Deborah Baker

The Beats in India

A Blue Hand

A literary exploration of the Beats' encounter with India in the 1960s follows the journey of Allen Ginsberg and his companions through the ashrams of the Himalayan foothills, to the Delhi opium dens, to the pyres of Benares, where they witnessed regional spirituality and unrest while searching for the elusive Hope Savage. 25,000 first printing.

*A 2011 National Book Award Finalist* A spellbinding story of renunciation, conversion, and radicalism from Pulitzer Prize-finalist biographer Deborah Baker What drives a young woman raised in a postwar New York City suburb to convert to Islam, abandon her country and Jewish faith, and embrace a life of exile in Pakistan? The Convert tells the story of how Margaret Marcus of Larchmont became Maryam Jameelah of Lahore, one of the most trenchant and celebrated voices of Islam's argument with the West. A cache of Maryam's letters to her parents in the archives of the New York Public Library sends the acclaimed biographer Deborah Baker on her own odyssey into the labyrinthine heart of twentieth-century Islam. Casting a shadow over these letters is the mysterious figure of Mawlana Abul Ala Mawdudi, both Maryam's adoptive father and the man who laid the intellectual foundations for militant Islam. As she assembles the pieces of a singularly perplexing life, Baker finds herself captive to questions raised by Maryam's journey. Is her story just another bleak chapter in a so-called clash of civilizations? Or does it signify something else entirely? And then there's this: Is the life depicted in Maryam's letters home and in her books an honest reflection of the one she lived? Like many compelling and true tales, The Convert is stranger than fiction. It is a gripping account of a life lived on the radical edge and a profound meditation on the cultural conflicts that frustrate mutual understanding.

A Tale of Exile and Extremism

The Convert

An engrossing story that traces the end of empire and the stirring of a new world order John Auden was a pioneering geologist of the Himalayas. Michael Spender was the first to draw a detailed map of the North Face of Mount Everest. While their younger brothers – W. H. Auden and Stephen Spender – achieved literary fame, they vied for a place on an expedition that would finally conquer Everest. To this rivalry was added another: their shared love for a painter named Nancy Sharp. Her choice would determine each man’s wartime loyalties. From Calcutta to pre-war London to Everest itself, The Last Englishmen tracks a generation obsessed with a romantic ideal. With a cast including writers, artists, political rogues and spies, this is an engrossing story of the end of empire and the stirring of a new world order. 'Wholly original... It wouldn’t be an exaggeration to say that there is something Tolstoyan to Baker's vast project... Remarkable' Neel Mukherjee

Love, War and the End of Empire

The Last Englishmen

How did Margaret Marcus of Larchmont become Maryam Jameelah of Lahore? What drives a young woman raised in a postwar New York City suburb to convert to Islam, abandon her country and Jewish faith, and embrace a life of exile in Pakistan? The Convert tells the story of how Margaret Marcus of Larchmont became Maryam Jameelah of Lahore, one of the most trenchant and celebrated voices of Islam's argument with the West. A cache of Maryam’s letters to her parents in the archives of The New York Public Library sends acclaimed biographer Deborah Baker on her own odyssey into the labyrinthine heart of 20th century Islam. Casting a shadow over these letters is the enigmatic figure of Mawlana Abul Ala Mawdudi, both Maryam’s adoptive father and mentor, and the man who laid the intellectual foundations for militant political Islam. As she assembles the pieces of a singularly perplexing life, Baker finds herself captive to the larger questions raised by Maryam’s journey. How, exactly, did the cold war devolve into the war on terror? Is the argument between Islam and the West a metaphysical one or a historical one? Is Maryam’s story just another bleak chapter in the so-called clash of civilizations? Or does it signify something else entirely? And then there’s this: is the life depicted in Maryam’s letters home and in her books an honest reflection of the one she lived? Like many compelling and true tales, The Convert is stranger than fiction. It is both a gripping story of a life lived on the radical edge and a profound meditation on the roots of terror in our age of dread.

In her poetry, fiction, essays, and public statements, Laura Riding, the author of twenty-three books, tackled feminism, communism, sexuality, Freud, language and belief, and the coming-of-age of the American dream. In her personal relationships she was often at the center of a circle of friends and artists whose activities she inspired and sometimes controlled. Her extraordinary range of associates included writers as diverse as Hart Crane, Gertrude Stein, Edmund Wilson, Malcolm Cowley, Allen Tate, and Robert Penn Warren. During a long and "scandalous" affair with Robert Graves, she watched over his most productive period and guided much of his best work. Together they launched the New Criticism.

The Life of Laura Riding

In Extremis

W.H. Auden and Stephen Spender were the cutting-edge English poets of their generation, influential inter-war figures on the cusp of culture and politics, of imperialism and anti-imperialism. By a curious quirk of history, both their older brothers were mountain explorers - John Bicknell Auden was a pioneering geologist of the Himalayas, while Michael Spender was the first to draw a detailed map of the north face of the Everest. While their younger brothers achieved literary fame, John Auden and Michael Spender vied to be included in the expedition that would deliver an Englishman to the summit of Everest, a quest that became a metaphor for Britain to maintain power over India. To this rivalry was added another: both men fell in love with the same vivacious woman, the painter Nancy Sharp. Her choice would determine where each man's wartime fate and loyalties would lie, with England and its unraveling empire, or elsewhere. Set in Calcutta, London, in the glacier-locked wilds of the Karakoram, and on Mount Everest itself, The Last Englishmen is also the story of a generation. The cast of characters in Deborah Baker's exhilarating drama includes Indian and English writers and artists, explorers and Communist spies, imperial 'Die Hards' and Indian nationalists, political chancers and police informers. Key among them is a highborn Bengali poet named Sudhindranath Datta, a melancholy soul torn like others of his generation between a hatred of the British empire and a deep love of European literature, and whose way of life would be upended by the arrival of the Second World War on his Calcutta doorstep. Dense with romance and intrigue, and of startling relevance to the cross-cultural debates and great power games of our own day, The Last Englishmen is an engrossing and masterful story that traces the end of empire and the stirring of a new world order.

Deborah Baker

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