Sartor Resartus By Thomas Carlyle - Illustrated

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Sartor Resartus by Thomas Carlyle Sartor Resartus is an 1836 novel by Thomas Carlyle. The novel purports to be a commentary on the thought and early life of a German philosopher called Diogenes Teufelsdr�ckh. The work is, in part, a parody of Hegel, and of German Idealism more generally. However, Teufelsdr�ckh is also a literary device with which Carlyle can express difficult truths. Plot Summary: The novel takes the form of a long review by a somewhat cantankerous unnamed Editor for the English Publication Fraser's Magazine (in which the novel was first serialized without any distinction of the content as fictional) who is upon request, reviewing the fictional German book Clothes, Their Origin and Influence by the fictional philosopher Diogenes Teufelsdr�ckh (Professor of "Things in General" at Weissnichtwo University). The Editor is clearly flummoxed by the book, first struggling to explain the book in the context of contemporary social issues in England, some of which he knows Germany to be sharing as well, then conceding that he knows Teufelsdr�ckh personally, but that even this relationship does not explain the curiosities of the book's philosophy. The Editor remarks that he has sent requests back to the Teufelsdrockh's office in Germany for more biographical information hoping for further explanation, and the remainder of Book One contains summaries of Teufelsdr�ckh's book, including translated quotations, accompanied by the Editor's many objections, many of them buttressed by quotations from Goethe and Shakespeare. The review becomes longer and longer due to the Editor's frustration at the philosophy, but desire to expose its outrageous nature. At the final chapter of Book One, the Editor has received word from the Teufelsdr�ckh's office in the form of several bags of paper scraps (rather esoterically organized into bags based on the signs of the Latin Zodiac) on which are written autobiographical fragments