Rachel Billington

A woman lies unconscious on the carpet of a smart Westminster apartment, one red high-heeled shoe has fallen off... A younger woman lies with her eyes closed, half-hidden under a drinks cabinet... Her fingers clutch an empty bottle...What happens when a mother withholds her love? When she has no love to withhold? When she sees her three daughters as obstacles to her own formidable career? This is the story of three sisters, Millie, Di and Cleo. They are the war babies. Growing up in a world still in turmoil, hungover from war, the sisters struggle to leave behind their mother and build their own lives.Each sister is lost in her own world where extreme need leads to extreme behaviour. Then a tragic event forces Cleo, the youngest and wildest, to become the catalyst to smash the pattern. Who will adapt and survive in this new world? Who will find peace?From London to New York and to Vietnam, the focus shifts from one sister to the next, putting human nature, its flaws and its virtues, under the spotlight. With elements of a psychological thriller, Rachel Billington observes her characters with clinical detachment, but also with wit and understanding. Yet there is hope at the heart of this story which will leave the reader wondering long after the final twist is revealed.

War Babies

Poppy's dad is still in prison. Her mum has rushed back to Poland to look after her seriously ill mother, and Poppy is sent to stay with her friend Jude. But Poppy feels stifled. At times like this she needs Angel, the joker among her friends - dodgy, wild, can't read or write much, yet bursting with energy and one of life's natural wits. But Angel, like Poppy, feels a bit orphaned, and has joined a gang. At half-term Poppy goes to stay with her friend Will in the country, and they write their second children's book. Poppy comes back to discover a note from Angel: At your place. Need help. She finds him lying under the kitchen table, bleeding from an arm wound. Has he been stabbed? Why hasn't he rung 999? Who else is involved? And will her dad, now in an open prison, find out about her oddball friend? Rachel Billington's dramatic follow-up to Poppy's Hero features two opposing kinds of London kids, with Poppy straddling the gulf between them as she and her friends are drawn into a strange, unimaginable world.

Poppy's Angel

" ... the wishes, the hopes, the confidence, the predictions of the small band of true friends who witnessed the ceremony, were fully answered in the perfect happiness of the union." Thus the last line of Jane Austen's Emma. A year later, Emma and Knightley are still living at Hartfield, surrounded by the Westons, the Eltons and the Bateses. But as events unfold, the couple must deal with the return of Frank Churchill, now widowed, and Knightley's apparently endless patience is tried by events in his brother's family, as well as his beloved Emma's whims and fancies. But the irrepressible Emma is restless ... Emma wants Knightley to stop treating her like a child. Knightley meanwhile wants his young bride to love him as a husband, not as the man she's always looked up to. With tragedy in the offing, and events unfolding that include beloved characters from Emma, the couple must find their way to each other, and to perfect happiness. With a wonderful grasp of the manners and style of the day, this warm and witty exploration of a marriage between a sheltered (not to say spoiled) young lady and the man she looked upon as an older brother fulfills the romantic longings of Jane Austen lovers everywhere.

Perfect Happiness in Highbury: A Sequel to Jane Austen's Emma

Emma & Knightley

'I wonder who chose the word 'glory',' murmured Arthur. 'You mean there's nothing very glorious about war.' The Major smiled. 'People expect words like glory. I do myself.' 'Oh, I'm not against it. There were glorious deeds performed.' Glory is the story of the men and women of Gallipoli and the tragic events of 1915. Of the lives lost, the hearts broken, the decisions cast, the errors made and of the dark reality of the heroic dream. It is the story of three people, changed forever, as the echoes of war ring loud through the years. It is a tale of everything but glory...

Glory

The disappearance of a teenage boy tears a family apart in this poignant, highly topical and searching story. Thirteen-year-old Dan hasn't returned home and his parents don't know whether he's run away, been kidnapped - or something worse. For one family the world as they know it is about to fall apart. At first Dan is sleeping rough, revelling in his independence. But with every passing day, his world is becoming darker and more frightening. A hundred thousand children run away each year. Most come back. But will Dan? Dan's mother, Eve, a drama teacher, can't focus; his father, Max, only knows how to flee his own demons; and his aunt, Martha, while trained to control difficult situations as a prison officer, struggles to hold it all together. Dan's story is told against a grown-up drama of love and shifting loyalties and two sisters who were best friends until Max came between them. Gradually, all three begin to recognise just how badly they have failed the missing boy. Rachel Billington has written a tense and emotional novel about the day-to-day existence of a contemporary family living through their worst nightmare. Anguish and hope move across the pages until the final breath-taking denouement.

The Missing Boy

Mothers, Daughters, Mothers, the Unbreakable Bond

The Great Umbilical

An emotional, gritty family drama exploring the power of frustrated love and intense sibling rivalry - from the acclaimed author of ONE SUMMER and A WOMAN'S LIFE One cool March morning in London, MP Leo Barr is told that his brother, Charlie, is dead. He has hanged himself from a chestnut tree in the grounds of a mental hospital. His family reacts in different ways. Charlie's mother, Imogen, sees no point in pretending that life is still worth living - he was always her favourite. Leo and his lawyer brother Roland fight, as they always have over Charlie. The fourth brother Ron, a Catholic priest, must break the news to Charlie's wife, presently in HMP Holloway. In the days following Charlie's death the conflict builds among members of this diverse and complex family. Who really loves whom? What are the motives behind Roland's fixed antagonism towards Charlie? Is Leo right to put his career on the line? Above and between them all is the larger-than-life figure of Charlie. He follows no rules, not even about dying, and it becomes clear that his tragedy is only part of a web of mystery and deceit that connects them all. As well as being a powerful human drama, LIES & LOYALTIES deals with gritty contemporary issues in today's Britain. It moves from parliament to prison, from church to mental hospital and from those who conduct the law to the outcasts of society. But at the heart of the novel is one family - divided by rivalry and frustrated love and forced, at last, to learn the truth about themselves.

Lies and Loyalties

In 770 or thereabouts a young peasant boy is taken into a monastery because he has the gift of song. He is christened Theodore. To the same monastery comes Princess Matilda, whose husband suffers an unlucky accident with a swarm of bees. The love story is repeated five time over the centuries, from the Middle Ages to today, as each pair of lovers discovers love's eternal nature.

Theo and Matilda

Thirteen-year-old Dan hasn't returned home and his parents don't know whether he's run away, been kidnapped - or something worse. For one family the world as they know it is about to fall apart. At first Dan is sleeping rough, revelling in his independence. But with every passing day, his world is becoming darker and more frightening.

The missing boy

A Painted Devil

Lilacs Out of the Dead Land

Perfect Happiness

Christine Longford

Making Conversation (1931) by Christine Longford (1900-80) was first reprinted in 1970 after the novelist Pamela Hansford Johnson reassessed it in the Times Literary Supplement. She wrote: 'This ought to be regarded as an English comic classic, which I suppose, unlike the ravishing Cold Comfort Farm, it is not. I hope time will redress the neglect.' The heroine, Martha, is plain, with curly hair, small eyes which she tries to enlarge in a soulful manner by stretching them in front of the looking glass, and very little chin. She is extremely clever and totally innocent. Her besetting trouble is that she either talks too much, or too little: she can never get right the balance of conversation. 'The genteel school Martha goes to is run by Miss Spencer and Miss Grossmith. Martha doesn't mind them. Indeed, she doesn't really mind anything; she is a most detached girl, letting even their idiotic sarcasms slide off her back. Now Martha, A said Miss Spencer, what is adultery?A Martha had not the faintest idea. It is a sin, A she said, committed by adults, A putting the accent on the second syllable. That is a parrot's answer.You think you are very clever, Martha, attempting to conceal your ignorance and your lack of thought. The attempt at concealment is not better than a lie. Adultery is self-indulgence. It is the extra lump of sugar in your tea. It is the extra ten minutes in bed in the morning. It is the extra five minutes a girl wastes by dawdling up the High Street and gaping at the shop windows - A Martha accepts this Chadbandery in the same way as she accepts the constant nagging that she should be keen on netball, and the gossip she hears around her concerning her preceptors. 'This witty book, crisp and dry as a fresh biscuit, is a novel of astonishing subtlety and of a subtlety that is not at all worked outA. It is native and assured. It is this subtlety that saves Making Conversation from the imputation of triviality, of being just a funny novelA. It is about a real girl, for whom we ought to be sorry, but for whom, because of her strength of nature, we are not sorry in the least. She would raise her eyebrows at us if we were.' The new Persephone Preface to Making Conversation is by Rachel Billington, who is Christine Longford's niece by marriage.She eloquently describes the menage at Tullynally Castle where the Longfords lived and describes why, despite the wonderful reviews Christine received for the book, she gave up writing. Rachel Billington concludes: 'I laughed out loud more during my third reading of Making Conversation than I have reading any comic novel written over the last thirty year

Making Conversation

An intense, moving novel about obsessive love. K, a middle-aged painter, has returned from a hermit-like existence in Chile to attend the wedding of a girl he once loved to the point of obsession. He arrives at the English country church to find it empty and silent. The wedding has been postponed. He drives back to his hotel - a place he'd visited many years before - opens a bottle of champagne and with it, a door to the past. When K first saw Claudia fifteen years before, he fell instantly and dangerously in love. He managed to forget he had a wife and a life already full. It was a coup de foudre; he became consumed by her. But Claudia was little more than a child then, twenty-four years his junior, beautiful but unformed. Perhaps it was no surprise that their love proved to be so destructive and ultimately tragic. Now, years later, he returns to find this new bride, his old love, is on the verge of a very different future. But the past, inevitably, awaits them both - and he is determined to take her back there¿

One Summer

Joanne Harris

Philip Hensher

Ali Smith

Tracy Chevalier

James Robertson

Salley Vickers

Susan Elderkin

Blake Morrison

Kate Mosse

Maggie O'Farrell

Amanda Craig

Maria McCann

Terence Blacker

Tahmima Anam

Richard Mabey

Philippa Gregory

Catherine O'flynn

William Fiennes

A charming collection of stories and fables inspired by Britain's nineteen species of native trees, written by nineteen of Britain's leading authors. Why Willows Weep is edited by Tracy Chevalier, bestselling author of Girl with a Pearl Earring, and contains beautiful colour illustrations by Canadian artist Leanne Shapton. With sales in hardback of 10,000 this collection has already helped the Woodland Trust plant nearly 50,000 trees across the United Kingdom, and it is now available in paperback for the first time.

Rachel Billington

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