Patricia A. Johnston

During the 1920s and 1930s, Edward Steichen was the most successful photographer in the advertising industry. His commercial work appeared regularly in VANITY FAIR, VOGUE, LADIES HOME JOURNAL, and other popular magazines. Patricia Johnston uses Steichen's work as a case study of the history of advertising and the American economy between the wars. 13 color and 120 b&w photos.

Edward Steichen's Advertising Photography

Real Fantasies

Johnston presents an intriguing view of advertising agencies from the inside. Using agency archives, she reconstructs the teamwork of clients, art directors, account executives, copywriters, and photographers. And she goes on to assess how these widely distributed images work in American culture - how they interact with their audience to express, reflect, shape, and challenge social values.

Giovanni Casadio

In Vergil's Aeneid, the poet implies that those who have been initiated into mystery cults enjoy a blessed situation both in life and after death. This collection of essays brings new insight to the study of mystic cults in the ancient world, particularly those that flourished in Magna Graecia (essentially the area of present-day Southern Italy and Sicily). Implementing a variety of methodologies, the contributors to Mystic Cults in Magna Graecia examine an array of features associated with such "mystery religions" that were concerned with individual salvation through initiation and hidden knowledge rather than civic cults directed toward Olympian deities usually associated with Greek religion. Contributors present contemporary theories of ancient religion, field reports from recent archaeological work, and other frameworks for exploring mystic cults in general and individual deities specifically, with observations about cultural interactions throughout. Topics include Dionysos and Orpheus, the Goddess Cults, Isis in Italy, and Roman Mithras, explored by an international array of scholars including Giulia Sfameni Gasparro ("Aspects of the Cult of Demeter in Magna Graecia") and Alberto Bernabé ("Imago Inferorum Orphica"). The resulting volume illuminates this often misunderstood range of religious phenomena.

Mystic Cults in Magna Graecia

Sophia Papaioannou

Attilio Mastrocinque

This volume brings together a variety of approaches to the different ways in which the role of animals was understood in ancient Greco-Roman myth and religion, across a period of several centuries, from Preclassical Greece to Late Antique Rome. Animals in Greco-Roman antiquity were thought to be intermediaries between men and gods, and they played a pivotal role in sacrificial rituals and divination, the foundations of pagan religion. The studies in the first part of the volume examine the role of the animals in sacrifice and divination. The second part explores the similarities between animals, on the one hand, and men and gods, on the other. Indeed, in antiquity, the behaviour of several animals was perceived to mirror human behaviour, while the selection of the various animals as sacrificial victims to specific deities often was determined on account of some peculiar habit that echoed a special attribute of the particular deity. The last part of this volume is devoted to the study of animal metamorphosis, and to this end a number of myths that associate various animals with transformation are examined from a variety of perspectives.

Animals in Greek and Roman Religion and Myth

This book is a collection of studies about the Greek and Roman goddesses—Artemis and Diana—who ruled creatures of the wild. Although they arose separately in Greek and Roman cultures, they were often treated as equivalent. These goddesses had the power of giving birth, health and death. Diana’s temples were built at places where three roads meet, writes Servius (ad Aen. IV.511), outside the city itself, and so they were common, safe meeting places which belonged to no one but were the sites for federal councils, hosted by the goddess. Artemis was associated in particular with bears, and Diana with deer, but both were generally associated with wild animals, as well as with the different phases of life. This volume will be useful not only for researchers on this subject, but also for courses in Greek and Roman studies, mythology, history, and women’s studies.

At the Crossroads between the Civic and the Wild

Artemis and Diana in Ancient Greece and Italy

David Armstrong

Jeffrey Fish

Marilyn B. Skinner

The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant literary and philosophical influence on Roman writers of the Augustan Age, most notably the poets Vergil and Horace. Yet a modern appreciation for Philodemus' place in Roman intellectual history has had to wait on the decipherment of the charred remains of Philodemus' library, which was buried in Herculaneum by the eruption of Vesuvius in 79 AD. As improved texts and translations of Philodemus' writings have become available since the 1970s, scholars have taken a keen interest in his relations with leading Latin poets. The essays in this book, derived from papers presented at the First International Symposium on Philodemus, Vergil, and the Augustans held in 2000, offer a new baseline for understanding the effect of Philodemus and Epicureanism on both the thought and poetic practices of Vergil, Horace, and other Augustan writers. Sixteen leading scholars trace his influence on Vergil's early writings, the Eclogues and the Georgics, and on the Aeneid, as well as on the writings of Horace and others. The volume editors also provide a substantial introduction to Philodemus' philosophical ideas for all classicists seeking a fuller understanding of this pivotal figure.

Patricia A. Johnston

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