Clark

A girl, a boy, and a bet. Good girl Astrid Ella Bailey, the Oreo-loving school nerd of Evergreen High, has anxiety issues. Like any other nerd, she preferred to bury her nose in her books all day and avoid attention like the plague. She never got into trouble, save for that one time a kid ruined a photo of her best friend... a very dear friend she just lost in a tragic accident. Bad boy Kai Asher, her high school's head playboy, is trouble incarnate. Intense, rough, and sexy, he's the one who makes all the girls swoon. One flirtatious wink and their hearts bend like clay dough. Oh, the shame when they all break like fragile china. A bet is made, tempers flare up, and punches are thrown. And when the good girl crashes into the bad boy - quite literally, screeching tires and smoking hoods included - the school went wild with intrigue. Astrid was thrown into the spotlight, and extra attention is never good for an almost antisocial nerd. What was the bet? And why did Kai suddenly appear - in all his half-naked glory - at Astrid's next door window one day? Can she resist his insane sexual innuendos, or will she lose her sanity? Or what's left of it, anyway. Fall in love with this light-hearted bad boy YA romance that's sure to make you more than a little giddy inside. Wear your PJs, snuggle into your couch, and enjoy this hilarious read (preferably with Oreos on the side). Grab your copy now!

My Badboy Neighbour

Christopher Nichols was a tall, slim man with graying hair. For many years he had been in charge of the Nichols Detective Agency and was well known not only in Belton City but throughout the state. Many persons believed that Penny had inherited her father's sleuthing ability, for even at the age of fifteen she had shown remarkable talent in solving mystery cases.

Penny Nichols Finds a Clue

Google Cardboard

A Comment on Austin

Practical Jurisprudence

Interland Series Books 1 to 3. The GIVEN: Jay must hide her true abilities if she is to stay safe. But as her powers grow stronger and the authorities more intolerant, she knows that time is running out. When Jay's energy is detected by a powerful Reader, she has little choice but to take action. On the run with her friends, and just one step ahead of her pursuers, she must decipher the words of the Legend and reveal the secrets of her childhood stories if she is to find safety. INTERLAND: Once again the darkness of the Readers closes in, and Jay must dig deep to resolve her inner conflict between a desperate desire to remain protected in the Interland, and the need to leave her sanctuary and embark on a quest to save her friend. All is not what it seems, and Jay's fight to save Cassie becomes a battle for the very survival of the Given. THE DARK: Will Jay alone summon the strength to defeat this new enemy, or will the fight be too much even for the most powerful of the Given?

Interland Series Books 1 to 3

Mark Twain - in the West

Alfred Alexander Gordon Clark,

Who murdered solo violinist Lucy Carless during a concert by the Markshire Orchestra? There are several suspects, any one of whom might have strangled her with a silk stocking. Was it her first husband? Or her second? Womanizer Bill Ventry? Or perhaps the clarinetist and fellow Polish �migr�, Zbartorowski, with whom she'd had a violent argument? Lawyer Francis Pettigrew, as reluctant honorary treasurer to the Markshire Orchestral Society, finds himself caught up with assisting the police in their investigations

The Wind Blows Death

Winter

The Book of Acts in Its Ancient Literary Setting includes fourteen chapters devoted to the literary framework that undergirds the Book of Acts. Topics include the text as historical monograph, ancient rhetoric and speeches, the Pauline corpus, biblical history, subsequent ecclesiastical histories, and modern literary method. All of these chapters arise out of a consultation by the project's scholars at Cambridge in March 1993.

The Book of Acts in Its Ancient Literary Setting

Hinton's The Outsiders

Gale Group

Gale Cengage

Bruccoli-Clark Layman

Essays on authors of the German Baroque period, defined in varied ways to include the expression of a worldview that stresses extremes, the formulation of tension between desires, the Counter-Reformation, and the art of courtly culture. Discusses the further developments of the genres of the first half of the seventeenth century, including lyric poetry, tragedies, school plays and novels.

German Baroque Writers, 1661-1730

Essays on authors of the short story that had its origins in the mid-nineteenth century and reached its maturity in England in the twentieth century. The modern British short story grew slowly following by nearly fifty years the origins of this form in the United States, France and Russia. Discusses why several features of nineteenth-century English life may have delayed the development of this literary form.

Clark

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