John Bidwell

Elizabeth Barlow Rogers

Elizabeth S. Eustis

The Morgan Library & Museum has assembled an impressive array of trend-setting texts and outstanding works of art that reveal the origins and impact of the stylistic innovations of the Romantic Garden, in a broad cultural context, roughly from 1700 to 1900. Romantic Gardens provides a compelling overview of these groundbreaking ideas and shows how they were implemented in private estates and public parks in England, France, Germany, and America.

Nature, Art, and Landscape Design

Romantic Gardens

The story of how one woman's long love affair with New York's Central Park led her to organize its rescue from a state of serious decline, returning it to the beautiful place of recreational opportunity and spiritual sustenance that it is today. Elizabeth Barlow Rogers opens with a quick survey of her early life--a middle-class upbringing in Texas; college at Wellesley, marriage, a master's degree in city planning at Yale. And then her move to New York, where she starts a family and, when she finds being a mother and a housewife is not enough, pours herself into the protection and enhancement of the city's green spaces. Interwoven into her own story is a comprehensive history of Central Park: its design and construction as a scenic masterpiece; the alterations of each succeeding era; the addition of numerous facilities for sports and play; and finally, the "anything goes" phase of the 1960s and 70s, which was often fun but nearly destroyed the park. The two narratives continue to entwine as she finds a job in the administration of Central Park, founds the Central Park Conservancy, and transforms both the park and herself--a transformation that has led to the writing of her many books, to travels that have taken her to parks and gardens around the world, and to solidifying the prestige of one of New York's most conspicuous landmarks.

A History and a Memoir

Saving Central Park

Gardening has always attracted devotedly literate practitioners; people who like to dig, it would appear, also like to write. And many of them write exceedingly well. Focusing on gardeners' words about the art of gardening, and ranging in time and place from Enlightenment France to modern-day New York, Writing the Garden brings together a diverse array of authors including Vita Sackville-West, Gertrude Jekyll and Sir Roy Strong. For the most part they are not professional landscape designers or how-to horticulturalists, but rather hands-on gardeners who write with their own gardens in full view.

A Literary Conversation Across Two Centuries

Writing The Garden

Bruce Davidson

Marie Winn

Bruce Davidson's photographs of Central Park reveal a humane, democratic haven of breathtaking beauty and ecological secrets, as well as a site for wondrous adventures. Renowned as an intrepid explorer of the urban terrain, and a member of Magnum Photos, Bruce Davidson has challenged himself in a remarkable new way, taking on the visual and metaphorical scope of Central Park. This chronicler of the New York subway, the civil-rights movement, and of life in East Harlem finds himself - as suddenly and surprisingly as Alice in Wonderland (who appears in one of his more humorous photographs) - in his city's verdant oasis. Davidson's photographic approach to the park's wildlife - human and otherwise - varies as much in format (panoramic, 35mm., and square) as it does in emotional quality. Complemented by an essay by author, journalist, and translator Marie Winn, a preface by writer and Central Park Conservancy Director Elizabeth Barlow Rogers, and Davidson's own anecdotal reflections, Central Park provides an expansive view of this wonderfully intricate and varied space.

Central Park

Las Vegas, New Mexico, is the subject and muse of this provocative case study of place, exploring its history and geography, nature and character through explorations of town and landscape and encounters with Las Vegans.

Portrait of a Northern New Mexican Place

Learning Las Vegas

"The woman who launched the restoration of Central Park in 1980 surveys in depth seven green landscapes in New York City, their history--both natural and human--and how they have been transformed over time. Elizabeth Barlow Rogers describes seven landscapes: greenbelt and nature refuge that runs along the spine of Staten Island on land once intended for a highway; Jamaica Bay, near JFK Airport, whose mosaic of fragile, endangered marshes has been preserved as a bird sanctuary; Inwood Hill, in upper Manhattan, whose forest once sheltered Native Americans and Revolutionary soldiers before it became a site for wealthy estates and subsequently a public park; the Central Park Ramble, a carefully designed artificial wilderness in the middle of the city; Roosevelt Island, formerly Welfare Island, in the East River, where urban planners built a traffic-free 'new town in town' in the 1970s and whose southern tip now boasts the Louis Kahn-designed memorial to FDR; Fresh Kills, the James Corner Field Operations-designed 2,200-acre park on Staten Island that is being created out of what was once the world's largest landfill; The High Line, in Manhattan's Chelsea and West Village neighborhoods, an aerial promenade built on an abandoned elevated rail spur"--

The Extraordinary Landscapes of New York City as Nature, History, and Design

Green Metropolis

Gardening, more than most outdoor activities, has always attracted a cult of devotedly literate practitioners; people who like to dig, it would appear, also like to write. And many of them write exceedingly well. In this thoughtful, personal, and embracing consideration of garden writing, garden historian Elizabeth Barlow Rogers selects and discusses the best of these writers. She makes her case by picking delightful examples that span two centuries, arranging the writers by what they did and how they saw themselves: nurserymen, foragers, conversationalists, philosophers, humorists, etc. Her discussions and appreciations of these diverse personalities are enhanced and supported by informed appraisals of their talents, obsessions, and idiosyncrasies, and by extensive extracts from their writings. Rogers provides historical background, anecdotal material, and insight into how these garden writers worked. And wherever appropriate, she illustrates her story with images from their books, so you can not only read what they wrote but also see what they were describing. Since gardens are by their very nature ephemeral, these visual clues from the pages of their books, many reproduced in color, are as close as we will come to the originals. What makes Writing the Garden such a joy to read is that it is not simply a collection of extracts, but real discussions and examinations of the personalities who made their mark on how we design, how we plant, and how we think about what is for many one of life's lasting pleasures. Starting with "Women in the Garden" (Jane Loudon, Fran ces Garnet Wolseley, and Gertrude Jekyll) and concluding with "Philosophers in the Garden" (Henry David Tho reau, Michael Pollan, and Allen Lacy), this is a book that encompasses the full sweep of the best garden writing in the English language. Writing the Garden is co-published by the New York Society Library and the Foundation for Landscape Studies in association with David R. Godine, Publisher.

Writing the Garden

From ancient Egyptian royal cemeteries to great 18th-century English estates and the earth works of today, this volume spans the history of landscape design, revealing a great deal about the development of societies, and how cities, parks and gardens embody cultural values.

A Cultural and Architectural History

Landscape Design

John Berendt

Illustrated throughout with 2-color and tinted maps and drawings and numerous photographs, Rebuilding Central Park is the first close examination of these invaluable 843 acres in more than a century.

Elizabeth Barlow Rogers

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