Stephen Baxter

Janet L. Nelson

Catherine Karkov

David Pelteret

Patrick Wormald was a brilliant interpreter of the Early Middle Ages, whose teaching, writings and generous friendship inspired a generation of historians and students of politics, law, language, literature and religion to focus their attention upon the world of the Anglo-Saxons and the Franks. Leading British, American and continental scholars - his colleagues, friends and pupils - here bear witness to his seminal influence by presenting a collection of studies devoted to the key themes that dominated his work: kingship; law and society; ethnic, religious, national and linguistic identities; the power of images, pictorial or poetic, in shaping political and religious institutions. Closely mirroring the interests of their honorand, the collection not only underlines Patrick Wormald's enormous contribution to the field of Anglo-Saxon studies, but graphically demonstrates his belief that early medieval England and Anglo-Saxon law could only be understood against a background of research into contemporary developments in the nearby Welsh, Scottish, Irish and Frankish kingdoms. He would have been well pleased, therefore, that this volume should make such significant advances in our understanding of the world of Bede, of the dynasty of King Alfred, and also of the workings of English law between the seventh and the twelfth century. Moreover he would have been particularly delighted at the rich comparisons and contrasts with Celtic societies offered here and with the series of fundamental reassessments of aspects of Carolingian Francia. Above all these studies present fundamental reinterpretations, not only of published written sources and their underlying manuscript evidence, but also of the development of some of the dominant ideas of that era. In both their scope and the quality of the scholarship, the collection stands as a fitting tribute to the work and life of Patrick Wormald and his lasting contribution to early medieval studies.

Early Medieval Studies in Memory of Patrick Wormald

Catherine E. Karkov

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

Catherine Karkov

About

Books

Join the club