Adam Thirlwell

Taking place in both London and Egypt, the author intertwines the stories of a group of interconnected characters in the middle of the Arab Spring trying to make sense of history and revolution in real time.

Kapow!

An ingenious international literary relay race in which stories pass from hand to hand, from language to language, changing all the while, with surprising, thought-provoking, and frequently funny results.

An Anthology of Stories in an Assortment of Languages and Literary Styles

Multiples

Paris, 1775: Celine's husband is mostly absent. Her parents are elsewhere. Meanwhile men are inventing stories about her - about her affairs, her sexuality, and addictions.

All these stories are lies, but the public loves them - spreading them like a virus. Celine can only watch as her name becomes a symbol for everything rotten in this society ruled by men high on colonial genocide, natural destruction, and crimes against women. To survive, Celine and her friends must band together in search of justice, truth and beauty.

Fantastical, funny and blindingly bright, The Future Future follows one woman on an urgently contemporary quest to clear her name and change the world.

The Future Future

Lurid & Cute

Henry Green

Living

Haffner is charming, morally suspect, sexually omnivorous, vain. He is British and Jewish and a widower. But when was Haffner ever really married? Or Jewish? When was he ever attached? There are so many stories of Haffner: but this, the most secret, is the greatest of them all. In a spa town snug in the Alps, at the end of the twentieth century, the 78-year-old Haffner is seeking a cure, redress, more women; and ignoring the will of his wife. He is there to claim her inheritance: a villa on the outskirts of a forgotten spa town. But Haffner never does what he is told. On his arrival in the town, he has checked into the spa hotel u and tried to develop two affairs: a mildly successful affair with a younger woman whose breasts are lavish, and a much less successful affair with an even younger woman, whose breasts are the smallest he has ever known. And, intermittently, he has tried to secure the paperwork for the villa he never wanted. But gradually, in the tribulations of bureaucracy, he discovers that he wants this villa, very much. Now that he has to fight for it, he wants it. There are two character notes to Haffner: he is an egotist, and he adores women. A mediocre man, but a man of singular appetite. And so it is that, harried by his family, pursued by his women, menaced by bureaucrats, negotiating with the mafia, riven by his memory of the dead and of the missing, Haffner endures his many humiliations, as he tries to orchestrate his final escape, in the forgotten centre of Europe. Through the story of his couplings and uncouplings, emerge the stories of Haffner's Twentieth Century. How can you ever desert from your past, your family, your history? That has been the problem of Haffner's life. How do you remain a libertine? A novel about the fall of empires, and the beauty of defeat, The Escape is a swift, sad farce of sexual mayhem.

A Novel in Five Parts

The Escape

David McDuff

Andrei Bely

An unabridged translation of Bely's comic fiction of reactionary officials, nihilistic revolutionaries, a would-be parricide, a bomb concealed in a sardine can, and the city which as setting and character focuses on the Russian search for national identity.

Petersburg

Politics is about: a) a threesome; b) politics Moshe loves Nana. But love can be difficult -- especially if you want to be kind. And Moshe and Nana want to be kind to someone else. They want to be kind to their best friend, Anjali. Politics explores crucial problems of sexual etiquette. What should the sleeping arrangements be in a ménage-à-trois? Is it polite to read while two people have sex beside you? Is it permissible to be jealous?

A Novel

Politics

Future Future

Strategie

A Novel (P.S.)

This is a story of texts being lost in translation, including the story of Juliet Herbert, the English governess responsible for translating 'Madame Bovary'. It comes complete with maps, illustrations, diagrams, and 'Mademoiselle O', a story by Vladimir Nabokov about his governess, written in French and translated into English.

Miss Herbert

A dreamy and adrenaline-fueled new novel from a two-time Granta Best Young Novelist Lurid & Cute is a kind of machine for the reader's corruption. It opens with all the things we've come to expect of Adam Thirlwell-"the playfulness of language, the way the mandarin wit, line by line, consorts with grisly or louche material," as Jeffrey Eugenides has said-when the narrator wakes confused in a seedy hotel room. He has had the good education, and also the good job. Together with his wife and dog, he lives at home with his parents. But then the lurid overtakes him-a chain of events that feels to those inside it narcotic and neurotic, like one long and terrible descent: complete with lies, deceit, and chicanery, and including, in escalating order, one orgy, one brothel, and a series of firearms disputes. Lurid & Cute balances the complexity of an interior world-our hero's apparently innocent obsessions with food, old movies, and all the gaudy, shoddy building blocks of pop culture-with a picaresque plot delivered with expert, insidious pacing. For very possibly this is the story of a woebegone and global generation. And our hero, the sweetest narrator in world literature, also may well be the most fearsome. It's the most sophisticated and gruesome novel from an author celebrated for his precocious talents, and it will leave you feeling like you've been on one hell of a bender.

The secret history of novelists is often a history of exile and tourism - a history of language learning. Like the story of Gustave Flaubert and Juliet Herbert, it is a history of loss and mistakes. As Flaubert finished Madame Bovary, Miss Herbert, his niece's governess, translated the novel into English. But this translation has since been lost. Miss Herbert provides a map to the imaginary country shared between writers and readers. For translation, and emigration, is the way into a new history of the novel. We assume that we can read novels in translation. We also assume that style does not translate. But the history of the novel is the history of style. Miss Herbert explores the solutions to this conundrum. This book demonstrates a new way of reading internationally - complete with maps, illustrations, and helpful diagrams. And it includes a slim appendix: 'Mademoiselle O', a story by Vladimir Nabokov, which he worked on in three languages, over thirty years, and whose original French version is now translated into English by Adam Thirlwell. Adam Thirlwell was named as one of Granta's Best of Young British Novelists in 2003 and again in 2013.

Like Chinese whispers, the rules of this literary game are simple: the first writer translates an unknown story into English, which a second writer then translates into a different language, and a third translates back into English, and so on, down the line. As the stories are told and retold, out of English and in again, they are transformed, twisted and turned into something new. Featuring an all-star international line-up of writers from Zadie Smith to Alejandro Zambra, via Jeffrey Eugenides, Laurent Binet, Javier Maras, David Mitchell, Colm Tibn, Etgar Keret and Sheila Heti, this collection is pure literary entertainment. Playful, provocative and wilfully inventive, Multiples asks fascinating questions about the relationship between a translation and a version, about the art of storytelling, and about the way that our individual linguistic choices reflect our shared cultural prejudices. Here, we see not so much what is lost in translation, but what is found.

12 Stories in 18 Languages by 61 Authors

Dave Eggers

With the help of guest editor Adam Thirlwell (author of Kapow!,Visual Editions), Issue 42 is a monumental experiment in translated literature--twelve stories taken through six translators apiece, weaving into English and then back out again, gaining new twists and textures each time, just as you'd expect a Kierkegaard story brought into English by Clancy Martin and then sent into Dutch by Cees Nooteboom before being made into English again by J. M. Coetzee to do. With original texts by Kafka and Kharms and Kenji Miyazawa, and translations by Lydia Davis and David Mitchell and Zadie Smith (along with others by John Banville and Tom McCarthy and Javier Marías, and even more by Shteyngart and Eugenides and A. S. Byatt), this will be an issue unlike anything you've seen before--altered, echoing narratives in the hands of the finest writers of our time, brought to you in a book that looks like nothing else we've ever done.

McSweeney's

'I had this vision very clearly of a book in which I would record my total experience, and I knew how it should sound: with all the tones that no one ever admires, – the Gruesome, Tender, Needy, Sleazy, Boring, the Lurid and the Cute.’ In this way the hero of Adam Thirlwell’s new novel describes the book you hold between your hands: a delirious tale of backchat and low tricks, all of which begin when our hero wakes beside a woman who is bleeding, unconscious and not, unfortunately, his wife... And then, of course, events get very much worse. SHORTLISTED FOR THE GOLDSMITHS PRIZE 2015 WINNER OF THE E.M. FORSTER AWARD 2015

Adam Thirlwell

About

Books

Join the club