Christopher Rice

Douglas Cole

Give grappling a well-deserved boost with this gripping gaming supplement. Usable with RPGs from the OSR through 5e.

Dungeon Grappling

Assesses the consequences of Marlowe's life in the theatre: how his plays transformed the literary traditions of his time and how they helped redefine the themes of tragedy.

Christopher Marlowe and the Renaissance of Tragedy

A journey of will caught by unseen forces. When the dream takes over, the ride gets wilder. The White Field is a fast-paced journey of a man, Tom, fresh out of prison and trying desperately to rebuild his life. But he is caught by mysterious, unseen forces beyond his knowledge or control. After his release from prison, he is dropped back into the world in the wastelands of the city. In the menial work afforded the underclass, he begins his new life among characters at the edges of society, dwellers of the netherworld such as Raphael, a former cop from Mexicali singing Spanish arias in the mists of the industrial night among drug addicts and crooked cops; Tony, a stoner scholar with an encyclopedic knowledge of history based solely on the intricate study of rock and roll; and Larry, the bloated, abusive manager trapped as much as his workers in a world of tedium and repetition and machines. Think, The Three Stooges on acid. Unable to reconnect with what’s left of his family, Tom embarks on a criminal path more harrowing than the one that led him to prison in the first place. Lured in by the nefarious, Thane, he slips into a plan that will leave him with no way back. And with no place left in this world to go but prison, he makes one last run for freedom. Will he escape?

The White Field

The Boas family's lifelong habit of writing frequent, frank, and informative letters allows a rich and intimate look at Boas's childhood, family, schooling, and marriage, as well as his early expeditions among the Central Eskimo and Northwest Coast Indians and his struggle to establish a position for himself in American anthropology."--Jacket.

Douglas Cole

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