Thomas Middleton

Cyril Tourneur

Locating the play in relation to the best recent criticism and exploring it's complexities with a contemporary eye furhters the reputution of these marvellous student editions.

The Revenger's Tragedy

Brian Gibbons

The Revenger's Tragedy (1607) shows a brilliant court culture against a sombre background; although fashionably Italianate in appearance, the play is concerned with substantial issues in the Britain of King James I. The new king's court became notorious for luxuriousness, spectacular masques and torchlight revels; and poets and playwrights attacked the rumoured sexual and political corruption in high places. By 1607 revenge tragedy had already developed as a hybrid form incorporating complex intrigue plots and elements of farce, including, as here, elements of horror. The hero Vindice is eloquent and engagingly witty; but as a poet he sees the skull beneath the skin, and as a revenger he carries out some of the cruellest killings in all English Renaissance tragedy. As the introduction demonstrates, the play proves highly successful in present-day performance, both professional and amateur, and in a variety of period settings.

The Revenger's Tragedy

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