Antonio Vivaldi

Folk inglese e musica celtica

Vivaldi's finest compositions for flute solo and string orchestra. Op. 10: Concerto No. 1 in F, "The Sea Tempest" (RV433); Concerto No. 2 in G minor, "Night" (RV439); Concerto No. 3 in D, "The Goldfinch" (RV428); Concerto No. 4 in G (RV435); Concerto No. 5 in F (RV434); and Concerto No. 6 in G (RV437).

Konzerte, Fl Ob Fg Orch, RV 570

The source of this edition of Antionio Vivaldi's In Exitu Israel is the manuscript found in the Biblioteca Nazionale in Turin, Raccolta Renzo Guirdano, Opere Sacre Vol. II (No. 16). The score is inscribed: In exitu Israel del Vivaldi. In this work Vivaldi combines and antique style, as refelected by modal treatment, with Baroque tonality and basso continuo.

For SATB Chorus/Choir and Piano Accompaniment with English and Latin Text

In Exitu Israel

12 Violin Concertos, Opus 4

La Stravaganza

Clayton Westermann

A choral worship cantata for SATB composed by Antonio Vivaldi.

For SATB Chorus/Choir and Orchestra with Latin and English Text (Choral Score)

Credo

This edition, edited by Clayton J. Westermann, actually represents both versions of Vivaldi’s work named Magnificat. Editorial and performance suggestions are presented in brackets, including tempo and dynamic markings. There are alternate versions of several of the sections and the choir and soloist parts are presented on separate staves over the piano reduction. This sacred work is for SATB with SSATB Soli. Includes: * Magnificat * Et Exultavit * Et Misericordia * Fecit Potentiam * Deposuit * Esurientes * Suscepit Israel * Sicut Locutus * Gloria * Et Exultavit (2nd version for Apollonia) * Quia Respexit (2nd version for La Bolognese) * Quia Fecit (2nd version for Chiaretta) * Sicut Locutus (2nd version for Albetta)

SATB with SSATB Soli Choral Worship Cantata

Magnificat

in due cori à 8 con stromenti (soli (SATB), zwei Trompeten, zwei Oboen, coro 1 (SATB, Streicher und Orgel), coro 2 (SATB, Streicher und Orgel))

Dixit Dominus

F. II, No. 1

Concerto in la Maggiore Per Viola D'amore, Archi E Cembalo

The four seasons

Peter Russell

The Italian composer and violinist Antonio Vivaldi left a decisive mark on the form of the concerto, influencing the emerging style of late Baroque music. In spite of his widespread popularity today, Vivaldi was largely forgotten after death and his reputation was only re-established in the 1920’s. Vivaldi’s greatest contribution to the history of classical music was his development of the ritornello form, where recurrent restatements of a refrain alternate with further episodic passages by a solo instrument, allowing for greater depth of virtuosic display. The passion and lyricism of Vivaldi’s music would have a lasting impact on Baroque and Classical-era composers. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Vivaldi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and streaming links. (Version 1) * Concise and informative overview of Vivaldi’s masterworks * Learn about the classical pieces that made Vivaldi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Vivaldi’s complete extant works and links to popular streaming services * Links to rare works recently rediscovered Please note: due to the relative recent obscurity of Vivaldi’s reputation, which was only restored in the mid-twentieth century, we are sadly unable to provide our usual range of bonus texts of biographies, critical essays or letters. CONTENTS: The Masterworks Violin Sonata in A Major, Op.2 L’estro armonico, Op.3 La stravaganza, Op.4 Gloria in D Major, RV 589 Oboe Concerto in A Minor, RV 461 Juditha triumphans, RV 644 Tito Manlio, RV 778 The Four Seasons, Op.8 Concerto for 2 Cellos in G Minor, RV 531 Mandolin Concerto in C Major, RV 425 Concerto for Strings in G Major, RV 151 Flute Concerto in G Minor, RV 439 Recorder Concerto in C Major, RV 443 Bassoon Concerto in A Minor, RV 497 Griselda, RV 718 Nulla in mundo pax sincera, RV 630 Dixit Dominus in D Major, RV 594 Complete Compositions Index of Vivaldi’s Compositions Please visit www.delphiclassics.com to learn more about our wide range of exciting titles

Delphi Masterworks of Antonio Vivaldi (Illustrated)

Sonata da camera a tre, opus 1, for two violins and cello (basso continuo)

This is the choral score of the most famous of the several Vivaldi works with the title of "Gloria." This edition and translation by Clayton Westermann features vocal text both in Latin and English, and a piano reduction of the orchestral parts (including figured bass). There is also a short preface by the editor to explain performance practice. This sacred work is for SATB with SATB Soli and includes: * Gloria in Excelsis * Et in Terra Pax * Laudamus Te * Gratias Agimus Tibi * Propter Magnam Gloriam * Domine Deus * Domine Fili Unigenite * Domine Deus, Agnus Dei * Qui Tollis * Qui Sedes ad Dexteram * Quoniam to Solus Sanctus * Cum Sancto Spiritu

SATB with SATB Soli Choral Worship Cantata

Gloria

Concerto in C minor, RV 198/198a, violin solo, keyboard

violin solo, strings and basso continuo

Concerto in C minor, RV 198/198a

Edition and Preface by Javier Lupiáñez The Trio Sonata in G major was independently identified as an early Vivaldian work in 2014 by the Italian scholar, recorder player, and ensemble director Mr. Federico Maria Sardelli and by the Spanish scholar, violin player and ensemble director Mr. Javier Lupiáñez. The piece was recently cataloged as RV 820 in the Vivaldi Catalog and is the earliest known work by Vivaldi. The Trio Sonata presents a different Vivaldi to the one we are used to. It shows the young Vivaldi: On the one hand, clearly influenced by the masters of the end of 17thcentury such Corelli, Bonporti or Torelli, and on the other hand it is easy to perceive that some new and original Vivaldian ideas start to blossom in this early work. The discovery and attribution of this Sonata is very important to understand the roots of Vivaldi’s style and the change of musical taste that happened at the beginning of the 18th century.

Trio Sonata RV 820

12 Concerti, Op. 4 for Violin, Strings and Continuo

Neville Marriner

Alan Loveday

Carmel Kaine

Academy of St. Martin-in-the-Fields

Op. 4(disque).

Cantatas for solo voice: Cantatas for soprano and continuo. Cantatas for soprano, continuo, and obbligato instruments

Soprano

Cantatas for Solo Voice, Part 1

Antonio Vivaldi

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