Carol J. Clover

It is the fraught relation between the "tough girl" of horror and her male fan that Clover explores. Horror movies, she concludes, use female bodies not only for the male spectator to feel at, but for him to feel through.

Gender in the Modern Horror Film

Men, Women, and Chain Saws

Book helps us understand the genre of horror film and the masochistic pleasure of film viewing.

Men, Women, and Chainsaws : Gender in the Modern Horror Film

John Lindow

A Critical Guide (Islandica)

Old Norse-Icelandic Literature

Anne Rice

Stephen King

Michel Foucault

Judith Halberstam

William Gibson

Robert Louis Stevenson

Andrew O'Hagan

Umberto Eco

Slavoj Žižek

Sigmund Freud

Jean Baudrillard

Mike Kelley

Beatriz Colomina

James Sampson Meyer

Mary Shelley

Patrick McGrath

Jeff Wall

Jacques Lacan

Marina Warner

Hal Foster

Jerry Saltz

Damien Hirst

Amelia Jones

Eve Kosofsky Sedgwick

Nancy Spector

Julia Kristeva

Edmund Burke

Mark Edmundson

Richard Dyer

Bret Easton Ellis

Edgar Allan Poe

Richard Davenport-Hines

Douglas Crimp

Gianni Jetzer

Gayatri Chakravorty Spivak

Trevor J. Fairbrother

Anthony Vidler

Elisabeth Bronfen

Bruce Hainley

Carolyn Christov-Bakargiev

Kate Ferguson Ellis

Kobena Mercer

Stan Douglas

Alex Farquharson

Jane D. Marsching

Mark Alice Durant

Nike Bätzner

Michael Cohen (kustos.)

Tacita Dean

Christoph Grünenberg

Jonathan Jones (likovni kritik.)

Shamim Momin

Andrew Ross (Professor of Social and Cultural Analysis.)

Jaques Derrida

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. This collection of writings examines the pervasive and influential role of the Gothic in contemporary art, providing the first comprehensive overview of its uses within contemporary visual culture. The Gothic includes artists' writings by Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese and Catherine Sullivan, complemented by literary extracts from Horace Walpole, William Gibson, Bret Easton Ellis and Stephen King, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner and Slavoj Žižek. Artists surveyed include Matthew Barney, Louise Bourgeois, Tacita Dean, Sue de Beer, Janet Cardiff, Mark Dion, Stan Douglas, Robert Gober, Douglas Gordon, Dan Graham, Damien Hirst, Mike Kelley, Paul McCarthy, Teresa Margolles, Jonathan Meese, Raymond Pettibon, Paul Pfeiffer, Gregor Schneider, Cindy Sherman, Catherine Sullivan, Andy Warhol, and Jane and Louise Wilson. Writers include Jean Baudrillard, Elizabeth Bronfen, Edmund Burke, Carol Clover, Beatriz Colomina, Douglas Crimp, Jacques Derrida, Richard Dyer, Umberto Eco, Bret Easton Ellis, Trevor Fairbrother, Alex Farquharson, Hal Foster, Michel Foucault, Sigmund Freud, William Gibson, Christoph Grunenberg, Bruce Hainley, Judith Halberstam, Amelia Jones, Jonathan Jones, Mike Kelley, Julia Kristeva, Jacques Lacan, Patrick McGrath, Kobena Mercer, James Meyer, Edgar Allan Poe, Andrew Ross, Jerry Saltz, Eve Kosofsky Sedgwick, Mary Shelley, Nancy Spector, Robert Louis Stevenson, Anthony Vidler, Jeff Wall, Horace Walpole, Marina Warner, Anne Williams and Slavoj Žižek.

The Gothic

The current revival of interest in the rich and varied literature of early Scandinavia has prompted a corresponding interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Even readers with a knowledge of Old Norse and Icelandic have found these subjects difficult to pursue, however, for up-to-date reference works in any language are few and none exist in English. To fill the gap, six distinguished scholars have contributed ambitious new essays to this volume. The contributors summarize and comment on scholarly work in the major branches of the field: Eddie and skaldic poetry, family and kings' sagas, courtly writing, and mythology. Taken together, their judicious and attractively written essays-each with a full bibliography-make up the first book-length survey of Old Norse literature in English and a basic reference work that will stimulate research in these areas and help to open up the field to a wider academic readership.

A Critical Guide

A study of contemporary horror films in which feminist film theorist Carol J. Glover investigates the enduring popularity of the genre, and the questions which films such as Texas Chainsaw Massacre and Halloween raise about gender in the cinema.

Written in the thirteenth century, the Icelandic prose sagas, chronicling the lives of kings and commoners, give a dramatic account of the first century after the settlement of Iceland—the period from about 930 to 1050. To some extent these elaborate tales are written versions of traditional sagas passed down by word of mouth. How did they become the long and polished literary works that are still read today? The evolution of the written sagas is commonly regarded as an anomalous phenomenon, distinct from contemporary developments in European literature. In this groundbreaking study, Carol J. Clover challenges this view and relates the rise of imaginative prose in Iceland directly to the rise of imaginative prose on the Continent. Analyzing the narrative structure and composition of the sagas and comparing them with other medieval works, Clover shows that the Icelandic authors, using Continental models, owe the prose form of their writings, as well as some basic narrative strategies, to Latin historiography and to French romance.

The Medieval Saga

Carol J. Clover

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