Can Xue

The most ambitious work of fiction by a writer widely considered the most important novelist working in China today In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flower beds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee—whether to a mysterious gambling bordello or to ancestral homes that can be reached only underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by buried secrets and transcendent delusions. Can Xue’s masterful love stories for the new millennium trace love’s many guises—satirical, tragic, transient, lasting, nebulous, and fulfilling—against a kaleidoscopic backdrop of commerce and industry, fraud and exploitation, and sex and romance drawn from the East and the West.

Love in the New Millennium

Frontier opens with the story of Liujin, a young woman heading out on her own to create her own life in Pebble Town, a somewhat surreal place at the base of Snow Mountain, where wolves roam the streets and certain enlightened individuals can enter a paradisiacal garden. Exploring life in this city through the viewpoint of a dozen different characters, Can Xue's latest novel attempts to unify the grand opposites of life - barbarism and civilization, the spiritual and the material, the mundane and the sublime, beauty and death, Eastern and Western cultures.

Frontier

In a Kafkaesque novel set in a fictional Western nation, husbands, wives and lovers are entwined in complicated, often tortuous relationships as they, stepping in and out of each other's fantasies, explore the deepest realms of human desire. Original.

The Last Lover

A major new collection of stories by one of the most exciting and creative voices in contemporary Chinese literature Can Xue's stories observe no obvious conventions of plot or characterization. That is the only rule they follow. Instead, they tend to limn a disordered and poetic state given structure by philosophical wonder and emotional rigor. Combining elements of both Chinese materiality--the love of physical things--and Western abstract thinking, Can Xue invites her readers into an immersive landscape that blends empirical fact and illusion, mixes the physical and spiritual, and probes the space between consciousness and oblivion. She brings us to a place that is both readily familiar yet unmappable and can make us hyperaware of the inherent unreliability in our relationship to the world around us. Delightful, enchanting, and filled with secrets, Can Xue's newest collection shines a light on the forces that give contours to the visible terrain we acknowledge as reality.

I Live in the Slums

Five Spice Street tells the story of a street in an unnamed city whose inhabitants speculate on the life of a mysterious Madam X. The novel interweaves their endless suppositions into a work that is at once political parable and surreal fantasia. Some think X is 50 years old; others that she is 22. Some believe she has occult powers and has thereby enslaved the young men of the street; others think she is a clever trickster playing mind games with the common people. Who is Madam X? How has she brought the good people of Five Spice Street to their knees either in worship or in exasperation? The unknown narrator takes no sides in the endless interplay of visions, arguments, and opinions. The investigation rages, as the street becomes a Walpurgisnacht of speculations, fantasies, and prejudices. Madam X is a vehicle whereby the people bare their souls, through whom they reveal themselves even as they try to penetrate the mystery of her extraordinary powers. Five Spice Street is one of the most astonishing novels of the past twenty years. Exploring the collective consciousness of this little street of ordinary people, Can Xue penetrates the deepest existential anxieties of the present day—whether in China or in the West—where the inevitable impermanence of identity struggles with the narrative within which identity must compose itself.

Five Spice Street

translated by Karen Gernant and Chen Zeping

During the Cultural Revolution, minimally trained “barefoot doctors” were sent to the Chinese countryside, providing basic medical services and folk remedies. The author of this novel was one of them, and she draws on her experiences in the story of Mrs. Yi, a village herbalist who gathers her remedies on a nearby mountain. She struggles to find a successor—either the flighty but kindhearted Gray, who loves herbs but fears patients, or Mia, from nearby Deserted Village—and events become increasingly surreal. As the mountain changes shape and ghosts visit the living, mysterious connections between the body and nature emerge. (New Yorker)

Barefoot Doctor

Blas Piñero

Nubes flotantes ya envejecidas

Mystery Train

غرفة فوق التل

Scholastique Mukasonga

PURPLE PERILLA is a cycle of three short stories by avant-garde Chinese writer Can Xue. Moving from an urban center into wilderness, they explore human confrontations with the unknown. The stories stack, like strata, to form an island. One that, to journey through, is to be forced into the subconscious and an entirely contemporary mythos.

Purple Perilla

The first full-length novel by Chinese author Can Xue to appear in English Five Spice Street tells the story of a street in an unnamed city whose inhabitants speculate on the life of a mysterious Madam X. The novel interweaves their endless suppositions into a work that is at once political parable and surreal fantasia. Some think X is 50 years old; others that she is 22. Some believe she has occult powers and has thereby enslaved the young men of the street; others think she is a clever trickster playing mind games with the common people. Who is Madam X? How has she brought the good people of Five Spice Street to their knees either in worship or in exasperation? The unknown narrator takes no sides in the endless interplay of visions, arguments, and opinions. The investigation rages, as the street becomes a Walpurgisnacht of speculations, fantasies, and prejudices. Madam X is a vehicle whereby the people bare their souls, through whom they reveal themselves even as they try to penetrate the mystery of her extraordinary powers.Five Spice Street is one of the most astonishing novels of the past twenty years. Exploring the collective consciousness of this little street of ordinary people, Can Xue penetrates the deepest existential anxieties of the present day—whether in China or in the West—where the inevitable impermanence of identity struggles with the narrative within which identity must compose itself.

A profound, poignant story of a village healer and her community, from one of the world’s great contemporary novelists “A complex and illuminating portrait of a group of healers in China . . . [that] offers profound insights about what it means to pursue and live a fulfilling life.”—Publishers Weekly “A barefoot doctor herself, [Can Xue] has a unique and powerful way of transporting readers to new worlds where reality and magic are intertwined, and she uses her own experiences to make this novel feel more personal.”—Emily Park, Booklist In rural Yun Village, herbalist Mrs. Yi lives with her husband in a cottage at the foot of Niulan Mountain, where she gathers herbs to treat the ailments of the villagers by day and studies medicine by night. Sickness and herbs are lovers, she tells her patients, rejoicing when they recover, comforting them when they do not. All the while, she hopes to find a worthy successor to take up her mantle. As curious younger villagers observe Mrs. Yi and begin imitating her work—planting gardens and studying the art of healing—they soon discover that the line dividing life from death is porous, and the mountain is more mysterious than they ever knew. Drawing on her experiences as a barefoot doctor in her youth, Can Xue returns with a transporting novel that alights in the in-between spaces: between the living and the dead, healer and sick, nature and us.

A Novel

divIn Can Xue’s extraordinary book, we encounter a full assemblage of husbands, wives, and lovers. Entwined in complicated, often tortuous relationships, these characters step into each other’s fantasies, carrying on conversations that are “forever guessing games.” Their journeys reveal the deepest realms of human desire, figured in Can Xue’s vision of snakes and wasps, crows, cats, mice, earthquakes, and landslides. In dive bars and twisted city streets, on deserts and snowcapped mountains, the author creates an extreme world where every character “is driving death away with a singular performance.” Who is the last lover? The novel is bursting with vividly drawn characters. Among them are Joe, sales manager of a clothing company in an unnamed Western country, and his wife, Maria, who conducts mystical experiments with the household’s cats and rosebushes. Joe’s customer Reagan is having an affair with Ida, a worker at his rubber plantation, while clothing-store owner Vincent runs away from his wife in pursuit of a woman in black who disappears over and over again. By the novel’s end, we have accompanied these characters on a long march, a naive, helpless, and forsaken search for love, because there are just some things that can’t be stopped—or helped./DIV

Sofia Samatar

Laura Grace Ford

Jessica Yu

Kristin Omarsdottir

The White Review is an arts and literature quarterly magazine, with triannual print and monthly online editions. The magazine launched in London in February 2011 to provide 'a space for a new generation to express itself unconstrained by form, subject or genre', and publishes fiction, essays, interviews with writers and artists, poetry, and series of artworks. It takes its name and a degree of inspiration from La Revue Blanche, a Parisian magazine which ran from 1889 to 1903.

The White Review No.30

Can Xue (pronounced "tsan shway") is considered by many to be the most spirited, fearless, radical fiction writer to come out of contemporary China. Even her name is marked by tenacity (it's a pen name referring to dirty, leftover snow that refuses to melt). Her most important work to date, The Embroidered Shoes is a collection of lyrical, irreverent, sassy, wise, maddening, celebratory tales in which she explores the themes central to our contemporary lives: mortality, memory, imagination, and alienation. At times constructed like a set of graduated Chinese boxes, these New Gothic ghost stories build into philosophical and psychological conundrums that we ponder long after reading the final page. A doctor-detective-warrior who sleeps like a hippo in a cistern! A homicidal maniac housewife whose husband winds up in the hospital with a stomach full of very fine needles! These and many more strange, yet strangely recognizable, characters populate Can Xue's dream-ridden, transcendental territories. Written between 1986 and 1994, ten years after the death of Chairman Mao and during and following the 1989 Tiananmen massacre, The Embroidered Shoes is a life-affirming testament to the creative spirit.

Can Xue

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