Richard Boothby

Metapsychology After Lacan

Freud as Philosopher

Using Jacques Lacan's work as a key, Boothby reassesses Freud's most ambitious-and misunderstood-attempt at a general theory of mental functioning: metapsychology

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

What Freud Still Has To Teach Us About Sex and Gender

Sex on the Couch

The immensely influential work of Jacques Lacan challenges readers both for the difficulty of its style and for the wide range of intellectual references that frame its innovations. Lacan’s work is challenging too, for the way it recentres psychoanalysis on one of the most controversial points of Freud’s theory – the concept of a self-destructive drive or ‘death instinct’. Originally published in 1991, Death and Desire presents in Lacanian terms a new integration of psychoanalytic theory in which the battery of key Freudian concepts – from the dynamics of the Oedipus complex to the topography of ego, id, and superego – are seen to intersect in Freud’s most far-reaching and speculative formulation of a drive toward death. Boothby argues that Lacan repositioned the theme of death in psychoanalysis in relation to Freud’s main concern – the nature and fate of desire. In doing so, Lacan rediscovered Freud’s essential insights in a manner so nuanced and penetrating that prevailing assessments of the death instinct may well have to be re-examined. Although the death instinct is usually regarded as the most obscure concept in Freud’s metapsychology, and Lacan to be the most perplexing psychoanalytic theorist, Richard Boothby’s straightforward style makes both accessible. He illustrates the coherence of Lacanian thought and shows how Lacan’s work comprises a ‘return to Freud’ along new and different angles of approach. Written with an eye to the conceptual structure of psychoanalytic theory, Death and Desire will appeal to psychoanalysts and philosophers alike.

Psychoanalytic Theory in Lacan's Return to Freud

Death and Desire (RLE: Lacan)

This powerful memoir follows a father’s journey to make sense of his world after losing his son to addiction and suicide. Fifteen years ago, Richard Boothby received a fateful call from his ex-wife that their twenty-three-year-old son, Oliver, was dead. Although he had been dreading this news, given Oliver’s prolonged struggle with drug dependency, nothing could have prepared him for the devastating shock. He became obsessed with uncovering the truth of why Oliver shot himself—had he been self-medicating an undiagnosed mental illness?—and what they could have done to prevent it. In an attempt to stem the pain, Boothby turned to psychoanalysis. He was no stranger to the concept—as a professor of philosophy, he had focused his career on the intersection between psychoanalytic theory and contemporary philosophy—but this was far from an academic exercise. Through his time in talk therapy, as well as psychedelic experiences in a research study on psilocybin, he would gradually find a sense of acceptance of the unknown, and a renewed appreciation for life. Exploring the epidemics of substance abuse and gun violence from an intimate perspective, Boothby’s poignant account of grief shows how the death of a loved one can in some ways bring us closer to them and ourselves.

Richard Boothby

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