Bayard Taylor

A Story of Pennsylvania. by Bayard Taylor

Joseph and His Friend

Beauty and The Beast By Bayard Taylor An attendant stood with the pelisse outspread; another held the halyards to which was attached the great red slumber-flag, ready to run it up and announce to all Kinesma that the noises of the town must cease; a few seconds more, and all things would have been fixed in their regular daily courses. The Prince, in fact, was just straightening his shoulders to receive the sables; his eyelids were dropping, and his eyes, sinking mechanically with them, fell upon the river-road, at the foot of the hill. Along this road walked a man, wearing the long cloth caftan of a merchant.

Beauty and the Beast

Johann Wolfgang Von Goethe

It is twenty years since I first determined to attempt the translation of Faust, in the original metres. At that time, although more than a score of English translations of the First Part, and three or four of the Second Part, were in existence, the experiment had not yet been made. The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life.Mr. Brooks was the first to undertake the task, and the publication of his translation of the First Part (in 1856) induced me, for a time, to give up my own design. No previous English version exhibited such abnegation of the translator's own tastes and habits of thought, such reverent desire to present the original in its purest form. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,—a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The plan of translation adopted by Mr. Brooks was so entirely my own, that when further residence in Germany and a more careful study of both parts of Faust had satisfied me that the field was still open,—that the means furnished by the poetical affinity of the two languages had not yet been exhausted,—nothing remained for me but to follow him in all essential particulars. His example confirmed me in the belief that there were few difficulties in the way of a nearly literal yet thoroughly rhythmical version of Faust, which might not be overcome by loving labor. A comparison of seventeen English translations, in the arbitrary metres adopted by the translators, sufficiently showed the danger of allowing license in this respect: the white light of Goethe's thought was thereby passed through the tinted glass of other minds, and assumed the coloring of each. Moreover, the plea of selecting different metres in the hope of producing a similar effect is unreasonable, where the identical metres are possible.

(Johann Wolfgang Von Goethe Masterpiece Collection)

Faust (Large Print)

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 Excerpt: ... there's no telling of 'em apart otherways." "Take off the ribbon, then," said Phebe quietly; "Iknow them." "Why, ma'am, it's always done, where they're so like And I'll never be able to tell which is which; for they sleep and wake and feed by the same clock. And you might mistake, after all, in giving 'em names--" "There is no oldest or youngest, John; they are two and yet one this is mine, and this is yours." "I see no difference at all, Phebe," said John; "and how can we divide them?" "We will not divide," she answered; " I only meant it as a sign." She smiled, for the first time in many days. He was glad of heart, but did not understand her. "What shall we call them?" he asked. "Elias and Reuben, after our fathers?" "No, John; their names must be David and Jona than." And so they were called. And they grew, not less, but more alike, in passing through the stages of babyhood. The ribbon of the older one had been removed, and the nurse would have been distracted, but for Phebe's almost miraculous instinct. The former comforted herself with the hope that teething would bring a variation to the two identical mouths; but nol they teethed as one child. John, after desperate attempts, which always failed in spite of the headaches they gave him, postponed the idea of distinguishing one from the other, until they should be old enough to develop some dissimilarity of speech, or gait, or habit. All trouble might have been avoided, had Phebe consented to the least variation in their dresses; but herein she was mildly immovable. "Not yet," was her set reply to her husband; and one day, when he manifested a little annoyance at her persistence, ...

Beauty and The Beast, and Tales From Home (美女與野獸和其他故事)

Wayne Goodman

Joseph Asten, a handsome, 23-year-old farmer living in the Allegheny River Valley shortly after the Civil War, secretly longed for intimacy and love with other men. He devised a misguided plan to marry a woman who knew of his "dual nature" then his life took some unexpected, fateful turns. Bayard Taylor's Joseph and His Friend: A Pennsylvania Story is considered the first American Gay novel. Originally published in 1869 as a serial in The Atlantic, the author could not relate the story openly and had to use suggestive ways to describe his characters' activities and motivations. In Better Angels, Goodman retells the tale frankly and candidly, free from antiquated 19th Century cultural restraints. This is the author's second book revivifying forgotten, historically-significant Queer stories. Previously, in Vanya Says, "Go ," Goodman updated the first Russian-language Gay novel Wings, by Silver-Age poet Mikhail Kuzmin.

A Retelling of Joseph and His Friend: a Pennsylvania Story by Bayard Taylor

Better Angels

Beauty and the Beast, and Tales of Home, by Bayard Taylor

Johann Von Goethe

Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragödie erster Teil translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragödie zweiter Teil (Faust: The Second Part of the Tragedy). Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature.The principal characters of Faust Part One include:Heinrich Faust, a scholar, sometimes said to be based on the real life of Johann Georg Faust, or on Jacob Bidermann's dramatized account of the Legend of the Doctor of Paris, CenodoxusMephistopheles, a Devil (Demon)Gretchen, Faust's love (short for Margaret; Goethe uses both forms)Marthe, Gretchen's neighbourValentin, Gretchen's brotherWagner, Faust's famulusFaust Part One takes place in multiple settings, the first of which is heaven. Mephistopheles makes a bet with God: he says that he can lure God's favourite human being (Faust), who is striving to learn everything that can be known, away from righteous pursuits. The next scene takes place in Faust's study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge.He suspects, however, that his attempts are failing. Frustrated, he ponders suicide, but rejects it as he hears the echo of nearby Easter celebrations begin. He goes for a walk with his assistant Wagner and is followed home by a stray poodle (the term then meant a medium-to-big-size dog, similar to a sheep dog).In Faust's study, the poodle transforms into the devil (Mephistopheles). Faust makes an arrangement with the devil:The devil will do everything that Faust wants while he is here on Earth, and in exchange Faust will serve the devil in Hell. Faust's arrangement is that if he is pleased enough with anything the devil gives him that he wants to stay in that moment forever, then he will die in that moment.When the devil tells Fau st to sign the pact with blood, Faust complains that the devil does not trust Faust's word of honor.In the end, Mephistopheles wins the argument and Faust signs the contract with a drop of his own blood. Faust has a few excursions and then meets Margaret (also known as Gretchen). He is attracted to her and with jewellery and help from a neighbor, Martha, the devil draws Gretchen into Faust's arms. With influence from the devil, Faust seduces Gretchen. Gretchen's mother dies from a sleeping potion, administered by Gretchen to obtain privacy so that Faust could visit her. Gretchen discovers she is pregnant. Gretchen's brother condemns Faust, challenges him and falls dead at the hands of Faust and Mephistopheles.Gretchen drowns her illegitimate child and is convicted of the murder. Faust tries to save Gretchen from death by attempting to free her from prison. Finding that she refuses to escape, Faust and the devil flee the dungeon, while voices from Heaven announce that Gretchen shall be saved "Sie ist gerettet" this differs from the harsher ending of Urfaust "Sie ist gerichtet!" "she is condemned."It was reported that members of the first-night audience familiar with the original Urfaust version cheered on hearing the amendment.

Faust

Oscar Wilde

Petronius

Theodore Winthrop

Henry Blake Fuller

Jack Saul

Harlan Cozad McIntosh

Green Carnation was a symbol of homosexuality and was worn by the famous author Oscar Wilde. Today the flower has come to be associated with gay love and acceptance all over the world. The present collection celebrates Wilde and other authors from the past who celebrated and represented gay love in their novels: The Picture of Dorian Gray Joseph and His Friend Bertram Cope's Year Cecil Dreeme This Finer Shadow The Satyricon The Sins of the Cities of the Plain

The Picture of Dorian Gray, Joseph and His Friend, Cecil Dreeme, The Sins of the Cities of the Plain…

The Green Carnations Collection

This literary classic by Johann Wolfgang von Goethe tells the story of Faust, a scholar who makes a deal with the devil in exchange for unlimited knowledge and pleasure. From his encounter with the seductive Mephistopheles to his love affair with the innocent Gretchen, Faust's journey is a profound exploration of the human condition and the price of ambition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Tragedy

Prose Writings of Bayard Taylor ...

The Lands of the Saracen

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Tragedy, Part 1

Virginia Woolf

Radclyffe Hall

Lucas Malet

Robert Hichens

Sheridan Le Fanu

Musaicum Books presents the classics of gay literature by the most authentic and controversial authors of the past: Orlando by Virginia Woolf The Picture of Dorian Gray by Oscar Wilde Cecil Dreeme by Theodore Winthrop Well of Loneliness by Radclyffe Hall Carmilla by Sheridan Le Fanu Joseph and His Friend by Bayard Taylor This Finer Shadow by Harlan Cozad McIntosh Bertram Cope's Year by Henry Blake Fuller The Sins of the Cities of the Plain by Jack Saul The Green Carnation by Robert Hichens The History of Sir Richard Calmady by Lucas Malet

Joseph and His Friend, This Finer Shadow, Regiment of Women, Sappho, The Picture of Dorian Gray…

Gay Classics - Boxed Set: 10 Novel Collection

Johann Wolfgang von Goethe

Harry Clarke

With Illustrations by Harry Clarke. Translated Into English in the Original Metres, by Bayard Taylor

Meanwhile, the wonderful glamour of her presence--that irresistible influence which at once takes hold of body and spirit--had entered into every cell of his blood. Thought and memory were blurred into nothingness by this one overmastering sensation. Riding through the lonely woods, out of shade into yellow, level sunshine, in the odors of minty meadows and moist spices of the creekside, they twain seemed to him to be alone in the world. If they loved not each other, why should not the leaves shrivel and fall, the hills split asunder, and the sky rain death upon them? Here she moved at his side--he could stretch out his hand and touch her; his heart sprang towards her, his arms ached for very yearning to clasp her, --his double nature demanded her with the will and entreated for her with the affection!

The Story of Kennett

A Record of Adventure, Exploration and Discovery, for the Past Fifty Years: Comprising Narratives of the Most Distinguished Travelers Since the Beginning of this Century; Prepared and Arranged by Bayard Taylor

Cyclopaedia of Modern Travel

It is a deep tragedy that same-sex love was long seen as an anomaly. Luckily, the times are changing and there is a wide acceptance of LGBTQ+ community. Thanks to our cherished but at the time - controversial authors, who created the space for some of the most iconic gay and lesbian characters, we know have classics that were always claiming that love knows no boundaries. So come and indulge in the magic of these queer classics with our special edition that celebrates love and the freedom to love. _x000D_ Contents:_x000D_ Orlando by Virginia Woolf_x000D_ The Picture of Dorian Gray by Oscar Wilde_x000D_ Cecil Dreeme by Theodore Winthrop_x000D_ Well of Loneliness by Radclyffe Hall_x000D_ Carmilla by Sheridan Le Fanu_x000D_ Joseph and His Friend by Bayard Taylor_x000D_ The Green Carnation by Robert Hichens _x000D_ This Finer Shadow by Harlan Cozad McIntosh_x000D_ Bertram Cope's Year by Henry Blake Fuller_x000D_ The Sins of the Cities of the Plain by Jack Saul_x000D_ The History of Sir Richard Calmady by Lucas Malet

Orlando, The Picture of Dorian Gray, Cecil Dreeme, The Sins of the Cities, Well of Loneliness, Carmilla...

Out & Proud: Gay Classics Collection

Faust Johann Wolfgang von Goethe Translated Into English, In The Original Metres, By Bayard Taylor Faust is the protagonist of a classic German legend; a highly successful scholar but one dissatisfied with his life who therefore makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. Translated as "fist" in High German, the name "Faust" suggests someone who resorts to extraordinary means to achieve goals, akin to if not actually including force; it also implies unusual tenacity and persistence.

Bayard Taylor

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