Mieko Kawakami

Kawakami, who exploded into the cultural space first as a musician, then as a poet and popular blogger, is perhaps best known as one of Japan's most important and best-selling literary voices. Challenging every preconception about storytelling and prose style, she is currently one of Japan's most widely read and critically acclaimed authors, heralded by Haruki Murakami as his favorite new writer. Breasts and Eggs focuses on the female body, telling the story of three women: the thirty-year-old unmarried narrator, her older sister Makiko, and Makiko's daughter Midoriko. In the book's first part, set over three stiflingly hot days in Tokyo, Makiko, who is unable to come to terms with her changed body after giving birth, becomes obsessed with the prospect of getting breast enhancement surgery. Meanwhile, her twelve-year-old daughter Midoriko is paralyzed by the fear of puberty and finds herself unable to voice the vague, yet overwhelming pressures associated with growing up. The narrator struggles with her own indeterminable identity of being neither a "daughter" nor a "mother." In the book's second part, set on another hot summer day ten years later, the narrator, having reconciled herself with the idea of never marrying, nonetheless feels increasing anxiety about growing old alone and childless. In episodes that are as comical as they are revealing, she seeks direction from other women in her life--her mother, her grandmother, friends, as well as her sister--and only after dramatic and frequent changes of heart, decides in favor of artificial insemination. However, as the narrative confronts reproduction rights issues, both universal and specific, it becomes clear that a decision made is not always met. Breasts and Eggs looks at the ongoing repression of women in Japan and the possibility of liberation, poverty, domestic violence, and reproductive ethics. Mixing comedy and realism,Breasts and Eggs tells of an epic life-affirming journey about finding inner strength and peace. "I'm sure that in the pages of this novel, readers will find something that echoes in their own life-- the randomness, suddenness, and strangeness--and at the same time something fundamental to the human experience."--Mieko Kawakami

Breasts and Eggs

Hailed as a bold foray into new literary territory, Kawakami's novel is told in the voice of a 14-year-old student subjected to relentless torment for having a lazy eye. Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormenters. These raw and realistic portrayals of bullying are counterbalanced by textured exposition of the philosophical and religious debates concerning violence to which the weak are subjected. Kawakami's simple yet profound new work stands as a dazzling testament to her literary talent. There can be little doubt that it has cemented her reputation as one of the most important young authors working to expand the boundaries of contemporary Japanese literature. "One of Japan's brightest stars is set to explode across the global skies of literature."--Japan Times

Heaven

Bestselling author of Breasts and Eggs Mieko Kawakami invites readers back into her immediately recognizable fictional world with this new, extraordinary novel and demonstrates yet again why she is one of today's most uncategorizable, insightful, and talented novelists. Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it. As the long overdue change occurs, however, painful episodes from Fuyuko's past surface and her behavior slips further and further beyond the pale. All the Lovers in the Night is acute and insightful, entertaining and engaging; it will make readers laugh, and it will make them cry, but it will also remind them, as only the best books do, that sometimes the pain is worth it.

All the Lovers in the Night

A boy is obsessed with a woman who sells sandwiches. He goes to the supermarket almost every day, just so he can look at her face. She is beautiful to him, and he calls her "Ms Ice Sandwich", and endlessly draws her portrait

Ms Ice Sandwich

‘Mieko Kawakami is a genius’ Naoise Dolan, author of Exciting Times From international literary sensation Mieko Kawakami comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo. Fuyuko Irie is a freelance proofreader in her thirties. Living alone, and unable to form meaningful relationships, she has little contact with anyone other than Hijiri, someone she works with. When she sees her reflection, she’s confronted with a tired and spiritless woman who has failed to take control of her own life. Her one source of solace: light. Every Christmas Eve, Fuyuko heads out to catch a glimpse of the lights that fill the Tokyo night. But it is a chance encounter with a man named Mitsutsuka that awakens something new in her. And so her life begins to change. As Fuyuko starts to see the world in a different light, painful memories from her past begin to resurface. Fuyuko needs to be loved, to be heard, and to be seen. But living in a small world of her own making, will she find the strength to bring down the walls that surround her? All the Lovers in the Night is acute and insightful, entertaining and captivating, pulsing and poetic, modern and shocking. It’s another unforgettable novel from Japan’s most exciting writer.

All the Lovers in the Night 

Seni e uova

«Mieko Kawakami es un genio.» Naoise Dolan «Una historia profundamente inquietante y magistralmente narrada sobre la violencia adolescente.» Vogue «Desgarradora.» TIME «Nunca podré olvidar la sensación de puro asombro que sentí cuando leí por primera vez a Mieko Kawakami. Impresionante. Es una autora que está creciendo y evolucionando sin cesar.» Haruki Murakami El narrador sin nombre de esta novela es un chico de catorce años que sufre constantes burlas por tener su estrabismo. Incapaz de enfrentarse a los matones del instituto, intenta, sin éxito, pasar desapercibido. La única persona que entiende lo que está viviendo es una compañera de clase, Kojima, víctima también de todo tipo de humillaciones a manos del resto. Dándose mutuamente consuelo en el momento de sus vidas que más lo necesitan, los dos jóvenes se acercan más que nunca. Pero, ¿cuál es, en última instancia, la naturaleza de una amistad cuando el vínculo que comparten es el miedo? Tan dura como tierna, escrita con la sensibilidad necesaria como para ofrecer un agudo retrato de la vida en el instituto y una mirada íntima a la adolescencia, Heaven es una novela de múltiples capas que se erige como otro testimonio deslumbrante del talento de Mieko Kawakami, considerada una de las autoras jóvenes más importantes de la actualidad, apadrinada por Haruki Murakami.

»So großartig, dass es mir den Atem raubt.« Haruki Murakami An einem drückend heißen Sommertag wird die dreißigjährige Natsuko von ihrer älteren Schwester Makiko und deren Tochter Midoriko in Tokio besucht. Makiko, die mit zunehmendem Alter mit ihrem sich verändernden Körper nicht zurechtkommt, ist davon besessen, sich einer Brustvergrößerung zu unterziehen. Währenddessen ist ihre zwölfjährige Tochter Midoriko von der einsetzenden Pubertät überfordert und sieht sich außerstande, in einer Gesellschaft, die alles Intime und Körperliche tabuisiert, ihre Ängste, Bedürfnisse und Fragen offen zu kommunizieren. Und auch die asexuelle Natsuko hadert mit der Frage, welche Rolle noch bleibt – als unverheiratete Frau, die nicht mehr Tochter ist und vielleicht nie Mutter sein wird. Rasant und radikal widmet sich Mieko Kawakami der Diskriminierung von Frauen und damit einhergehenden Fragen nach sozialem Geschlecht, Schönheitsnormen sowie dem Alterungsprozess des weiblichen Körpers – und wagt es zu fragen, welchen Wert Frauen in der Gesellschaft haben, wenn sie sich all diesen Erwartungen widersetzen. »Einer der hellsten Sterne am japanischen Literaturhimmel, der bald die ganze Welt zum Strahlen bringen wird. Kawakami ist sowohl eine Schriftstellerin als auch eine Unterhalterin, eine Intellektuelle und eine sich ständig weiterentwickelnde Stilistin, die es gleichzeitig schafft, sehr lesbar zu schreiben und ungemein beliebt zu sein.« Japan Times

Roman

Brüste und Eier

A novel that “considers the agency . . . women exert over their bodies and charts the emotional underpinnings of physical changes . . . with humor and empathy” (The New Yorker). On a sweltering summer day, Makiko travels from Osaka to Tokyo, where her sister Natsu lives. She is in the company of her daughter, Midoriko, who has lately grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with adolescence. Over the course of their few days together in the capital, Midoriko’s silence will prove a catalyst for each woman to confront her fears and family secrets. On yet another summer’s day eight years later, Natsu, during a journey back to her native city, confronts her anxieties about growing old alone and childless. Bestselling author Mieko Kawakami mixes stylistic inventiveness and riveting emotional depth to tell a story of contemporary womanhood in Japan. “Took my breath away.” —Haruki Murakami, #1 New York Times–bestselling author The Wind-Up Bird Chronicle “Kawakami lobbed a literary grenade into the fusty, male-dominated world of Japanese fiction with Breast and Eggs.” —The Economist “A sharply observed and heartbreaking portrait of what it means to be a woman.” —TIME “Raw, funny, mundane, heartbreaking.” —The Atlantic “A bracing, feminist exploration of daily life in Japan.” —Entertainment Weekly “Timely feminist themes; strange, surreal prose; and wonderful characters will transcend cultural barriers and enchant readers.” —The New York Observer “Bracing and evocative, tender yet unflinching.” —Publishers Weekly “Kawakami writes with unsettling precision about the body—its discomforts, its appetites, its smells and secretions. And she is especially good at capturing its longings.” —The New York Times Book Review

A Novel

Pechos y huevos

Marie’s Proof of Love

Susu dan Telur

Chandelier

Fuyuko ist 34 Jahre alt, freiberufliche Korrekturleserin und einsam. Sie lebt für ihre Arbeit, die sie mit selbstausbeuterischer Gewissenhaftigkeit verrichtet. Einzig der Spaziergang, den Sie jedes Jahr zu Weihnachten durchs nächtlich erleuchtete Tokio unternimmt, bereitet ihr neben ihrer Arbeit Freude. Sie hat sich in ihrem Einsiedlerinnenleben eingerichtet, bis sie eines Tages in den Spiegel sieht und feststellt, dass sich ihr ganzes Dasein in einem einzigen Wort zusammenfassen lässt: Miserabel. Inspiriert von der schillernden Hijiro, die in allem das Gegenteil von Fuyuko zu sein scheint, entscheidet sie, dass sich etwas ändern muss – und fasst einen folgenschweren Entschluss: Sie beginnt zu trinken. Was mit einem Bier nach Feierabend beginnt, gerät allmählich außer Kontrolle, denn bald verlässt Fuyuko das Haus nicht mehr ohne eine Thermoskanne Sake. So wagt sie sich vom Beckenrand des Lebens hinein ins Selbige – und droht unterzugehen. Intensiv und aufwühlend zeichnet Mieko Kawakami exemplarisch das Bild einer Frau, die erkennt, dass sie auf sich hören muss, um von der Randfigur zur Protagonistin im eigenen Leben zu werden.

All die Liebenden der Nacht

Romance japonês narra questões femininas contemporâneas com sensibilidade e força Em um dia sufocante de verão, Makiko viaja de Osaka a Tóquio para visitar a irmã mais nova, Natsu, e a surpreende com a informação de que gostaria de aproveitar a oportunidade para fazer uma cirurgia de aumento dos seios. Acompanhada pela filha, Midoriko, uma adolescente que há alguns meses só se comunica com a mãe por escrito, Makiko compartilha com a irmã a frustração que sente pelo comportamento da garota, desconhecendo o sofrimento pelo qual ela passa ao ser incapaz de verbalizar as pressões avassaladoras da puberdade. Sob o ponto de vista de Natsu, uma aspirante a escritora de trinta anos assombrada pelas dificuldades sofridas na juventude, desenrola-se a história dessas três mulheres reunidas em um bairro pobre de Tóquio. Ao longo dos poucos dias que passam juntas, o silêncio de Midoriko será um catalisador para que cada uma delas enfrente os próprios medos e dissabores. Oito anos após a visita de Makiko e Midoriko, em mais um dia de verão intenso, Natsu — agora finalmente estabelecida como escritora e tendo desenvolvido algumas poucas amizades — faz o caminho inverso ao da primeira parte do livro e viaja de volta à cidade natal. Imersa em dúvidas e confrontando a ansiedade de envelhecer sozinha e sem filhos, em meio às opressões sociais que cercam a vida das mulheres no Japão, ela precisa tomar uma decisão sobre os rumos da própria vida. Uma das escritoras japonesas mais aclamadas, Mieko Kawakami mistura criatividade estilística, humor ácido e profundidade emocional para contar uma história cujo cerne gira em torno da feminilidade contemporânea no país asiático. Peitos e ovos narra a jornada íntima de três mulheres em busca de paz e de um futuro sobre o qual elas possam exercer algum controle.

Peitos e Ovos

Memeler ve Yumurtalar

Gli amanti della notte

David Boyd

Sam Bett

La narratrice de ce roman se prénomme Natchan. Célibataire, elle vit à Tokyo. Au début du livre, sa sœur aînée Makiko, bientôt quarante ans et sa nièce Midoriko à peine treize ans, débarquent chez elle, lui imposent leur présence et plus précisément leurs problèmes. Car Makiko semble avoir profondément changé depuis que son mari l’a quittée. A Osaka, seule avec sa fille, une obsession s’est peu à peu emparée de tout son être : le projet de modifier son apparence en ayant recours à la chirurgie plastique est devenu pour elle le seul moyen d’aspirer à un bonheur nouveau, d’échapper à la haine de soi. Effarée par cet état d’esprit, Natchan espère apaiser sa sœur car l’idée même d’envier la poitrine opulente de certaines occidentales lui semble une hérésie. De son côté et depuis que sa mère lui a fait part de ce rêve envahissant, la jeune Midoriko ne lui adresse plus la parole ; murée dans le silence, l’adolescente tente de vaincre le dégoût que lui inspire cette folie maternelle. A Tokyo, pendant que les trois femmes s’observent mutuellement, la métropole japonaise souligne l’anonymat et la solitude de chacune. S’instaure alors un mode d’écoute et d’attention plus neutre, peut-être plus sensible : dans le tout petit appartement de Natchan, le poids des fantasmes de chacune, personnalité et génération confondues, s’allège lentement. Ce livre percutant et provocant sur les dérives de la féminité est écrit par une Japonaise de trente-cinq ans, diplômée de philosophie, musicienne, actrice et romancière, élue “Femme de l’année 2008” par le magazine Vogue Japan. Un sujet peu développé dans la littérature japonaise où le fantasme de la féminité, ses dérives et ses excès s’effacent derrière l’image donnée d’une sensualité extrême, d’une conscience du corps silencieuse, voire spirituelle. Un livre d’une justesse de ton incontestable, qui explique son succès au Japon.

Mieko Kawakami

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