Devon W. Carbado

Donald Weise

Dwight A. McBride

Chronicles one hundred years of African-American homosexual literature, from the turn-of-the-century writings of Alice Dunbar Nelson, to the Harlem Renaissance of Langston Hughes, to the emerging sexual liberation movements of the later postwar era as reflected by James Baldwin. Original.

A Century of Lesbian, Gay and Bisexual African American Fiction

Black Like Us

Justin A. Joyce

The James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. The James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. It is the aim of the James Baldwin Review to provide a vibrant and multidisciplinary forum for the international community of Baldwin scholars, students, and enthusiasts.

James Baldwin

Melvin Dixon

Over the course of his brief career, Melvin Dixon (1950-1992) became an important critical voice for African American scholarship as well as a widely read chronicler of the African American gay experience. His novels Trouble the Water and Vanishing Rooms still receive considerable attention, as do his collections of poetry and his major work of criticism, Ride Out the Wilderness: Geography and Identity in Afro-American Literature. In A Melvin Dixon Critical Reader, scholars Justin A. Joyce and Dwight A. McBride have collected, for the first time in a single volume, the eight critical essays Dixon published during his lifetime. The volume divides Dixon's critical output into three categories--"Writing Black Diaspora Theory," "Writing African American Cultural Theory," and "Writing African American Literary Criticism"--and closes with a speech Dixon gave to the queer writers' conference, OutWrite, in 1992, just months before he succumbed to an AIDS-related illness. What emerges from the essays collected here is the voice of a confident, engaging scholar, who tackles a wide range of literary and cultural topics. Dixon examines the trickster characters of Charles W. Chesnutt, the friendship between the Haitian novelist Jacques Roumain and Langston Hughes, and the aesthetic importance of black speech in the novels of Gayl Jones. His address to OutWrite serves as a poignant record of Dixon's knack to wax elegiac and poetic and to synthesize criticism, activism, and art. The introduction places Dixon in the contexts of African American cultural history and gay/lesbian critical discourse. Justin A. Joyce is a doctoral candidate in the department of English at the University of Illinois-Chicago. Dwight A. McBride is Leon Forrest Professor and Chair of African American Studies at Northwestern University and the author of Why I Hate Abercrombie & Fitch: Essays on Race and Sexuality in America and Impossible Witnesses: Truth, Abolitionism, and Slave Testimony.

A Melvin Dixon Critical Reader

Douglas Field

The James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. This edition brings together all of the articles published in this year's volume.

Dwight A. McBride

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