Christopher Fynsk

Philippe Lacoue-Labarthe

Philosopher, literary critic, translator (of Nietzsche and Benjamin), Philippe Lacoue-Labarthe is one of the leading intellectual figures in France. This volume of six essays deals with the relation between philosophy and aesthetics, particularly the role of mimesis in a metaphysics of representation. Comment [1997] "Typography is a book whose importance has not diminished since its first publication in French in 1979. On the contrary, I would say, it is only now that one can truly begin to appreciate the groundbreaking status of these essays. The points it makes, the way it approaches the questions of mimesis, fictionality, and figurality, is unique. There are no comparable books, or books that could supersede it." Rudolphe Gasché, State University of New York, Buffalo "Lacoue-Labarthe's essays still set the standards for thinking through the problem of subjectivity without simply retreating behind insights already gained. But this book is much more than a collection of essays: it constitutes a philosophical project in its own right. Anybody interested in the problem of mimesiswhether from a psychoanalytic, platonic, or any other philosophical anglecannot avoid an encounter with this book. Lacoue-Labarthe is a philosopher and a comparatist in the highest sense of the word, and the breadth of his knowledge and the rigor of his thought are exemplary." Eva Geulen, New York University Review "In demonstrating how mimesis has determined philosophical thought, Lacoue-Labarthe provokes us into reconsidering our understanding of history and politics. . . . Together with the introduction, these essays are essential reading for anyone interested in Heidegger, postmodernism, and the history of mimesis in philosophy and literature." The Review of Metaphysics

Mimesis, Philosophy, Politics

Typography

Fynsk (comparative literature and philosophy, Binghampton U.) defends the claim that it is possible to speak of research that is specifically of the humanities, focusing on the conditions of fundamental research. He offers a set of possible paths, without claiming that they are the only ones possible, in order to identify important questions that o

A Case for the Humanities

The Claim of Language

A meditation on the human relationships to language and the exigencies of its figuration.

The Death of the Infans and Other Scenes of Origin

Infant Figures

The most recent version of the “linguistic turn,” the revolution in language theory shaped by Saussure’s structural linguistics and realized in a sweeping revision of investigations throughout the humanities and social sciences, has rushed past the most basic “fact”: that there is language. What has been lost? Almost everything of what Heidegger tried to approach under the name of “ontology” until the word proved too laden by common misapprehension to be of use. Most immediately, this is everything of language that exceeds the order of signification, together with the subject’s engagement with this “excess” that is the (non)ground of history and the material site of all relationality, beginning with that unthought that is widely termed “culture.” Language and Relation returns to this site in close readings of meditations on language by Martin Heidegger, Luce Irigaray, Paul Celan, Walter Benjamin, and Maurice Blanchot. It seeks to move with these authors beyond the order of signification and toward the an-archic grounds of relation (of all relations between self and other, and of relation in general), exploring the possibility for a strong link between issues in modern philosophy of language and contemporary socio-political concerns.

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Language and Relation

Christopher Fynsk here offers a sustained critical reading of texts written by Martin Heidegger in the period 1927-1947. His guiding concerns are Heidegger's notions of human finitude and difference, which he first addresses through an analysis of the role played by Mitsein in Being and Time. This analysis in turn affords a critical perspective on Heidegger's own interpretive encounters with Nietzsche and Hölderlin. In a reading of Heidegger's Nietzsche, Fynsk points to a far more ambivalent interpretation than the one commonly attributed to Heidegger. After further elaboration of the problematic of finitude in the context of Heidegger's writings of the 1930s on politics and art, Fynsk looks closely at Heidegger's commentary on Hölderlin. He calls into question Heidegger's claims for the gathering and founding character of poetry, and seeks to raise some basic questions in respect to the nature of the text and the act of interpretation. Presenting a critical confrontation with Heidegger that places itself within what Fynsk refers to as a contemporary "thought of difference," this book should be of interest not only to all students of Heidegger but also to anyone concerned with contemporary literary theory or modern Continental philosophy.

Christopher Fynsk

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