Reviews
Best Scottish poet writes good Scottish stories about, mostly, terrible Scottish pragmatists. Steady observational tragedy, and quiet outcast statures. Recurring structure: a staid, professional male narrator tells us his profession on page 1 and admits a whole puckle of flaws. Recurring people: the censorious, crabbit islander who was not always so; the passionate and creative woman slowly eroded by island gossip, monotony, stasis; her husband, who knows this happened because of him. Most striking are ‘The Scream’, ‘What to do About Ralph?’, ‘The Spy’, and ‘The Exorcism’ – but particularly the latter, because I recognised the worst of myself in both the little bastard obsessed with Kierkegaard and the small-souled lecturer who saves him: I looked at him for a long time knowing that the agony was over… [But] how could I be sure that my own harmonious jealous biography had not been superimposed upon his life, as one writing upon another, in that wood where the birds sang with such sweetness defending their territory? Much more than clever.