As Consciousness Is Harnessed to Flesh

As Consciousness Is Harnessed to Flesh Journals and Notebooks, 1964-1980

A second volume of journals shares intimate reflections on the writer's artistic and political development during a trip to Hanoi at the peak of the Vietnam War and throughout her film-making years in Sweden before the dawn of the Reagan era.
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Reviews

Photo of Sabine Delorme
Sabine Delorme@7o9
5 stars
Mar 5, 2022

Vor ein paar Wochen habe ich mich auf einen Susan Sontag Read-athon begeben, eine Autorin, Essayistin, Welt-Intellektuelle die ich schon sehr lange bewundere und über die ich nach einer kürzlich gesehenen Dokumentation gerne noch mehr erfahren wollte. Als mir Daniel Schreibers Biografie “Susan Sontag. Geist und Glamour” in die Hände fiel, beschloss ich dieses “Mehr erfahren” großflächig in Angriff zu nehmen. Neben der Biografie besorgte ich mir die Tagebücher “Reborn. Early Diaries 1947 – 1963″ und “As Consciousness is Harnessed to Flesh: Diaries 1964 – 1980″ sowie das Rolling Stone Interview “The Doors and Dostojewski” und begann, diese parallel zu lesen. Ein sehr intensives Eintauchen in das Leben und die Gedanken eines anderen Menschen. Die komplette Rezension findet ihr hier: http://bingereader.org/2014/12/06/the...

Photo of Emma Bose
Emma Bose@emmashanti
5 stars
Mar 3, 2024
Photo of Marlee Stark
Marlee Stark@smstark
3 stars
Jan 17, 2022
Photo of Anna Talbot
Anna Talbot@sontagspdf
5 stars
Sep 20, 2021

Highlights

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Hyacinth@hyacinth

Dec. 31, 1999. I would like to be there. It will be one of the great kitsch moments of world history.

Page 464
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Hyacinth@hyacinth

Dorian Gay [sic]

Page 428
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Hyacinth@hyacinth

Anyone who touches me gives me something in that instant: my body.

Page 301
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Hyacinth@hyacinth

I, in my corner, with my monstrous needs. And all of them over there! I vow not to make a fool of myself.

Page 238
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Hyacinth@hyacinth

Opposite of hide oneself is not show oneself (which is the same thing, inverted) but something beyond showing or hiding (shamelessness or shame).

Page 198
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Hyacinth@hyacinth

Is beauty important? Maybe, sometimes, it's boring. Maybe what's more important is "the interesting"+ everything that's interesting eventually seems beautiful.

Page 155
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Hyacinth@hyacinth

The unpleasantness of the feedback-other people's reac- tions to my work, admiring or adverse. I don't want to react to that. I'm critical enough (+ I know better what's wrong).

Page 153
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Hyacinth@hyacinth

Im not “saying something." I'm allowing "something" to have a voice, an independent existence (an existence independent of me).

Page 145
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Hyacinth@hyacinth

Have I done all the living I'm going to do? A spectator now, calming down. Going to bed with the New York Times. Yet I thank God for this relative peace resignation. Meanwhile the terror underneath grows, consolidates itself. How does anyone love?

Page 134
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Hyacinth@hyacinth

One of the reasons I couldn't not have a job + just write (as Alfred did in NY) is that I can't stand to ask, to become in- debted to people as one does, when one begs, borrows, + steals to live. Need to be independent, i.e. not to trust. Not just middle-class timidity

Page 122
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Hyacinth@hyacinth

I don't care about someone being intelligent; any situation between people, when they are really human with each other, produces "intelligence"

pg 59

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Hyacinth@hyacinth

Q: Do you succeed always? A: Yes, I succeed thirty percent of the time. Q: Then you don't succeed always. A: Yes I do. To succeed 30% of the time is always.

pg 38

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Hyacinth@hyacinth

The desire for reassurance. And, equally, to be reassured. (The itch to ask whether I'm still loved; and the itch to say, I love you, half-fearing that the other has forgotten, since the last time I said it.) "Quelle connerie'" [“What idiocy"]

pg 7

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Hyacinth@hyacinth

To say a feeling, an impression is to diminish it — expel it. But sometimes feelings are too strong: passions, obsessions. Like romantic love. Or grief. Then one needs to speak, or one would burst.

pg 7