David Williams

David Bradby

Peter M. Boenisch

This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions

Directors’ Theatre

Maria M. Delgado

Maggie B. Gale

Peter Lichtenfels

This book examines the creation and development of communities of actors, directors, designers and playwrights in Paris over the past thirty years. It shows how the willingness of the city to welcome international influences has enriched its creative life and that many of the most important trends and new developments have been the direct result of

Internationalism and the City's Stages

The Paris Jigsaw

Edward Malcolm Batley

The Challenge of European Theatre

Morality and Justice

Was Professor of Drama and Theatre and Emeritus Professor David Bradby

An updated account and comparison of the major traditions and tendencies in the French theatre from 1940-1990.

Modern French Drama 1940-1990

The first book-length study in English of contemporary French playwright Michel Vinaver

The Theater of Michel Vinaver

In the years since 1940, French theatre has been transformed both institutionally and artistically. This book compares all the major traditions and tendencies at work in French theatre since the outbreak of the Second World War, not only in Paris, but also in the Centres Dramatiques and Maisons de la Culture. Previous books have stopped short at the end of the fifties when the influence of Artaud was strong and the Absurd Theatre had become the new orthodoxy. David Bradby reassesses Beckett, lonesco, Adamov and Genet and challenges the notion that the sixties and seventies were a period of decline in French theatre. The book proceeds chronologically, offering a critical survey of the principal directors, actors and companies as well as of the playwrights, who are its major concern. Important productions are illustrated with black and white photographs. The political background is explained and all quotations are in English.

Modern French Drama 1940-1980

Annie Sparks

Annie Stephenson

A invaluable survey of French theatre since 1968 Mise en Scène is a book in two parts. The first half is a probing look at French theatre now, providing an historical and critical survey of drama and theatre in France since 1968. It explores playwrights such as Samuel Beckett, Marguerite Duras, Michel Vinaver and Bernard-Marie Koltès and directors of international reputation such as Peter Brook, Robert Wilson, Roger Planchon, Antoine Vitez, Patrice Chereau and Ariane Mnouchkine. The second part of Mise en Scène features a comprehensive listings guide to major theatre companies, insitutions, festivals, training schools and invaluable A-Z profiles of contemporary playwrights and directors from France.

Mise En Scene French Theatre Now

Andrew Calder

A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

The Cambridge Companion to Moliere

Explores the impact of Waiting for Godot on the theatre and its many interpretations.

Beckett: Waiting for Godot

'Published in conjunction with the Royal Court Theatre, this volume includes translations of five extraordinary new plays from France which were presented as part of the French Theatre Season in London during 1997. One More Wasted Year by Christopher Pellet presents two young men who inhabit a world of cafes and rented bed-sits, in their late twenties they already seem to old for a youth-obsessed world; Agnes by Catherine Anne is a play that gradually reveals the details of a father''s obsession for his daughter and the way he emotionally blackmails her into satisfying his lust; The Northern Fox by Noelle Renaud contains several dramatic developments including that of the infidelities of Maxime Fuyard and the marital infidelities of Mr and Mrs Kuhn and Otto''s bored and feverish bed-hopping; In Mickey The Torch by Natacha de Pontcharra Mickey works as a nightwatchman in a bleak contemporary cityscape; A Desire to Kill on the Tip of the Tongue by Xavier Durringer is the story working-class youth adrift and prey to the needs for sex, drink or drugs, it shows the shifting relationships between a group of friends hanging about outside a disco. The translators are Martin Crimp (One More Wasted Year); Nigel Gearing (Agnes); Annabel Arden (Mickey the Torch); A Desire to Kill on the Tip of the Tongue (Mark Ravenhill); Gillian Hanna (The Northern Fox)

New French Plays

Claire Finburgh

This book is the only introductory text to Genet in English, offering an overview of this key figure in defining and understanding twentieth-century theatre. The authors provide a comprehensive account of Genet's key plays and productions, his early life and his writing for and beyond the theatre.

Jean Genet

Claude Schumacher

John Ireland

This book considers Holocaust plays 'in performance' and the legitimacy of presenting the Holocaust on the stage.

David Bradby

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