Publius Ovidius Naso

A new translation in hexameter verse of Ovid's narrative poem embraces more than two hundred mythical tales linked by the theme of transformation, incorporating many famed myths and legends of ancient Greece and Rome.

Metamorphosis

Kazim Taskent Klasik Yapitlar Dizisi

Dönüsümler I-XV

The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention.

"Amores" and "Ars Amatoria"

Ovid's Erotic Poems

Rimedi contro l'amore

Metamorfosis, La

Ovid

Lettere di eroine

Giuseppe Orologi

Giovanni Andrea Dell'Anguillara

Francesco Turchi

Le Metamorfosi di Ovidio

Ars Amatoria

Pablo Picasso

Otto Steen Due

Ovids metamorfoser

Metamorfoser

Affirmation. Both directly and, as befitted the Roman Callimachus, allusively, Ovid repeatedly asserts, often with a wit and irony that borders on defiance, his conviction of the injustice of his sentence and of the pre-eminence of the eternal values of poetry over the ephemeral dictates of an earthly power. These elegies are throughout informed by Ovid's awareness of a continuing pride in his poetic identity and mission. In technical skill and inventiveness, they rank.

Tristia

Sorrows of an Exile

"This is no small achievement. For the language-lover the translation provides elegant, flowing English verse, for the classicist it conveys close approximation to the Latin meaning coupled with a sense of the movement and rhythmic variety of Ovid's language"—Geraldine Herbert-Brown, editor of Ovid's Fasti: Historical Readings at its Bimillennium "This book fills a gap. There is no similar annotated English translation of Ovid's exile poetry. Thoroughly grounded in Ovidian scholarship, Green's introduction and notes are helpful and informative. The translation is accurate, idiomatic, and lively, closely imitating the Latin elegiac couplet and capturing Ovid's changing moods."—Karl Galinsky, author of Ovid's Metamorphoses: An Introduction to the Basic Aspects

Tristia and the Black Sea Letters

The Poems of Exile

Contains a continuous running commentary suited to short poems. This book contains the commentary to promote in sixth-formers and undergraduates, not just an understanding of the Latin but also an appreciation of literary quality.

Amores

Briefe der Heroinen

Le metamorfosi di Ovidio

The thirteenth book of the Metamorphoses, with intr. and notes by C.H. Keene

P. Ouidii Metamorphosis cum luculentissimis Raphaelis Regij enarrationibus: quibus cum alia quaedam ascripta sunt: quae in exemplaribus antea impressis non inueniuntur: tum eorum apologia quae fuerant a quibusdam repraehensa. ..

Fasti, books v., vi., ed. [with a tr.] by J. Thompson and A.F. Watt

diligenti emendatione typis impressi aptissimisq[ue] figuris ornati : insuper graecis characteribus ubi deerant in aliis impressionibus: appositis rebus notabilibus quibusdam in margine una cu[m] tabula in ordine alphabeti: que nullo i[n] alio codice i[m]pressa reperies

P. Ouidii Nasonis Fastorum libri

Publius Ovidius Naso

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