Ansel Adams

Ansel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Camera--the first volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to harness the camera's artistic potential. This time-honored handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. Along with visualization, image management, Adams' famous Zone System, and other keys to photographic artistry, The Camera covers 35mm, medium-format, and large-format view cameras, while offering detailed advice on camera components such as lenses, shutters, and light meters. Beautifully illustrated with photographs as well as instructive line drawings, this classic manual belongs on every serious photographer's bookshelf. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold.

The Camera

Ansel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Negative--the second volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to use film and the film development process creatively. Examples of Adams' own work clarify the principles discussed. This classic handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. Anchored by a detailed discussion of Adams' Zone System and his seminal concept of visualization, The Negative covers artificial and natural light, film and exposure, and darkroom equipment and techniques. Beautifully illustrated with photographs as well as instructive line drawings, this classic manual can dramatically improve your photography. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold.

The Negative

Mary Street Alinder

In this bestselling autobiography, completed shortly before his death in 1984, Ansel Adams looks back at his legendary six-decade career as a conservationist, teacher, musician, and, above all, photographer. Written with characteristic warmth, vigor, and wit, this fascinating account brings to life the infectious enthusiasms, fervent battles, and bountiful friendships of a truly American original.

Ansel Adams: An Autobiography

ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information aboutAdams' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. ANSEL ADAMS: 400 PHOTOGRAPHS is a must-have for anyone who appreciates photography and the allure of the natural world.

Ansel Adams: 400 Photographs

Ansel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Print--the third volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to explore the artistic possibilities of printmaking. Examples of Adams' own work clarify the principles discussed. This classic handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. The Print takes you step-by-step--from designing and furnishing a darkroom to mounting and displaying your photographs, from making your first print to mastering advanced techniques, such as developer modifications, toning and bleaching, and burning and dodging. Filled with indispensable darkroom techniques and tips, this amply illustrated guide shows how printmaking--the culmination of photography's creative process--can be used expressively to enhance an image. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold. Publisher's Note: This ebook of The Print works best as a digital companion to the print edition. The ebook was produced by electronically scanning and digitizing a print edition, and as a result, your reading device may display images with halftone or moiré patterns.

The Print

John Szarkowski

In commemoration of the one-hundredth anniversary of his birth, Ansel Adams at 100 presents an intriguing new look at this distinguished photographer's work. The legendary curator John Szarkowski, director emeritus of the Department of Photography at New York's Museum of Modern Art, has painstakingly selected what he considers Adams' finest work and has attempted to find the single best photographic print of each. Szarkowski writes that "Ansel Adams at 100 is the product of a thorough review of work that Adams, at various times in his career, considered important. It includes many photographs that will be unfamiliar to lovers of Adams' work, and a substantial number that will be new to Adams scholars. The book is an attempt to identify that work on which Adams' claim as an important modern artist must rest." Ansel Adams at 100-the highly acclaimed international exhibition and the book, with Szarkowski's incisive critical essay-is the first serious effort since Adams' death in 1984 to reevaluate his achievement as an artist. The exhibition prints, drawn from important public and private collections, have been meticulously reproduced in tritone to create the splendid plates in this edition, faithfully rendering the nuances of the original prints. Ansel Adams at 100 is destined to be the definitive book on this great American artist. John Szarkowski is director emeritus of the Department of Photography, The Museum of Modern Art, New York. He is the author of such classic works as Looking at Photographs, The Photographer's Eye, Photography Until Now, and Atget, as well as several books of his own photographs, including the recently reissued The Idea of Louis Sullivan.

Ansel Adams at 100

Janet Swan Bush

The great American photographer Ansel Adams is justly famous for his heroic mountain landscapes. He is also a consummate photographer of trees and forest woodland, creating stirring portraits of giant oaks in Yosemite Valley and capturing the shimmering beauty of an aspen grove in New Mexico. This book will present some fifty of Adams' finest photographs of trees - a wide range of imagery from towering redwood groves to flowering orchards; majestic pine forest to leafy deciduous woods; wood and bark details to gnarled tree stumps; close-ups of snow-laden branches to leaf patterns against the sky; and, of course, many a portrait of the mighty trees of the Sierra and the American West. Accompanying the images will be text and poetry excerpts from a variety of writers and observers, both contemporary and historic. Drawn from natural history essays, poems, journals, photographers' and critics' observations, this anthology approach will complement and expand upon the reverence and passion for the beauty of trees so apparent in Adams' photographs.

Trees

Ansel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Camera--the first volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to harness the camera's artistic potential. This time-honored handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. Along with visualization, image management, Adams' famous Zone System, and other keys to photographic artistry, The Camera covers 35mm, medium-format, and large-format view cameras, while offering detailed advice on camera components such as lenses, shutters, and light meters. Beautifully illustrated with photographs as well as instructive line drawings, this classic manual belongs on every serious photographer's bookshelf. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold. Publisher's Note: This ebook of The Camera works best as a digital companion to the print edition. The ebook was produced by electronically scanning and digitizing a print edition, and as a result, your reading device may display images with halftone or moiré patterns.

A beautiful collection of Adams' work, hand-picked by himself--a last statement portfolio to represent his life's work. 76 duotones.

Ansel Adams: Classic Image Essays

Robert Baker

The noted photographer provides detailed descriptions of the basic equipment of photography, discussing the major camera formats, and of the techniques for using that equipment creatively

Camera And Lens

Next to Yosemite and the High Sierra, the Southwest was closest to Ansel Adams' heart. It was there, in the early 1930s, that he met photographer Paul Strand and decided to make photography his life's work. In his words, "wherever one goes in the Southwest one encounters magic, strength, and beauty." In The Grand Canyon and the Southwest, Adam's little known images of the Grand Canyon make up roughly one quarter of the photographs selected and edited by his longtime editor, Andrea Stillman. The varied images portray the balance of desolation and stark beauty in the Southwestern landscape, from Texas to California. The pictures are complemented by an introduction by Andrea Stillman and a selection of Adams' vivid letters about the region. In a letter to Alfred Stieglitz he writes, "It is all very beautiful and magical here - a quality which cannot be described. You have to live it and breathe it, let the sun bake it into you. The skies and land are so enormous, and the detail so precise and exquisite . . ."

The Grand Canyon and the Southwest

Nancy Newhall

Photographs by Ansel Adams and 31 others, with text by Nancy Newhall and foreword by David Brower, executive director of Sierra Club.

This is the American Earth

A classic collection of the acclaimed photographer's limited edition portfolios, now available in a gorgeous trade paperback edition.

The Portfolios of Ansel Adams

Harry M. Callahan

John Paul Schaefer

Andrea Gray Stillman

Gathers previously unpublished color photographs of the Grand Canyon, Monument Valley, El Capitan, Yosemite National Park, Mount McKinley, Mono Lake, Death Valley, and White Sands National Monument

Ansel Adams in Color

With more than two hundred photographs - many rarely seen and some never before published - this is the most comprehensive collection of Ansel Adams' photographs of America's national parks and wilderness areas. For many people, Yosemite, Yellowstone, Glacier National Park, and other iconic American wildlands exist in the mind's eye as Ansel Adams photographs. The legendary photographer explored more than forty national parks in his lifetime, producing some of the most indelible images of the natural world ever made. One of the twentieth century's most ardent champions of the park and wilderness systems, Adams also helped preserve additional natural areas and protect existing ones through his photographs, essays, and letter-writing campaigns. Edited and with commentary by Andrea G. Stillman, the foremost expert on Adams' work, this landmark publication includes quotations by Adams on the making of numerous photographs and essays by Wallace Stegner, William A. Turnage of The Ansel Adams Trust, and journalist and critic Richard B. Woodward. This is a must-own for Ansel Adams fans and all those who, like Adams, treasure America's wilderness.

Photographs from America's Wild Places

Ansel Adams in the National Parks

The distinguished photographer shares his experiences and details the circumstances, methods, and technical and aesthetic problems surrounding the creation of forty of his most famous photographs

The Making of 40 Photographs

Examples

Sierra Club

Wilderness Conference. 7Th, San Francisco, 1961

David Brower

Ausel Adams And Others

Wilderness; America's Living Heritage Proceedings Edited by David Brower. Contributors

There are three editions of this book:1. The facsimile edition, a photocopy of the original book (this edition).2. A re-created edition, newly typeset and with high-quality images scanned from Adams's original prints.3. An eBook, based on the re-created edition.Ansel Adams visited Manzanar at the invitation of his friend, Ralph Merritt, its second director. He published about 65 of his photographs in a 1944 book, "Born Free and Equal," which was generally reviled, even burned, as the War was still ongoing.Adams didn't renew the copyright on the book and turned all of his Manzanar negatives and prints over to the Library of Congress. The LoC website has digital images of all 112 pages of the book, but the scanning was poorly done. I straightened the pages and cropped them slightly to fit the page size of this edition, but did not otherwise alter them in any way. This edition is exactly the same as the original, although it may be of a different physical size, as I don't know the size of the original.Copies of the original book are extremely rare and, judging from the one that the LoC scanned, even their copy is in terrible condition. This edition will make the book more accessible.To keep the cost of this book as low as possible, the resolution of the printed pages is fairly coarse, but it's still quite readable and provides the same reading experience as the original book. The re-created edition, at a higher price, is of correspondingly higher quality.

Ansel Adams

About

Books

Join the club