aesthetic of the time and profoundly influenced the development of American poetry. One of the country’s oldest programs, its greatest achievement has been the publication of early works by yet undiscovered poetry who have since become major awarded Pulitzer and Bollingen prizes, National Book Awards, and many other honors. At a time when other programs are being phased out, Wesleyan takes this opportunity to celebrate its distinguished history and reaffirm its commitment to poetry with publication of The Wesleyan Tradition. Drawing from some 250 volumes, editor Michael Collier documents the wide-ranging impact of these works. In his introduction, he describes the literary and cultural context of American poetics in more recent decades, tracing the evolution of the Deep Image and Confessional movements of the 50s and 60s, and exploring the emergence of the “prose lyric” style. Although the success of the Wesleyan program has inspired its share of imitators, no other program has had such a fundamental impact. Works by the eighty-six poets included her both document and celebrate that contribution.

Four Decades of American Poetry

The Wesleyan Tradition

Robin Shahan

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A compelling anthology of the best poetry of a unique press. Since issuing its first volumes in 1959, the Wesleyan poetry program has challenged the reigning aesthetic of the time and profoundly influenced the development of American poetry. One of the country's oldest programs, its greatest achievement has been the publication of early works by yet undiscovered poetry who have since become major awarded Pulitzer and Bollingen prizes, National Book Awards, and many other honors. At a time when other programs are being phased out, Wesleyan takes this opportunity to celebrate its distinguished history and reaffirm its commitment to poetry with publication of The Wesleyan Tradition. Drawing from some 250 volumes, editor Michael Collier documents the wide-ranging impact of these works. In his introduction, he describes the literary and cultural context of American poetics in more recent decades, tracing the evolution of the Deep Image and Confessional movements of the 50s and 60s, and exploring the emergence of the "prose lyric" style. Although the success of the Wesleyan program has inspired its share of imitators, no other program has had such a fundamental impact. Works by the eighty-six poets included her both document and celebrate that contribution.

Michael Collier's much acclaimed fourth collection of poetry poises experience on the ledge between the everyday and the unknown. In THE LEDGE, the poems are narrative and colloquial, musical and crystalline, at once intimate and sharp-edged. The world is rendered beautifully mysterious as the poems slide into unexpected emotional territory. The artistry and directness of THE LEDGE confirm Collier's place among the most significant poets of his generation.

Michael Collier

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