Chuck Klosterman

The cultural critic questions how modern people understand the concept of villainy, describing how his youthful idealism gave way to an adult sympathy with notorious cultural figures to offer insight into the appeal of anti-heroes.

Grappling with Villains (Real and Imagined)

I Wear the Black Hat

Patrick Book

As with most Klosterman books, some of it is great and some of it is abject nonsense. I'd give this 2.5 stars because he gets pretty lazy in some of these pieces. And he admits it, which is somehow so much worse. 

Also, I like reading his books because I can't tell which of us is more abnormal. I don't spend half the time thinking about serious things that he seems to dedicate to some of the most useless minutiae in the world.

John Manoogian III

Got this as a $6 bargain bin book, so within that framework, it's a five-stars. I would say 20% of the book is great, and 50% is no better than meh.

Cola

Such a fun read. It made be think about why I truly hate Joe Buck.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

Zoe Smolen

As someone who has long been obsessed with the villains of pop culture this was an interesting read. It was a little too sports centered for me, but I still highly enjoyed the book. My favorite chapter was probably the one on the Clinton affair.

I Wear the Black Hat Grappling with Villains (Real and Imagined)

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