Robert Creeley

Penelope Creeley

A collection of Creeley's work gathered from obsolesced collections, small press booklets and little mags. Here one can trace the development of his poetry from its early break with the Eliot/Auden tradition to the development of his own distinct voice in the middle poems, such as Words and Pieces, known for their precise, terse and almost minimalist language, as well as his return to the more direct concern for love and humanity. Restores to print--For Love, The Charm, In London, His Idea, Thirty Things, Backwards, Away and previously uncollected poems.

The Collected Poems of Robert Creeley: 1945-1975

Aaron McCollough

Joshua Line

"From the first clear grounded 1940s insight snapshots of For Love through his recent decade experiments with syllable by syllable intelligence, Robert Creeley has created a noble life body of poetry that extends the work of his predecessors Pound, Williams, Zukofsky, and Olson and provides like them a method for his successors in exploring our new American poetic consciousness."—Allen Ginsberg "Visionary and oracular, Creeley has been a worker in the deep romantic vein—words in this poetry are magic, charged as they are in dreams with message of the dark of the human condition."—Robert Duncan "The subtlest feeling for the measure that I encounter anywhere except in the verses of Ezra Pound."—William Carlos Williams "Robert Creeley's poetry is as basic and necessary as the air we breathe; as hospitable, plain, and open as our continent itself. He is about the best we have."—John Ashbery "Dear, lovely, decorous, tender—ah, there is no one like him."—Carolyn Kizer

The Collected Poems of Robert Creeley: 1945-1975

Reviews