Robert Kershaw

A visceral and momentous narrative of the first twenty-four hours of D-Day on Omaha Beach: the most dramatic Allied landing of World War II.

Twenty-Four Hours at Omaha Beach

Landing on the Edge of Eternity

Darren S. Layne

While I appreciate Robert Kershaw's attempt to present an intimate and focused narrative of the US D-Day landings at Omaha Beach, both the organization of the book's contents and the prose of the story itself conspired to hinder my enjoyment of it. Without delving too deeply into an expansive review, I will note the following points which stayed with me through the reading:

1) The author's attempt to chronicle the timeline of the landing's first twenty-four hours by breaking down chapters and sections into blocks of time came off as feeling forced. Furthermore, it muddied the writing by restricting certain events to specific sections of the book, but did not at all help the continuity of the story. There are many other viable narrative structures that could have worked (theme, emotion, locale, perspective), but this one plainly did not. 

2) Kershaw's writing is plagued by tautology and jargon. His constant repetition of actions, explanations, and definitions throughout the book is arrantly distracting, and is directly a product of the book's organization, as described above. The editing is also poor, with numerous spelling errors and an unforgivable lack of consistency with how commas are used. All of this made for some pretty frustrating reading.

3) Similarly, there are no interstitials between the accounts of Axis, Allies, or civilians, which creates confusion as each paragraph jumps back-and-forth from perspective to perspective. There were several times when I had to go back and pore through previous sections to figure out whom the author was "inhabiting" in a given scene – especially when some of the American soldiers happened to have had Germanic surnames.

4) The memorable details one might expect from a narrative with an itemized dramatis personae (Kershaw's "voices") are oddly devoid of character. Though it's obvious that the author spent vast amounts of time reading over first-person accounts of the landings from three sides, there is a distinct lack of individualism in the story – which informs his inability to empathetically and compellingly portray the human condition during this most incredible of days.

5) Kershaw's use of these first-person accounts is, disappointingly, ineffective. There are countless descriptive paragraphs that are first interrupted and then deflated by the insertion of unnecessary quotations from veterans of the event. Whether or not this is meant to add an air of authenticity to the story, it only serves to hinder the author's narrative voice and dull down the flow of the tale. Kershaw actively uses quotations to impede his own process; there are far too many of these when his own words would have done more effectively.

6) There is no measure of analysis whatsoever. Kershaw is so glaringly not a military historian that Landing on the Edge of Eternity leaves one quite sure there are far better accounts of the D-Day experience to consult. His only analytical question is a rhetorical one in the epilogue: "can this be judged as defeat or failure?" Spoiler: he claims that the answer is both, but we are not given much evidence in either direction.

I greatly respect the fact that the author is a long-time military veteran. Despite this and his rather extensive body of work in the field of military history, however, I am uninterested in exploring more of his work.

Landing on the Edge of Eternity Twenty-Four Hours at Omaha Beach

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