David Remnick

Chronicles the collapse of the Soviet empire, from the rise of glasnost through the final lowering of the Soviet flag, to the start of the post-communist age

The Last Days of the Soviet Empire

Lenin's Tomb

There were mythic sports figures before him–Babe Ruth, Joe Louis, Joe DiMaggio–but when Cassius Clay burst onto the sports scene from his native Louisville in the 1950s, he broke the mould. He changed the world of sports and went on to change the world itself. As Muhammad Ali, he would become the most recognized face on the planet. Ali was a transcendent athlete and entertainer, a heavyweight Fred Astaire, a rapper before rap was born. He was a mirror of his era, a dynamic figure in the racial and cultural battles of his time.This unforgettable story of his rise and self-creation, told by a Pulitzer Prize-winning writer, places Ali in a heritage of great American originals.

Muhammad Ali and the Rise of the American Hero

King of the World

Henry Finder

A collection of the New Yorker's groundbreaking reporting from the front lines of climate change--including writing from Bill McKibben, Elizabeth Kolbert, Ian Frazier, Kathryn Schulz, and more Just one year after climatologist James Hansen first came before a Senate committee and testified that the Earth was now warmer than it had ever been in recorded history, thanks to humankind's heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben's work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change--its past, present, and future--taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben's seminal essay "The End of Nature," the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.

Writing from the New Yorker on Climate Change

The Fragile Earth

Examines the experiences of Barack Obama's life and explores the ambition behind his rise to the presidency, from his relationship with his parents to how social and racial tensions influenced his philosophy.

The Life and Rise of Barack Obama

The Bridge

Jelani Cobb

A collection of the New Yorker's groundbreaking writing on race in America--including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more--with a foreword by Jelani Cobb This latest anthology from the pages of the New Yorker is a bold and telling portrait of Black life in America, featuring astonishing early work from Rebecca West's account of a lynching trial and James Baldwin's "Letter from a Region in My Mind" (which later formed the basis of The Fire Next Time) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Félix, Henry Louis Gates Jr., Kelefa Sanneh, and more. Reaching back across the last century, The Matter of Black Lives includes a wide array of material from the New Yorker archives ranging across essays, reported pieces, profiles, criticism, and historical pieces. The book addresses everything from the arts to civil rights, matters of justice, and politics; it brings us up to the present day with accounts of what Jelani Cobb calls "The American Spring." The result is a startling and nuanced portrait of this country's complex relationship with race.

Writing from the New Yorker

The Matter of Black Lives

Writing on Music

Holding the Note

An compilation of essays, fiction, and cartoons on the world of food and drink from the pages of The New Yorker features contributions by Susan Orlean, Calvin Trillin, Joan Didion, Anthony Bourdain, John Cheever, and Roald Dahl.

The New Yorker Book of Food and Drink

Secret Ingredients

An anthology of biographical profiles from "The New Yorker" covers some of the most influential and infamous people of the century, from Ernest Hemingway and Mikhail Baryshnikov to George W. Bush and Edna Buchanan.

Profiles from the New Yorker

Life Stories

Gathers the funniest work of more than seventy "New Yorker" contributors, with parodists taking on writers like Hemingway and Kerouac, as well as TV documentaries, Italian cinema, etiquette books, and the depths of social embarrassment.

An Anthology of Humor Writing from the New Yorker

Fierce Pajamas

Explores the transformation of a young boxer into an internationally renowned athlete, mythic hero, American icon, and central figure in the twentieth century's social, cultural, and racial conflicts

Muhammad Ali and the Rise of an American Hero

W. H. Auden

Elizabeth Bishop

The New Yorker Magazine

The Story of a Decade

The 40s

The New Yorker Looks at the Culture of Affluence (Modern Library Paperbacks)

The New Gilded Age

New York Stories from The New Yorker

Wonderful Town

The Washington Post's Moscow correspondent chronicles the collapse of the Soviet empire, from the rise of glasnost, through the final lowering of the Soviet flag, to the start of the post-Communist age. 50,000 first printing. $50,000 ad/promo. Tour.

Rey del mundo

Winner of the Pulitzer Prize One of the Best Books of the Year: The New York Times From the editor of The New Yorker: a riveting account of the collapse of the Soviet Union, which has become the standard book on the subject. Lenin’s Tomb combines the global vision of the best historical scholarship with the immediacy of eyewitness journalism. Remnick takes us through the tumultuous 75-year period of Communist rule leading up to the collapse and gives us the voices of those who lived through it, from democratic activists to Party members, from anti-Semites to Holocaust survivors, from Gorbachev to Yeltsin to Sakharov. An extraordinary history of an empire undone, Lenin’s Tomb stands as essential reading for our times.

Susan Choi

Published for "The New Yorker's" 75th anniversary, this anthology of works of and about the city features such authors as John O'Hara, Harold Brodkey, Wendy Wasserstein, John Updike, Jamaica Kincaid, John Cheever, and Julie Hecht--the list reads like a literary pantheon.

A collection of essays, articles, and profiles from the pages of The New Yorker by the Pulitzer Prize-winning author of Lenin's Tomb includes his pieces on post-communist Russia, the Palestinian crisis, American literature, journalism, sports, and more, as seen through his incisive portraits of world leaders, dissidents, authors, athletes, and others. Reprint.

Writings from the New Yorker

Reporting

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the seventy-five-year marriage between a preeminent publication and its preeminent context with this collection of forty-four of its best stories from (so to speak) home. East Side? Philip Roth's chronically tormented alter ego Nathan Zuckerman has just moved there, in "Smart Money." West Side? Isaac Bashevis Singer's narrator mingles with the customers in "The Cafeteria" (who debate politics and culture in four or five different languages) and becomes embroiled in an obsessional romance. And downtown, John Updike's Maples have begun their courtship of marital disaster, in "Snowing in Greenwich Village." Wonderful Town touches on some of the city's famous places and stops at some of its more obscure corners, but the real guidebook in and between its lines is to the hearts and the minds of those who populate the metropolis built by its pages. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Each life in it, and each life in Wonderful Town, is the life of us all. Including these stories from the magazine's most iconic writers: “The Five-Fourty-Eight” by John Cheever “Distant Music” by Ann Beattle “Sailor off the Bremen” by Irwin Shaw “Physics” by Tama Janowitz “The Whore of Mensa” by Woody Allen “What it was Like, Seeing Chris” by Deborah Eisenberg “Drawing Room B” by John O’Hara “A Sentimental Journey” by Peter Taylor “The Balloon” by Donald Barthelme “Another Marvellous Thing” by Laurie Colwin “The Failure” by Jonathan Franzen “Apartment Hotel” by Sally Benson “Midair” by Frank Conroy “The Catbird Seat” by James Thurber “I See You, Bianca” by Maeve Brennan “You’re Ugly, Too” by Lorrie Moore “Signs and Symbols” by Vladimir Nabokov “Poor Visitor” by Jamaica Kincaid “In Greenwich, There Are Many Gravelled Walks” by Hortense Calisher “Some Nights When Nothing Happens Are the Best Nights in this Place” by John McNulty “Slight Rebellion Off Madison” by J. D. Salinger “Brownstone” by Renata Adler “Partners” by Veronica Geng “The Evolution of Knowledge” by Niccolo Tucci “The Way We Live Now” by Susan Sontag “Do the Windows Open?” by Julie Hecht “The Mentocrats” by Edward Newhouse “The Treatment” by Daniel Menaker “Arrangement in Black and White” by Dorothy Parker “Carlyle Tries Polygamy” by William Melvin Kelley “Children Are Bored on Sunday” by Jean Stafford “Notes from a Bottle” by James Stevenson “Man in the Middle of the Ocean” by Daniel Fuchs “Me Spoulets of the Splendide” by Ludwig Bemelmans “Over by the River” by William Maxwell “Baster” by Jeffrey Eugenides “The Second Tree from the Corner” by E. B. White “Rembrandt’s Hat” by Bernard Malamud “Shot: A New York Story” by Elizabeth Hardwick “A Father-To-Be” by Saul Bellow “Farewell, My Lovely Appetizer” by S. J. Perelman “Water Child” by Edwidge Danticat “The Smoker” by David Schickler

David Remnick

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