Alan Ayckbourn

Communicating Doors

With over sixty plays written and premièred at the Stephen Joseph Theatre in Scarborough before going on to play in the West End or the Royal National Theatre, London, or Broadway, Alan Ayckbourn's expertise in writing and directing plays is unsurpassed. For the first time, here in The Crafty Art of Playmaking, he shares all his tricks of the trade. From helpful hints on writing (Where do you start? How do you continue? What is comedy and how do you write it? What is tragedy and how does it work?), to tips on directing (working with actors and technicians, when to listen to the other experts, how to cope with rehearsals), the book provides a complete primer for the tyro and a refresher for the more experienced. Written in an accessible and highly entertaining style, with anecdotes galore to illustrate the how, when, where and why, it's worth the cover price for the jokes alone. 'A marvellously useful and enjoyably good-humoured book' Daily Telegraph

The Crafty Art of Playmaking

Play text. Charts the decline of a large family business.

Time of My Life

Six aspiring authors meet on a winter's evening to discuss their work. The chairman, Arnold, attempts to get the rest of the group out of a rut by suggesting that they collaborate on a piece of writing, an idea that is received without enthusiasm. However, as Arnold is clearing up after the meeting there is a clap of thunder, a black-out.

A Comedy

Improbable Fiction

> Comedy Alan Ayckbourn Characters: 3 male, 3 female Interior A thunderstorm. In a windswept country house a family of failures wrangles over a will: a detective who has never solved a case; a writer, an artist and a composer whose works have never been published, shown or performed, and a dysfunctional teenager. Here are the prime ingredients for a murder mystery, but this diversion is by Alan Ayckbourne and it has a number of surprises. The victim is not who it should be, the murder's identity changes overnight and the thrills are leavened with tongue in cheek humor and ironic comment.

It Could be Any One of Us

Three comedies, each taking place at the same time and in the same house but in different rooms center on the same character, Norman, who is the cause of considerable confusion to his family

A Trilogy of Plays

The Norman Conquests

Two dazzling new interconnected plays from the acclaimed author of Communicating Doors. Two plays -- designed to be performed simultaneously and involving the same characters -- set in the same English country house on the same cloudy August day, are Alan Ayckbourn's vehicle for a sharp and hilarious scrutiny of the destructive nature of human behavior and emotions. Friends, neighbors, and hired help are gathered in preparation for a garden fête at which the guest of honor, for reasons of which no one is entirely certain, is an alcoholic, promiscuous French movie star. The surly gardener steadily ignores various intrigues being rather noisily conducted in the bushes and garden sheds, the film star's agent is mistakenly assumed to be a chauffeur and is sent to the pub for her lunch, the dog does his share of alerting passersby to covert romantic liaisons, the kitchen maid breaks everything she touches, and an amoral London writer observes the goings-on with a cool and knowing eye. As the action, and the storm clouds, build toward the afternoon's deluge, politics, friship, marriage, sex, children, the interactions of the social classes, and the absurd anachronisms of the remaining landed gentry are all submitted to Ayckbourn's penetrating gaze.

Two Plays

House & Garden

Meet three couples in their three kitchens on the Christmas Eves of three successive years. The "lower class" but very much up and coming Hopcrofts are in their bright new, gadget filled kitchen anxiously giving a little party for their bank manager and his wife and an architect neighbor. Next there are the architect and his wife in their neglected, untidy flat. Then the bank manager and his wife are in their large, slightly modernized, old Victorian style kitchen. Running like a dark thread through the wild comedy of behind the scenes disasters at Christmas parties is the story of the advance of the Hopcrofts to material prosperity and independence and the decline of the others. In the final stages the little man is well and truly on top, with the others, literally and unnervingly, dancing to his tune.

Absurd Person Singular

'What is remarkable about Alan Ayckbourn's comedy is that it contrives to be simultaneously hilarious and harrowing. Literally, it is agonisingly funny' Daily Telegraph In Three Plays Ayckbourn's perfectly pitched dialogue slices into the soul of suburbia. The settings are simple - a kitchen, a bedroom, a party - but the relationships between the husbands and wives are more complicated. Fraught relationships are exposed with humour, bathos and a sharp understanding of human nature.

Three Plays - Absurd Person Singular, Absent Friends, Bedroom Farce

Six people with six very separate lives are strangely linked by circumstance. Does Nicola still love Dan? Can Stewart be on the verge of an office romance? Will Imogen ever find true love? Does Ambrose have a secret life? And what on earth is Charlotte up to?

Private Fears in Public Places

Charlie Conrad is a celebrity. His talent? He hasn't got one; the nation took him to their hearts for very publicly being unable to do anything competently. One fateful day, however, Charlie meets Marsha, and his marriage and career go into freefall... Drowning on Dry Land examines the current obsession with celebrity for its own sake and chillingly but hilariously demonstrates how celebrities can be destroyed as quickly as they are made.

A Play

Drowning on Dry Land

Julia Lukin, a musical prodigy, committed suicide twelve years ago and now memories of her haunt the three men closest to her. Her father, Joe, has never come to terms with her death, and in the Julia Lukin Music Centre, he meets with a psychic, Ken, and Julia's boyfriend, Andy - the last person to see her alive, in hope of finding some answers. The men meet in Julia's old bedroom and Joe reveals that he believes Julia is trying to contact him in order to explain what happened. Between the three men, the story of Julia's life and death is gradually revealed - often at odds with what each man believes he knew.

Haunting Julia

There are no less than eight intimate exchanges in this ingenious tour de farce and each has two different endings; you can see Intimate Exchanges sixteen times and not see the same play twice! And one actor and one actress play all 10 characters. This is Ayckbourn's most unusual look yet at the foibles of middle class living.-1 woman, 1 man

Intimate Exchanges

In the second "battle" of Ayckbourn's celebrated triology The Norman Conquests, we rejoin the family weekend, this time hearing the events in the living room, where Norman gets drunk on homemade dandelion wine and all hell breaks loose. Norman unleashes his merry brand of manipulative charm on the hapless guests and even his most formidable opponents go down in defeat on the drawing room rug. An L.A. Theatre Works full-cast performance featuring: Rosalind Ayres as Sarah Kenneth Danziger as Reg Martin Jarvis as Norman Jane Leeves as Annie Christopher Neame as Tom Carolyn Seymour as Ruth

Living Together

England's comic master is in a black comic mode in this West End hit about our fascination with technology. It is sometime quite soon in a steel shuttered, slovenly flat in a no go area of North London where punks rule deserted streets. Here, a lonely composer sits surrounded by high tech equipment. His only company is a robot nanny, and she's on the blink. He desperately wants to reclaim his teenage daughter and enlists an out of work actress to implement a cunning plan he's evolved to impress his estranged wife and a wired for sound child welfare officer. When things don't work out, Jerome has to improvise... It's amazing what can be done with new micro chips and a screwdriver

Henceforward--

"Brother and sister Martin and Hilda Massie live together, leading a quiet, Christian existence in the confines of the Bluebell Hill Development. Just as they are preparing for a housewarming gathering, their peace is shattered by a young trespasser in their garden. The Massies' neighbours congregate in their living room and together they agree to form a neighbourhood watch group to safeguard against further incidents. But after the Massies' beloved garden gnome Monty is thrown through their window, matters swiftly escalate, complicated by Martin's burgeoning romance with Amy, wife of Gareth, who was formerly involved with Luther, husband of Magda... What begins as a well-intentioned scheme for a safer community ends in violence and acrimony"--

Neighbourhood Watch

A sci-fi comedy thriller, Comic Potential is a play set in the foreseeable future, when everything has changed--except human nature Comic Potential is set in a television studio in the near future, where the director--an alcoholic has-been--and two assistants are making a daytime soap opera of the usual appalling sort. However, the difference here is that they are using actoids--robots programmed to act--and there are no scriptwriters. Into this situation comes the idealistic Adam, the nephew of the millionaire station owner, who wants to write comedy of the quality that Chaplin and Keaton once embodied. But when Adam falls in love with Jaycee Triplethree (JC333), one of the actoids on the show, everything is turned upside down as she grows more human and the line between actoid and human diminishes. When in anguish Jaycee finally cries that she can't say anything she hasn't been programmed to say, Adam points out that no one ever says anything original anyway.

Comic Potential

Ivan Klíma

After the collapse of the repressive Czech regime, Pavel finds it disturbingly difficult to make the documentary film that had always been his dream. Reprint.

Alan Ayckbourn

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