Greil Marcus

Werner Sollors

Traces the dynamic expression of the American experience and how the nation's sense of identity offers alternate perspectives into history, in an anthology that also explores modern cultural creations in a range of disciplines.

A New Literary History of America

Hamilton Holt

Hamilton Holt, editor of The Independent, collected these touching autobiographies of ordinary people--new immigrants and sharecroppers, cooks and fishermen, women and men working in sweatshops, in the city, and on the land. First published in 1906, and reissued a decade ago, this new edition of Life Stories of Undistinguished Americans is expanded to include lives Holt did not include in his original selection, as well as a new preface by Werner Sollors.

Expanded Edition

The Life Stories of Undistinguished Americans as Told by Themselves

Discusses the time in Germany right after World War II when the country was dealing with the physical, emotional, and mental scars of obliterated cities, hungry refugees, and Nazi war crimes.

The Temptation of Despair

Thomas A. Underwood

Caldwell Titcomb

An innovative departure from traditional approaches to political thought, this groundbreaking anthology includes minority ideologies where they occurred historically. By interweaving minority voices with majority documents rather than grouping them together, Political Thought in the United States presents us with a uniquely organic portrait of American political life. Beginning with the time of the explorers and early settlers, Lyman Tower Sargent presents the political beliefs and ideologies of religious minorities, women, North American Indians, and African Americans as fundamental components of American thought. Political Thought in the United States centers on two themes: the relationship between majority rule and minority rights, and the focus of power in the American system. Together with classic documents long heralded as cornerstones of American democracy, the book features writings of those opposed to the Constitution, slave petitions, Indian treaties, Emerson's Politics, works of conservatives like John Taylor and Herbert Hoover, documents from the feminist movements, labor manifestos, critiques of industrialization, and W. E. B. Du Bois's still-debated The Talented Tenth, and much more.

A Documentary History of African-American Experience at Harvard and Radcliffe

Blacks at Harvard

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? When did the myth that one can tell a person's race by the moon on their fingernails originate? How did blackness get associated with "the curse of Ham" when the Biblical text makes no reference to skin color at all? Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and exhaustively researched exploration of "interracial literature." In the past, interracial texts have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." Intermarriage prohibitions have been legislated throughout the modern period and were still in the law books in the 1980s. Stories of black-white sexual and family relations have thus run against powerful social taboos. Yet much interracial literature has been written, and this book suggests its pervasiveness and offers new comparative and historical contexts for understanding it. Looking at authors from Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, and Hans Christian Andersen, to Lydia Marie Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, and Pauline Hopkins, and on to modern writers such as Langston Hughes, Jessie Fauset, Boris Vian, and William Faulkner, Sollors ranges across time, space, and cultures, analyzing scientific and legal works as well as poetry, fiction, and the visual arts, to explore the many themes and motifs interwoven throughout interracial literature. From the etymological origins of the term "race" to the cultural sources of the "Tragic Mulatto," Sollors examines the recurrent images and ideas in this literature of love, family, and other relations between blacks, whites, and those of "mixed race." Sollors' interdisciplinary explorations of literary themes yield many insights into the history and politics of "race," and illuminate a new understanding of the relations between cultures through the focus on interracial exchanges. Neither Black Nor White Yet Both is vital reading for anyone who seeks to understand what has been written and said about "race," and where interracial relations can go from here.

Thematic Explorations of Interracial Literature

Neither Black Nor White Yet Both

Interracialism, or marriage between members of different races, has formed, torn apart, defined and divided our nation since its earliest history. This collection explores the primary texts of interracialism as a means of addressing core issues in our racial identity. Ranging from Hannah Arendt to George Schuyler and from Pace v. Alabama to Loving v. Virginia, it provides extraordinary resources for faculty and students in English, American and Ethnic Studies as well as for general readers interested in race relations. By bringing together a selection of historically significant documents and of the best essays and scholarship on the subject of "miscegenation," Interracialism demonstrates that notions of race can be fruitfully approached from the vantage point of the denial of interracialism that typically informs racial ideologies.

Black-white Intermarriage in American History, Literature, and Law

Interracialism

This performance of the Giuseppe Verdi opera La Traviata in the picturesque setting of the Sydney Harbour features vocalists such as Emma Matthews, Gianluca Terranova, and Jonathan Summers in the leading roles. ~ Cammila Collar, Rovi

The Return of Thematic Criticism

Randall Kennedy

This book brings together for the first time two hundred years of reflection on the curious relation of black culture to Harvard, and Harvard's complex relation to black people. Copyright © Libri GmbH. All rights reserved.

A Documentary History of African-American Experience At Harvard and Radcliffe

Henry B and Anne M Cabot Professor of English Literature and Professor of African and African American Studies Werner Sollors

The Quest for a "populist Modernism"

Amiri Baraka/LeRoi Jones

This anthology explores the literary theme of black-white encounters, of love and family stories, that cross - or are crossed by - what came to be considered racial boundaries.

Black-white Contacts in the Old World and the New

An Anthology of Interracial Literature

Marc Shell

American literature appears here as more than an offshoot of a single mother country, or of many mother countries, but rather as the interaction among diverse linguistic and cultural trajectories.

A Reader of Original Texts with English Translations

The Multilingual Anthology of American Literature

The history of blacks at Harvard mirrors, for better or for worse, the history of blacks in the United States. Harvard, too, has been indelibly scarred by slavery, exclusion, segregation, and other forms of racist oppression. At the same time, the nation's oldest university has also, at various times, stimulated, supported, or allowed itself to be influenced by the various reform movements that have dramatically changed the nature of race relations across the nation. The story of blacks at Harvard is thus inspiring but painful, instructive but ambiguous—a paradoxical episode in the most vexing controversy of American life: the "race question." The first and only book on its subject, Blacks at Harvard is distinguished by the rich variety of its sources. Included in this documentary history are scholarly overviews, poems, short stories, speeches, well-known memoirs by the famous, previously unpublished memoirs by the lesser known, newspaper accounts, letters, official papers of the university, and transcripts of debates. Among Harvard's black alumni and alumnae are such illustrious figures as W.E.B. Du Bois, Monroe Trotter, and Alain Locke; Countee Cullen and Sterling Brown both received graduate degrees. The editors have collected here writings as diverse as those of Booker T. Washington, William Hastie, Malcolm X, and Muriel Snowden to convey the complex ways in which Harvard has affected the thinking of African Americans and the ways, in turn, in which African Americans have influenced the traditions of Harvard and Radcliffe. Notable among the contributors are significant figures in African American letters: Phyllis Wheatley, William Melvin Kelley, Marita Bonner, James Alan McPherson and Andrea Lee. Equally prominent in the book are some of the nation's leading historians: Carter Woodson, Rayford Logan, John Hope Franklin, and Nathan I. Huggins. A vital sourcebook, Blacks at Harvard is certain to nourish scholarly inquiry into the social and intellectual history of African Americans at elite national institutions and serves as a telling metaphor of this nation's past.

Describes literature in languages other than English in the United States, and recommends knowing English plus other languages

Transnationalism, Ethnicity, and the Languages of American Literature

Multilingual America

Black-White Intermarriage in American History, Literature, and Law

A short history on the making of the 1,000 page compendium (of more than 200 essays on American life) titled: "A new literary history of America," edited by Werner Sollors and Greil Marcus.

On a New Literary History of America

"Making America"

From the horrors of ethnic cleansing in Bosnia to debates over multiculturalism, ethnicity has, once again, become a global preoccupation. But what exactly do we mean when we speak of ethnicity? And when and how did ethnicity become such an important area of cultural expression and identification that people are ready to die and to kill for it? Gathering the work of some of our most original thinkers, Theories of Ethnicity provides, in one convenient volume, the most probing and frequently cited considerations of such topics as the melting pot and pluralism, race and race problems, migration and marginality, assimilation and transnationalism, intermarriage, kinship and religion, boundary-construction and maintenance, and the important role of power relations for ethnicity. Contributors include such intellects as Max Weber, Carl Gustav Jung, Margaret Mead, Georg Simmel, Erik Erikson, Karl Mannheim, Fredrik Barth, and Herbert Gans. Theories of Ethnicity grounds much current sociological, cultural, and political research on ethnicity in a theoretical foundation that has heretofore been lacking, providing an important historical base for ongoing and future work on this timely subject.

A Classical Reader

Theories of Ethnicity

Irving Babbitt Professor of Comparative Literature and Professor of English and American Literature and Languageirving Babbitt Professor of Comparative Literature Marc Shell

"American literature appears here as more than an offshoot of a single mother country, or of many mother countries, but rather as the interaction among diverse linguistic and cultural trajectories.".

Nothing is "pure" in America, and, indeed, the rich ethnic mix that constitutes our society accounts for much of its amazing vitality. Werner Sollors's new book takes a wide-ranging look at the role of "ethnicity" in American literature and what that literature has said--and continues to say--about our diverse culture. Ethnic consciousness, he contends, is a constituent feature of modernism, not modernism's antithesis. Discussing works from every period of American history, Sollors focuses particularly on the tension between "descent" and "consent"--between the concern for one's racial, ethnic, and familial heritage and the conflicting desire to choose one's own destiny, even if that choice goes against one's heritage. Some of the stories Sollors examines are retellings of the biblical Exodus--stories in which Americans of the most diverse origins have painted their own histories as an escape from bondage or a search for a new Canaan. Other stories are "American-made" tales of melting-pot romance, which may either triumph in intermarriage, accompanied by new world symphonies, or end with the lovers' death. Still other stories concern voyages of self-discovery in which the hero attempts to steer a perilous course between stubborn traditionalism and total assimilation. And then there are the generational sagas, in which, as if by magic, the third generation emerges as the fulfillment of their forebears' dream. Citing examples that range from the writings of Cotton Mather to Liquid Sky (a "post-punk" science fiction film directed by a Russian emigre), Sollors shows how the creators of American culture have generally been attracted to what is most new and modern. A provocative and original look at "ethnicity" in American literature ·Covers stories from all periods of our nation's history ·Relates ethnic literature to the principle of literary modernism ·"Grave and hilarious, tender and merciless...The book performs a public service."-Quentin Anderson

Consent and Descent in American Culture

Beyond Ethnicity

Werner Sollors's monograph looks into how African American, European immigrant and other minority writers gave the United States its increasingly multicultural self-awareness, focusing on their use of the strategies opened up by modernism.

Ethnic Modernism

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in "Neither Black nor White yet Both," a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." From the origins of the term "race" to the cultural sources of the "Tragic Mulatto," and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. Copyright © Libri GmbH. All rights reserved.

Werner Sollors

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