Chuck Klosterman

"Essays about 1990s popular culture, politics, sports, literature, music"--

A Book

The Nineties

But What If We're Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music, five hundred years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or--weirder still--widely known, but entirely disrespected)? Is it possible that we "overrate" democracy? And perhaps most disturbing, is it possible that we've reached the end of knowledge? Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We're Wrong? is built on interviews with a variety of creative thinkers--George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others--interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It's a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It's about how we live now, once "now" has become "then."

Thinking about the Present as If it Were the Past

But what If We're Wrong?

A Low Culture Manifesto

Sex, Drugs, and Cocoa Puffs

85% of a True Story

Killing Yourself to Live

Takes a humorous look at expectations versus reality in pop culture, sports, and media, exploring such topics as pop culture's obsession with time travel and what Kurt Cobain and David Koresh have in common.

Eating the Dinosaur

Treating a delusional scientist who has been using cloaking technology from an aborted government project to render himself nearly invisible, Austin therapist Victoria Vick listens to his accounts of spying on the private lives of others, a situation with which Victoria becomes obsessed to the point that it threatens her career and marriage. 125,000 first printing.

A Novel

The Visible Man

The cultural critic questions how modern people understand the concept of villainy, describing how his youthful idealism gave way to an adult sympathy with notorious cultural figures to offer insight into the appeal of anti-heroes.

Grappling with Villains (Real and Imagined)

I Wear the Black Hat

A collection by the pop culture commentator includes some of his most noteworthy profiles and trend stories, a selection of favorite opinion pieces, and a semi-autobiographical short story, in a volume complemented by twenty "hypothetical questions."

A Decade of Curious People and Dangerous Ideas

Chuck Klosterman IV

A tale based on a deadly 1984 North Dakota blizzard follows the experiences of a small rural community devoted to its high-school athletics and its citizens' minor scandals, until a dangerous storm impacts the town in unsettling and powerful ways. 100,000 first printing.

Downtown Owl

Empirically proving that—no matter where you are—kids wanna rock, this is Chuck Klosterman's hilrious memoir of growing up as a shameless metalhead in Wyndmere, North Dakotoa (population: 498). With a voice like Ace Frehley's guitar, Klosterman hacks his way through hair-band history, beginning with that fateful day in 1983 when his older brother brought home Mötley Crüe's Shout at the Devil. The fifth-grade Chuck wasn't quite ready to rock—his hair was too short and his farm was too quiet—but he still found a way to bang his nappy little head. Before the journey was over, he would slow-dance to Poison, sleep innocently beneath satanic pentagrams, lust for Lita Ford, and get ridiculously intellectual about Guns N' Roses. C'mon and feel his noize.

A Heavy Metal Odyssey in Rural North Dakota

Fargo Rock City

Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection, from the best-selling author of But What if We're Wrong? A man flying first class discovers a puma in the lavatory. A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination. Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.

Fictional Nonfiction

Raised in Captivity

From Sex, Drugs, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, these essays are now available in this ebook collection for fans of Klosterman’s writing on media and culture.

A Collection of Previously Published Essays

Chuck Klosterman on Media and Culture

From Sex, Drugs, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, these essays are now available in this ebook collection for fans of Klosterman’s writing on film and television.

Chuck Klosterman on Film and Television

Chuck Klosterman has become the pop culture commentator of his time. Now, our favourite popular phenomenon offers new introductions, outros, segues, and footnotes around a collection sure to enlarge his following. Chuck Klosterman IV is divided into three parts: Part I: Things That Are True showcases Chuck's best profiles and trend stories from the past decade. Billy Joel, Metallica, Val Kilmer, U2, Radiohead, Wilco, The White Stripes, Steve Nash, 50 cent - they're all here, complete with behind-the-scenes details and ingenious analysis. Part II: Things That Might Be True assembles the best of opinion pieces that brim with a characteristic candor - always interesting, often infuriating, occasionally insane. Now fortified with twenty new hypothetical questions. Part III: Things That Are Not True At All offers an unpublished short story. While semi-autobiographical, it features a woman who falls out of the sky and lands on a man's car.

Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas

New York Times bestselling author of Sex, Drugs, and Cocoa Puffs and Downtown Owl, “the Ethicist” of the New York Times Magazine, Chuck Klosterman returns to fiction with his second novel—an imaginative page-turner about a therapist and her unusual patient, a man who can render himself invisible. Therapist Victoria Vick is contacted by a cryptic, unlikable man who insists his situation is unique and unfathomable. As he slowly reveals himself, Vick becomes convinced that he suffers from a complex set of delusions: Y__, as she refers to him, claims to be a scientist who has stolen cloaking technology from an aborted government project in order to render himself nearly invisible. He says he uses this ability to observe random individuals within their daily lives, usually when they are alone and vulnerable. Unsure of his motives or honesty, Vick becomes obsessed with her patient and the disclosure of his increasingly bizarre and disturbing tales. Over time, it threatens her career, her marriage, and her own identity. Interspersed with notes, correspondence, and transcriptions that catalog a relationship based on curiosity and fear, The Visible Man touches on all of Chuck Klosterman’s favorite themes—the consequence of culture, the influence of media, the complexity of voyeurism, and the existential contradiction of normalcy. Is this comedy, criticism, or horror? Not even Y__ seems to know for sure.

Chuck Klosterman

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